Johann Sebastian Bach Suites pour violoncelle seul à la contrebasse

Suites pour violoncelle seul à la contrebasse

Johann Sebastian Bach

Includes: 1 Digital booklet

Released on March 1, 2015 by Solstice

Main artist: François Rabbath

Genre: Classical

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Album : 2 disks - 36 tracks Total length : 02:27:53

    DISC 1
    Suite N° 1 In G Major BWV 1007 (Johann Sebastian Bach)
  1. 1 Cello Suite No. 1 in G Major, BWV 1007: I. Prelude

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  2. 2 Cello Suite No. 1 in G Major, BWV 1007: II. Allemande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  3. 3 Cello Suite No. 1 in G Major, BWV 1007: III. Courante

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  4. 4 Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  5. 5 Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  6. 6 Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  7. Suite N° 4 In E Flat Major BWV 1010
  8. 7 Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prelude

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  9. 8 Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  10. 9 Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  11. 10 Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  12. 11 Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrées I & II

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  13. 12 Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  14. Suite N° 6 (Transcr. In G Major) BWV 1012
  15. 13 Cello Suite No. 6 in D Major, BWV 1012: I. Prelude

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  16. 14 Cello Suite No. 6 in D Major, BWV 1012: II. Allemande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  17. 15 Cello Suite No. 6 in D Major, BWV 1012: III. Courante

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  18. 16 Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  19. 17 Cello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & II

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  20. 18 Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  21. DISC 2
    Suite N° 2 In D Minor BWV 1008
  22. 1 Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  23. 2 Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  24. 3 Cello Suite No. 2 in D Minor, BWV 1008: III. Courante

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  25. 4 Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  26. 5 Cello Suite No. 2 in D Minor, BWV 1008: V. Menuets I & II

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  27. 6 Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  28. Suite N° 3 In C Major BWV 1009
  29. 7 Cello Suite No. 3 in C Major, BWV 1009: I. Prelude

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  30. 8 Cello Suite No. 3 in C Major, BWV 1009: II. Allemande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  31. 9 Cello Suite No. 3 in C Major, BWV 1009: III. Courante

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  32. 10 Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  33. 11 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  34. 12 Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  35. Suite N° 5 In C Major BWV 1011
  36. 13 Cello Suite No. 5 in C Major, BWV 1011: I. Prelude

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  37. 14 Cello Suite No. 5 in C Major, BWV 1011: II. Allemande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  38. 15 Cello Suite No. 5 in C Major, BWV 1011: III. Courante

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  39. 16 Cello Suite No. 5 in C Major, BWV 1011: IV. Sarabande

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  40. 17 Cello Suite No. 5 in C Major, BWV 1011: V. Gavottes I & II

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

  41. 18 Cello Suite No. 5 in C Major, BWV 1011: VI. Gigue

    François Rabbath, cello Copyright : 2012 Solstice Solstice 2012

About

Johann Sebastian Bach
Suite N° 1 In G Major BWV 1007
Suite N° 4 In E Flat Major BWV 1010
Suite N° 6 (Transcr. In G Major) BWV 1012
Suite N° 2 In D Minor BWV 1008
Suite N° 3 In C Major BWV 1009
Suite N° 5 In C Major BWV 1011 François Rabbath, cello
A l'âge d'or de la chanson française, François Rabbath a accompagné les plus grands : de Piaf à Aznavour, de Brel à Barbara en passant par Oum Khalsoum et Michel Legrand. Interprète et compositeur éclectique, il a créé sa méthode d'apprentissage de la contrebasse, véritable référence aux Etats-Unis. Sous son influence, la contrebasse s'émancipe pour devenir un instrument soliste à part entière, au même titre que le violoncelle. Son coup d'archet est unique, son charisme irrésistible. L'interprétation des Suites de Bach était sa grande ambition : « Au départ, ça n'était pas pour les jouer en public, c'était uniquement pour les travailler et faire des progrès à la contrebasse. J'adorais musicalement ces Suites et je voulais les jouer pour progresser. Le classique, je l'ai toujours étudié à la maison ; je jouais du jazz pour gagner ma vie. Je n'ai jamais eu de modèle, j'ai toujours fait ce que j'avais envie de faire. J'ai voulu être virtuose - non pas pour me servir de la musique, montrer ma virtuosité, non, je voulais mettre cette virtuosité au service d'une belle note ! BACH m'a donné la maturité. »

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