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Erik Friedlander|The Watchman

The Watchman

Erik Friedlander

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Incorporating elements of free jazz and East European traditional music, avant garde cellist Erik Friedlander, with his ensemble Chimera, have issued a second album, The Watchman. Clarinet and cello, not surprisingly, provide the core around which the other musicians orbit. Despite its sources, this is not another klez-jazz album, rather it sounds alternately like mournful, solid jazz or the music of the village run through a rhythmic blender. Friedlander has made a name for himself in the past by playing jazz cello with a style that does more than just mimic the high registers of a standup bass, and on this album he is freed even more from the expectations of the jazz tradition to create beautiful music with spiritual depth and a warm, sensual tone. The album's thematic exploration of emotion, memory, and mourning only add depth to the compositions.

© TiVo

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The Watchman

Erik Friedlander

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1
The Watchman
00:01:35

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

2
Elisha
00:12:24

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

3
The Silver Bracelet, Theme
00:01:23

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

4
Najime
00:09:07

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

5
The Silver Bracelet
00:11:58

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

6
Variations On The Watchman
00:03:00

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

7
Silver Like Dust
00:04:41

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

8
The Watchman (Sleeps)
00:01:42

Erik Friedlander, Composer, MainArtist

1996 Tzadik 1996 Tzadik

Album review

Incorporating elements of free jazz and East European traditional music, avant garde cellist Erik Friedlander, with his ensemble Chimera, have issued a second album, The Watchman. Clarinet and cello, not surprisingly, provide the core around which the other musicians orbit. Despite its sources, this is not another klez-jazz album, rather it sounds alternately like mournful, solid jazz or the music of the village run through a rhythmic blender. Friedlander has made a name for himself in the past by playing jazz cello with a style that does more than just mimic the high registers of a standup bass, and on this album he is freed even more from the expectations of the jazz tradition to create beautiful music with spiritual depth and a warm, sensual tone. The album's thematic exploration of emotion, memory, and mourning only add depth to the compositions.

© TiVo

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