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Darkthrone|The Cult is Alive

The Cult is Alive

Darkthrone

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At a time when most of the first wave of Norwegian black metal bands are long gone, Darkthrone has become the senior figures of this particular subgenre almost by default; they're like the Rolling Stones of death metal. And much like the Rolling Stones around the time of Some Girls and Emotional Rescue, Darkthrone now seems to be caught between staying true to their original sound and adapting to the commercial marketplace. The album's first single, "Too Old, Too Cold" is easily the most immediately accessible song the band has ever done, sounding more like American hardcore punks the Misfits than anyone else, and elsewhere "Graveyard Slut" and "Whiskey Funeral" add to the album's punky feel. Longtime fans might grouse about the somewhat diluted sound of the album, but the shift in emphasis is both subtle and effective. Rather than simply going through the black metal motions, The Cult Is Alive is one of Darkthrone's most satisfying recent albums.

© Stewart Mason /TiVo

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The Cult is Alive

Darkthrone

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1
The Cult Of Goliath Explicit
00:04:01

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

2
Too Old Too Cold Explicit
00:03:03

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

3
Atomic Coming Explicit
00:04:50

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

4
Graveyard Slut Explicit
00:04:03

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

5
Underdogs and Overlords Explicit
00:04:01

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

6
Whiskey Funeral Explicit
00:03:59

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

7
De Underjordiske Explicit
00:03:13

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

8
Tyster På Gud Explicit
00:03:08

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

9
Shut Up Explicit
00:04:45

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

10
Forebyggende Krig Explicit
00:03:41

Darkthrone, MainArtist - Ted Skjellum, Composer - Gylve Fenris Nagell, Composer - Vile Music (Concord Copyrights London Ltd), MusicPublisher

(C) 2006 Peaceville Records Ltd (P) 2006 peaceville records

Album review

At a time when most of the first wave of Norwegian black metal bands are long gone, Darkthrone has become the senior figures of this particular subgenre almost by default; they're like the Rolling Stones of death metal. And much like the Rolling Stones around the time of Some Girls and Emotional Rescue, Darkthrone now seems to be caught between staying true to their original sound and adapting to the commercial marketplace. The album's first single, "Too Old, Too Cold" is easily the most immediately accessible song the band has ever done, sounding more like American hardcore punks the Misfits than anyone else, and elsewhere "Graveyard Slut" and "Whiskey Funeral" add to the album's punky feel. Longtime fans might grouse about the somewhat diluted sound of the album, but the shift in emphasis is both subtle and effective. Rather than simply going through the black metal motions, The Cult Is Alive is one of Darkthrone's most satisfying recent albums.

© Stewart Mason /TiVo

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