Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Highly Suspect landed two unsuspected Grammy nominations in 2016, pushing the Massachusetts neo-grunge trio into the spotlight. Maybe they didn't take home trophies for Best Rock Song ("Lydia") or Best Rock Album (Mister Asylum) but for this band, the nomination was the award: without it, they likely would never have received a signal boost to put them on the mainstream radar. The Boy Who Died Wolf, released a few months later in November of 2016, is designed to capitalize on that momentum but Highly Suspect aren't quite sure how to proceed. The Boy Who Died Wolf ping-pongs between the roiling, self-lacerating undercurrents first heard on "Lydia," stilted irony (an inexplicable cover of Real Life's new wave hit "Send Me an Angel"), and '90s worship, all tempered by a slight sense of self-importance that crests on the piano ballad "Chicago." Pomp isn't something Highly Suspect do well. They're better at insular, churning darkness, and oddly, they excel at earnest trash that recalls peak Stone Temple Pilots: "Serotonia" and "Viper Strike" both hail back to Core in their profane swagger. Highly Suspect don't sustain either mood through The Boy Who Died Wolf, which suggests that this increased profile may have arrived too quickly: they're ambitious but also craven, trying to seem simultaneously serious and visceral. Through this, Highly Suspect show potential but they're still in the throes of some serious growing pangs here.
© Stephen Thomas Erlewine /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Joel Hamilton, Writer - Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Joel Hamilton, Producer, Engineer, Synthesizer, MixingEngineer - Francisco Botero, Assistant, SecondEngineer - Richard Meyer, Composer, Lyricist - Johnny Stevens, Composer, Lyricist - Ryan Meyer, Composer, Lyricist - Highly Suspect, MainArtist - Jeffrey Berner, Guitar, Hammond Organ
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Richard Zatorski, Lyricist, Writer - David Sterry, Lyricist, Writer - Highly Suspect, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Joel Hamilton, Writer - Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Johnny Stevens, Lyricist - Highly Suspect, Writer, MainArtist
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Album review
Highly Suspect landed two unsuspected Grammy nominations in 2016, pushing the Massachusetts neo-grunge trio into the spotlight. Maybe they didn't take home trophies for Best Rock Song ("Lydia") or Best Rock Album (Mister Asylum) but for this band, the nomination was the award: without it, they likely would never have received a signal boost to put them on the mainstream radar. The Boy Who Died Wolf, released a few months later in November of 2016, is designed to capitalize on that momentum but Highly Suspect aren't quite sure how to proceed. The Boy Who Died Wolf ping-pongs between the roiling, self-lacerating undercurrents first heard on "Lydia," stilted irony (an inexplicable cover of Real Life's new wave hit "Send Me an Angel"), and '90s worship, all tempered by a slight sense of self-importance that crests on the piano ballad "Chicago." Pomp isn't something Highly Suspect do well. They're better at insular, churning darkness, and oddly, they excel at earnest trash that recalls peak Stone Temple Pilots: "Serotonia" and "Viper Strike" both hail back to Core in their profane swagger. Highly Suspect don't sustain either mood through The Boy Who Died Wolf, which suggests that this increased profile may have arrived too quickly: they're ambitious but also craven, trying to seem simultaneously serious and visceral. Through this, Highly Suspect show potential but they're still in the throes of some serious growing pangs here.
© Stephen Thomas Erlewine /TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:45:14
- Main artists: Highly Suspect
- Composer: Various Composers
- Label: 300 Entertainment
- Genre: Pop/Rock Rock Alternative & Indie
© 2016 300 Entertainment ℗ 2016 300 Entertainment
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.