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Christina Petrowska-Quilico|Tangos Brasileiros – The Music of Ernesto Nazareth

Tangos Brasileiros – The Music of Ernesto Nazareth

Christina Petrowska Quilico

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Brazilian composer Ernesto Nazareth attempted to bring popular Brazilian dances into the concert sphere. One of these was the Argentine tango, which was all the rage during the years when he was active, on either side of 1900. He often labeled his short piano pieces "tangos brasileiros," which could indicate specifically Brazilian variants but more often was a kind of catch-all term, as ragtime became in the United States. Indeed, U.S. listeners and others interested in ragtime are likely to notice a strong similarity between a piece like Escovado (CD 1, track 4) and some of Scott Joplin's slower rags (and, of course, Joplin wrote tangos too). Recordings of Nazareth's music are not numerous, and for that reason alone this recording by Canadian pianist Christina Petrowska Quilico is to be welcomed; the question of what rhythms Nazareth was hearing and what he did with them deserves further study. All of the pieces heard here were, with the exception of one called a "fado," were indeed designated by Nazareth as tangos brasileiros. For the reasons outlined above, their rhythms vary considerably, and there's no monotony in hearing two CDs' worth of them at a sitting, even though Nazareth's music is most interesting when his various dance genres are mixed (you might not think of the polka as a Brazilian genre, but it was, and he wrote lots of them). Pianists debate how to play Joplin: should the music be kept exactly rhythmically square as written, varied slightly, or elaborated both rhythmically and melodically in the manner of a jazz pianist? The same questions apply to Nazareth, and they've just begun to be answered. Quilico hews very close to the literal end, and you may find her a trifle on the mechanical side, but this is likely to be a matter of taste. In any event, it is good to see the recorded Nazareth literature expand.
© TiVo

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Tangos Brasileiros – The Music of Ernesto Nazareth

Christina Petrowska-Quilico

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1
Rebolico
00:03:20

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

2
Nove de Julho
00:05:35

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

3
Garoto
00:03:04

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

4
Escovado
00:05:18

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

5
Carioca
00:04:56

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

6
Fon-Fon
00:03:02

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

7
Perigoso - Tango Brasileiro
00:04:34

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

8
Matuto
00:03:09

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

9
Ranzinza
00:03:52

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

10
Ecorregando - Tango Brasileiro
00:02:32

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

11
Ouro Sobre Azul
00:03:58

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

12
Pierrot
00:04:26

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

DISC 2

1
Esta Chumbado
00:04:09

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

2
Myosotis
00:06:48

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

3
Brejeiro
00:02:30

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

4
Digo
00:07:15

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

5
Ferramenta - Fado Portugues
00:02:06

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

6
Odeon - Tango Brasileiro
00:02:55

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

7
Remando
00:03:06

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

8
Mandinga
00:02:29

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

9
Sarambeque
00:02:56

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

10
Ramirinho
00:04:54

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

11
Cutuba
00:05:36

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

12
Sagaz
00:03:24

Ernesto Nazareth, Composer - Christina Petrowska Quilico, MainArtist

2013 Marquis Classics 2013 Marquis Classics

Album review

Brazilian composer Ernesto Nazareth attempted to bring popular Brazilian dances into the concert sphere. One of these was the Argentine tango, which was all the rage during the years when he was active, on either side of 1900. He often labeled his short piano pieces "tangos brasileiros," which could indicate specifically Brazilian variants but more often was a kind of catch-all term, as ragtime became in the United States. Indeed, U.S. listeners and others interested in ragtime are likely to notice a strong similarity between a piece like Escovado (CD 1, track 4) and some of Scott Joplin's slower rags (and, of course, Joplin wrote tangos too). Recordings of Nazareth's music are not numerous, and for that reason alone this recording by Canadian pianist Christina Petrowska Quilico is to be welcomed; the question of what rhythms Nazareth was hearing and what he did with them deserves further study. All of the pieces heard here were, with the exception of one called a "fado," were indeed designated by Nazareth as tangos brasileiros. For the reasons outlined above, their rhythms vary considerably, and there's no monotony in hearing two CDs' worth of them at a sitting, even though Nazareth's music is most interesting when his various dance genres are mixed (you might not think of the polka as a Brazilian genre, but it was, and he wrote lots of them). Pianists debate how to play Joplin: should the music be kept exactly rhythmically square as written, varied slightly, or elaborated both rhythmically and melodically in the manner of a jazz pianist? The same questions apply to Nazareth, and they've just begun to be answered. Quilico hews very close to the literal end, and you may find her a trifle on the mechanical side, but this is likely to be a matter of taste. In any event, it is good to see the recorded Nazareth literature expand.
© TiVo

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