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Tasmin Little|Tasmin Little Plays Clara Schumann, Dame Ethel Smyth & Amy Beach

Tasmin Little Plays Clara Schumann, Dame Ethel Smyth & Amy Beach

Tasmin Little, John Lenehan

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Tasmin Little returns with a line-up of three women composers whose lives share some features but also significant differences that illustrate the complex lives of female musicians. Clara Schumann, Dame Ethel Smyth, and Amy Beach all came from families that encouraged their musical interests but balked, in varying degrees, at professional training and engagement. All three composers draw on the influence of Robert Schumann and Brahms; Beach and Smyth, in particular, were fond of metrical and motivic manipulation. Tasmin Little plays this music, so close to her heart, with her usual warmth and dexterity. The manuscript of Clara Schumann’s final chamber work, Three Romances, declares it ‘for piano and violin’, an ordering reflected in the relative complexity of the parts, the florid passagework here played beautifully by Little’s long-term collaborator, John Lenehan. © Chandos

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Tasmin Little Plays Clara Schumann, Dame Ethel Smyth & Amy Beach

Tasmin Little

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Sonata, Op. 34 (Amy March Cheney Beach)

1
I. Allegro moderato
00:09:11

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

2
II. Scherzo. Molto vivace
00:04:23

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

3
III. Largo con dolore
00:07:45

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

4
IV. Allegro con fuoco
00:06:59

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

Drei Romanzen, Op. 22 (Clara Schumann)

5
I. Andante molto
00:02:53

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Clara Schumann, Composer

2019 Chandos Records 2019 Chandos Records

6
II. Allegretto
00:02:21

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Clara Schumann, Composer

2019 Chandos Records 2019 Chandos Records

7
III. Leidenschaftlich schnell
00:03:41

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Clara Schumann, Composer

2019 Chandos Records 2019 Chandos Records

Sonata, Op. 7 (Ethel Smyth)

8
I. Allegro moderato
00:08:38

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

9
II. Scherzo. Allegro grazioso
00:02:34

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

10
III. Romanze
00:07:15

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

11
IV. Finale. Allegro vivace
00:05:24

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Ethel Smyth, Composer

2019 Chandos Records 2019 Chandos Records

12
Romance in D Major, Op. 23: Romance, Op. 23
00:06:19

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy Beach, Composer

2019 Chandos Records 2019 Chandos Records

13
Invocation, Op. 55
00:03:54

Tasmin Little, Violin, MainArtist - John Lenehan, Piano, MainArtist - Amy March Cheney Beach, Composer

2019 Chandos Records 2019 Chandos Records

Album review

Tasmin Little returns with a line-up of three women composers whose lives share some features but also significant differences that illustrate the complex lives of female musicians. Clara Schumann, Dame Ethel Smyth, and Amy Beach all came from families that encouraged their musical interests but balked, in varying degrees, at professional training and engagement. All three composers draw on the influence of Robert Schumann and Brahms; Beach and Smyth, in particular, were fond of metrical and motivic manipulation. Tasmin Little plays this music, so close to her heart, with her usual warmth and dexterity. The manuscript of Clara Schumann’s final chamber work, Three Romances, declares it ‘for piano and violin’, an ordering reflected in the relative complexity of the parts, the florid passagework here played beautifully by Little’s long-term collaborator, John Lenehan. © Chandos

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