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Ten Years After|The Anthology (1967-1971)

The Anthology (1967-1971)

Ten Years After

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Since Ten Years After's albums weren't stand-alone classics, this double CD of their prime years is the best bet for those who like the band but don't want to sit through some pretty mediocre and monotonous stuff to get to the best bits. The 26 cuts are pretty well chosen, including naturally their most famed songs: "I'm Going Home" (the live Woodstock version), "I'd Love to Change the World," and the British hit "Love Like a Man." Even as it draws from the cream of their work, it can't quite make the argument for them as a major band, but it does show that they were a more versatile act than many would remember. There are some reasonable pop- and folk-rock-flavored songs from the pen of Alvin Lee; a fair amount of jazz influence from time to time, as on "Me and My Baby" and "Woman Trouble"; a song ("50,000 Miles Beneath My Brain") that borrows rather too liberally from the Rolling Stones, "Sympathy for My Devil"; and even a bit of Grateful Dead-like vocal harmony on "Hear Me Calling." There's still, of course, quite a bit of blues-rock, flash guitar, and boogie, which sound better when broken up by more subdued and varied cuts and also benefit from the wise decision not to include too many covers. It's also nice that the collection includes both sides of two 1968 singles, although those were released on LP in the early '70s as part of Alvin Lee & Company.

© Richie Unterberger /TiVo

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The Anthology (1967-1971)

Ten Years After

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1
I Want To Know
00:02:07

Mike Vernon, Producer - Ten Years After, MainArtist - Mcleod, Composer - Gus Dudgeon, Producer

℗ 1967 Decca Music Group Limited

2
I Can't Keep From Crying Sometimes
00:05:20

Mike Vernon, Producer - Ten Years After, MainArtist - Gus Dudgeon, Producer - Al Kooper, ComposerLyricist

℗ 1967 Decca Music Group Limited

3
Spoonful
00:06:01

Mike Vernon, Producer - Ten Years After, MainArtist - WILLIE DIXON, ComposerLyricist - Gus Dudgeon, Producer

℗ 1967 Decca Music Group Limited

4
Help Me
00:09:48

Mike Vernon, Producer - Ten Years After, MainArtist - WILLIE DIXON, ComposerLyricist - Gus Dudgeon, Producer - RALPH BASS, ComposerLyricist - Sonny Boy Williamson II, ComposerLyricist

℗ 1967 Decca Music Group Limited

5
Portable People
00:02:11

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist

℗ 1968 Decca Music Group Limited

6
The Sounds
00:04:08

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist - Gus Dudgeon, Recording Engineer, StudioPersonnel

℗ 1972 Decca Music Group Limited

7
Rock Your Mama
00:02:58

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist

℗ 1972 Decca Music Group Limited

8
Spider In My Web (Live)
00:07:10

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist - Roy Thomas Baker, Recording Engineer, StudioPersonnel

℗ 1968 Decca Music Group Limited

9
I May Be Wrong, But I Won't Be Wrong Always (Live)
00:09:43

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist - Roy Thomas Baker, Recording Engineer, StudioPersonnel - Chick Churchill, ComposerLyricist - Ric Lee, ComposerLyricist - Leo Lyons, ComposerLyricist

℗ 1968 Decca Music Group Limited

10
Going To Try
00:04:46

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist - Roy Thomas Baker, Recording Engineer, StudioPersonnel - Martin Smith, Recording Engineer, StudioPersonnel

℗ 1969 Decca Music Group Limited

11
Woman Trouble
00:04:36

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist - Roy Thomas Baker, Recording Engineer, StudioPersonnel - Martin Smith, Recording Engineer, StudioPersonnel

℗ 1969 Decca Music Group Limited

12
Hear Me Calling
00:05:43

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist - Roy Thomas Baker, Recording Engineer, StudioPersonnel - Martin Smith, Recording Engineer, StudioPersonnel

℗ 1968 Decca Music Group Limited

13
Boogie On
00:14:25

Alvin Lee, ComposerLyricist - Mike Vernon, Producer - Ten Years After, MainArtist - Roy Thomas Baker, Recording Engineer, StudioPersonnel - Martin Smith, Recording Engineer, StudioPersonnel

℗ 1972 Decca Music Group Limited

DISC 2

1
I Woke Up This Morning
00:05:30
2
If You Should Love Me
00:05:21

Alvin Lee, Producer, ComposerLyricist - ANDY JOHNS, Recording Engineer, StudioPersonnel - Ten Years After, Producer, MainArtist - Chris Wright, Producer, Executive Producer

℗ 1969 Chrysalis Records Ltd.

3
Good Morning Little Schoolgirl
00:07:05
4
I'm Going Home (1969/Live At Woodstock)
00:11:58

Alvin Lee, ComposerLyricist - GENE PAUL, Mix Engineer, StudioPersonnel - Ten Years After, MainArtist - Gary Olazabal, Remix Engineer, StudioPersonnel - Lee Osborne, Recording Engineer, StudioPersonnel - Edwin H. Kramer, Recording Engineer, StudioPersonnel - Eric Blackstead, Producer, Mix Engineer, StudioPersonnel

℗ 1970 Warner Bros.

5
Me And My Baby
00:04:10
6
Love Like A Man
00:07:37
7
50,000 Miles Beneath My Brain
00:07:38
8
I'm Coming On
00:03:45
9
My Baby Left Me
00:05:20
10
One Of These Days
00:05:49
11
Here They Come
00:04:30
12
I'd Love To Change The World
00:03:43
13
Let The Sky Fall
00:04:20

Album review

Since Ten Years After's albums weren't stand-alone classics, this double CD of their prime years is the best bet for those who like the band but don't want to sit through some pretty mediocre and monotonous stuff to get to the best bits. The 26 cuts are pretty well chosen, including naturally their most famed songs: "I'm Going Home" (the live Woodstock version), "I'd Love to Change the World," and the British hit "Love Like a Man." Even as it draws from the cream of their work, it can't quite make the argument for them as a major band, but it does show that they were a more versatile act than many would remember. There are some reasonable pop- and folk-rock-flavored songs from the pen of Alvin Lee; a fair amount of jazz influence from time to time, as on "Me and My Baby" and "Woman Trouble"; a song ("50,000 Miles Beneath My Brain") that borrows rather too liberally from the Rolling Stones, "Sympathy for My Devil"; and even a bit of Grateful Dead-like vocal harmony on "Hear Me Calling." There's still, of course, quite a bit of blues-rock, flash guitar, and boogie, which sound better when broken up by more subdued and varied cuts and also benefit from the wise decision not to include too many covers. It's also nice that the collection includes both sides of two 1968 singles, although those were released on LP in the early '70s as part of Alvin Lee & Company.

© Richie Unterberger /TiVo

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