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Grant Green|The Best Of Grant Green

The Best Of Grant Green

Grant Green

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Grant Green signed to Blue Note for a second time in 1969. Where his first stint with the label was nearly all hard bop, the recordings from his second stay were almost all funky soul-jazz. Predictably, these are sessions that jazz purists have dismissed throughout the years, even though -- when judged strictly on the level of funky, groove-oriented dance music -- the music is quite strong. During the '80s and '90s, dance and hip-hop fans rediscovered Green's records from the late '70s and sampled his playing and grooves on their own records. Blue Note assembled The Best of Grant Green, Vol. 2 to capitalize on the popularity of this acid-jazz movement. All of the material on this disc is drawn from albums -- The Final Comedown, Live at the Lighthouse, Visions -- that never received much attention in jazz circles. Nevertheless, fans of this sound will find The Best of Grant Green, Vol. 2 to be a delight -- there are a lot of wonderfully funky, dense grooves on here, and many of the songs have been out of print since their original issue. Hard bop fans will not reconsider their negative opinion of this music based on this compilation, but acid-jazz, groove, and hip-hop fans will find this disc to be an excellent addition to their Grant Green collection.

© Stephen Thomas Erlewine /TiVo

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The Best Of Grant Green

Grant Green

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1
Back Out
Reuben Wilson
00:08:08

Grant Green, Guitar, AssociatedPerformer - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Lee Morgan, Trumpet, AssociatedPerformer - Francis Wolff, Producer - George Coleman, Tenor Saxophone, AssociatedPerformer - Reuben Wilson, Composer, Organ, MainArtist, AssociatedPerformer - Leo Morris, Drums, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1969 Blue Note Records

2
Cease The Bombing
Grant Green
00:08:52

Jimmy Lewis, Bass Guitar, AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Earl Neal Creque, Composer, Arranger, Piano, Work Arranger, AssociatedPerformer - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - William Bivens, Vibraphone, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1970 Capitol Records, LLC

3
Ain't It Funky Now
Grant Green
00:09:56

JAMES BROWN, Composer - Candido Camero, Conga, AssociatedPerformer - Jimmy Lewis, Electric Bass, AssociatedPerformer, Bass (Vocal) - Grant Green, Guitar, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Francis Wolff, Producer - Candido, Conga, AssociatedPerformer - Blue Mitchell, Trumpet, AssociatedPerformer - Richard Landrum, Bongos, AssociatedPerformer - Earl Neal Creque, Organ, AssociatedPerformer - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - Emanuel Riggins, Organ, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1970 Capitol Records, LLC

4
Sookie Sookie (Live At The Cliche' Lounge, Newark, New Jersey, 1970)
Grant Green
00:10:57

Steve Cropper, Composer - Don Covay, Composer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Ronnie Foster, Organ, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Francis Wolff, Producer - Ed Greene, Recording Engineer, StudioPersonnel - Idris Muhammad, Drums, AssociatedPerformer - Claude Bartee, Tenor Saxophone, AssociatedPerformer - William Bivens, Vibraphone, AssociatedPerformer - Joseph Armstrong, Conga, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1970 Blue Note Records

5
Cantaloupe Woman
Grant Green
00:05:33

Chuck Rainey, Electric Bass, AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Ray Armando, Conga, AssociatedPerformer - George Butler, Producer - Ben Dixon, Composer - Idris Muhammad, Drums, AssociatedPerformer - Emanuel Riggins, Piano, AssociatedPerformer - Billy Wooten, Vibraphone, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1971 Capitol Records, LLC

6
California Green
Grant Green
00:06:22

Grant Green, Composer, MainArtist - George Butler, Producer

(C) 1996 Blue Note Records ℗ 1972 Capitol Records, LLC

7
The Final Comedown
Grant Green
00:03:27

Ralph MacDonald, Percussion, AssociatedPerformer - Phil Bodner, Flute, Oboe, Piccolo, Alto Saxophone, Woodwinds, AssociatedPerformer - Cornell Dupree, Guitar, AssociatedPerformer - Charles McCracken, Cello, AssociatedPerformer - Gordon Edwards, Bass Guitar, Electric Bass, AssociatedPerformer - Marvin Stamm, Flugelhorn, Trumpet, AssociatedPerformer - Richard Tee, Keyboards, Organ, Piano, AssociatedPerformer - George Devens, Percussion, Timpani, Vibraphone, Timbales , AssociatedPerformer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Grady Tate, Drums, AssociatedPerformer - Seymour Barab, Cello, AssociatedPerformer - Warren Smith, Tambourine, Marimba, AssociatedPerformer - Julian Barber, Viola, AssociatedPerformer - Wade Marcus, Composer, Conductor - George Butler, Producer - Harry Zaratzian, Viola, AssociatedPerformer - Eugene Bianco, Harp, AssociatedPerformer - Don Hahn, Recording Engineer, StudioPersonnel - Harold Vick, Alto Saxophone, Soprano Saxophone, Tenor Saxophone, AssociatedPerformer - Irv Markowitz, Trumpet, AssociatedPerformer - Irving Markowitz, Flugelhorn, Trumpet, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1972 Capitol Records, LLC

8
The Windjammer (Live)
Grant Green
00:12:05

Grant Green, MainArtist - George Butler, Producer - Earl Neal Creque, Composer

(C) 1996 Blue Note Records ℗ 1972 Blue Note Records

Album review

Grant Green signed to Blue Note for a second time in 1969. Where his first stint with the label was nearly all hard bop, the recordings from his second stay were almost all funky soul-jazz. Predictably, these are sessions that jazz purists have dismissed throughout the years, even though -- when judged strictly on the level of funky, groove-oriented dance music -- the music is quite strong. During the '80s and '90s, dance and hip-hop fans rediscovered Green's records from the late '70s and sampled his playing and grooves on their own records. Blue Note assembled The Best of Grant Green, Vol. 2 to capitalize on the popularity of this acid-jazz movement. All of the material on this disc is drawn from albums -- The Final Comedown, Live at the Lighthouse, Visions -- that never received much attention in jazz circles. Nevertheless, fans of this sound will find The Best of Grant Green, Vol. 2 to be a delight -- there are a lot of wonderfully funky, dense grooves on here, and many of the songs have been out of print since their original issue. Hard bop fans will not reconsider their negative opinion of this music based on this compilation, but acid-jazz, groove, and hip-hop fans will find this disc to be an excellent addition to their Grant Green collection.

© Stephen Thomas Erlewine /TiVo

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