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Tim Wilson|The Real Twang Thang

The Real Twang Thang

Tim Wilson

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Since Tim Wilson has not made a comedy album of all-new material in more than three years (meanwhile putting out a hits collection and an all-music set), you'd think he would have had time to come up with a disc's worth of fresh material. But The Real Twang Thang suggests he should have taken much longer. The usual comic Wilson persona is present here, of course, as he expounds from a red-state reactionary political viewpoint, while dipping into sexism, racism, homophobia, and religious intolerance. Usually, however, he isn't even interesting enough to be offensive; "Terrorists," for example, manages to be both tasteless and dated. (For all that, he remains curiously prim about his language, at least on disc, conscientiously bleeping out all curse words, no doubt in the hopes of achieving morning "zoo" radio play.) But what is not usual is that he is so rarely funny. He seems to have lost interest in standup work; only six tracks out of 21 are spoken-word commentaries rather than songs, and even when he's talking, he strums a guitar occasionally and plays bits of songs to illustrate his points. Clearly, he'd rather be singing than talking. When he does speak, he spends much of his time criticizing members of the audience (one track is called "Messing with the Crowd," although all of the standup tracks could be called that). He insults young people and bores them with reminiscences about what it was like for him growing up in the days before car seats and safety helmets, when he watched Bonanza on TV. You can hear people laughing here and there, but there is actually little or no humor in his commentaries. The talking, however, is still much better than the singing. Musically pedestrian and indifferently performed, the songs tend to be one-joke efforts, if that. By the end of the disc, few of them are running more than a minute in length. The Real Twang Thang sounds like Tim Wilson's leftovers, material cut from standup routines and recording sessions because it wasn't worth including on earlier albums.

© William Ruhlmann /TiVo

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The Real Twang Thang

Tim Wilson

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1
I Think My Wife Is Running Around On Me (Taco Hell)
00:03:05

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

2
Messing With The Crowd
00:03:45

Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

3
The Michael Vick Song
00:02:46

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

4
Church League Softball Fistfight
00:01:50

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

5
Pissed Copalians
00:01:49

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

6
Jack Ass: The Movie
00:01:02

Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

7
One Idiot Away
00:01:58

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

8
Youngsters
00:04:11

Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

9
Tiffany
00:01:23

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

10
Terrorists
00:04:13

Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

11
Beetle Bailey
00:00:59

Danny Simpson, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

12
The American Band Can't Stand
00:02:08

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

13
The History Of Rock (Edited)
00:02:59

Ronnie Van Zant, ComposerLyricist - ALLEN COLLINS, ComposerLyricist - Chuck Berry, ComposerLyricist - Glenn Frey, Composer - DON HENLEY, Composer - Irving Mills, ComposerLyricist - John David Souther, Composer - Cliff Friend, ComposerLyricist - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

14
Bonanza
00:03:48

Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

15
Dick Weasel, Attorney At Law
00:03:01

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

16
Lap Dancing Days
00:00:57

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

17
Mr. Men's Room
00:01:56

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

18
Haunt Me A Waffle House
00:01:07

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

19
Pushy On The Brain
00:01:00

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

20
Ass Bags
00:01:02

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

21
Tammy & Randy
00:00:59

Danny Simpson, Composer, Producer, Associate Producer - Tim Wilson, Composer, Producer, MainArtist

2004 Capitol Records Nashville Produced by Tim Wilson. Danny Simpson is Associate Producer on music tracks. ℗ 2004 Capitol Records Nashville

Album review

Since Tim Wilson has not made a comedy album of all-new material in more than three years (meanwhile putting out a hits collection and an all-music set), you'd think he would have had time to come up with a disc's worth of fresh material. But The Real Twang Thang suggests he should have taken much longer. The usual comic Wilson persona is present here, of course, as he expounds from a red-state reactionary political viewpoint, while dipping into sexism, racism, homophobia, and religious intolerance. Usually, however, he isn't even interesting enough to be offensive; "Terrorists," for example, manages to be both tasteless and dated. (For all that, he remains curiously prim about his language, at least on disc, conscientiously bleeping out all curse words, no doubt in the hopes of achieving morning "zoo" radio play.) But what is not usual is that he is so rarely funny. He seems to have lost interest in standup work; only six tracks out of 21 are spoken-word commentaries rather than songs, and even when he's talking, he strums a guitar occasionally and plays bits of songs to illustrate his points. Clearly, he'd rather be singing than talking. When he does speak, he spends much of his time criticizing members of the audience (one track is called "Messing with the Crowd," although all of the standup tracks could be called that). He insults young people and bores them with reminiscences about what it was like for him growing up in the days before car seats and safety helmets, when he watched Bonanza on TV. You can hear people laughing here and there, but there is actually little or no humor in his commentaries. The talking, however, is still much better than the singing. Musically pedestrian and indifferently performed, the songs tend to be one-joke efforts, if that. By the end of the disc, few of them are running more than a minute in length. The Real Twang Thang sounds like Tim Wilson's leftovers, material cut from standup routines and recording sessions because it wasn't worth including on earlier albums.

© William Ruhlmann /TiVo

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