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Markus Miesenberger|Speer: Kriegsgeschichten – Musikalisch-türkischer Eulenspiegel

Speer: Kriegsgeschichten – Musikalisch-türkischer Eulenspiegel

Markus Miesenberger, Ars Antiqua Austria, Gunar Letzbor

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In 1688, organist and professor Georg Daniel Speer published his Musicalisch-Türkischer Eulen-Spiegel (Musical-Turkish Owlglass, "Owlglass" here referring to the mischievous and bawdy trickster of German folk-legend) and he had already spent a good portion of his long life yomping around a war-torn Europe, sometimes as a mercenary, or as a trumpeter or drummer in the Hungarian army in its war against the Turks. His wanderings even brought him to Constantinople: he had seen countries, horrors, and many civilisations. His work sets to music the anonymous picaresque tales of  Ungarischer oder Dacianischer Simplicissimus (Hungarian or Dacian Simplicissimus , a "Simplicissimus" being a kind of village idiot) which had come out a little before, and in which the hero Lompyn travels musically across the countries affected by the Turkish invasion.  The ensemble Ars Antiqua Austria and its conductor Gunar Letzbor have distilled two distinct albums, one narrating the military adventures – the misfortunes of a simple soldier whose main preoccupation is saving his skin –  the other dealing with some rather below-the-belt escapades. This music, simple, popular, spirited, which rests on just a few violins, a theorbo, a gallichon (yes, there is such a thing!), a guitar, and a portative organ, is surely a very faithful reflection of the music that was being made in the countryside in those days; and the voice of the tenor Markus Miesenberger playfully renders the terrors, the desires, the cowardice and the little heroisms and crimes of the pitiable character as if you were there at the end of the 17th Century. © SM/Qobuz

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Speer: Kriegsgeschichten – Musikalisch-türkischer Eulenspiegel

Markus Miesenberger

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Musikalisch-Türkischer Eulen-Spiegel (Daniel Speer)

1
No. 1, Intrada. Was Lompyn für ein Kerl gewesen
Markus Miesenberger
00:06:17

Markus Miesenberger, Performer - Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

2
No. 2, Kosaken Ballet
Ars Antiqua Austria
00:01:40

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

3
No. 27, Sonata
Ars Antiqua Austria
00:02:23

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

4
No. 5, Moskowitisch Ballet. Lompyn drohet dem Sultan
Markus Miesenberger
00:08:06

Markus Miesenberger, Performer - Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

5
No. 6, Pohlnisch Ballet
Ars Antiqua Austria
00:01:26

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

6
No. 26, Sonata
Ars Antiqua Austria
00:03:03

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

7
No. 7, Hungarisch Ballet. Lompyn schlägt einen Juden im Feld
Markus Miesenberger
00:11:28

Markus Miesenberger, Performer - Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

8
No. 8, Hungarisch Ballet
Ars Antiqua Austria
00:01:11

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

9
No. 28, Sonata
Ars Antiqua Austria
00:02:11

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

10
No. 23, Kosaken Ballet. Lompyn erzehlet seinem Herzn
Markus Miesenberger
00:07:28

Markus Miesenberger, Performer - Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

11
No. 24, Griechisch Ballet
Ars Antiqua Austria
00:01:01

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

12
No. 39, Sonatina
Ars Antiqua Austria
00:01:28

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

13
No. 40, Gigue
Ars Antiqua Austria
00:01:16

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

14
No. 41, Sarabanda
Ars Antiqua Austria
00:02:27

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - Anonymous, Lyricist - Daniel Speer, Composer

(C) 2016 Pan Classics (P) 2016 Pan Classics

Album review

In 1688, organist and professor Georg Daniel Speer published his Musicalisch-Türkischer Eulen-Spiegel (Musical-Turkish Owlglass, "Owlglass" here referring to the mischievous and bawdy trickster of German folk-legend) and he had already spent a good portion of his long life yomping around a war-torn Europe, sometimes as a mercenary, or as a trumpeter or drummer in the Hungarian army in its war against the Turks. His wanderings even brought him to Constantinople: he had seen countries, horrors, and many civilisations. His work sets to music the anonymous picaresque tales of  Ungarischer oder Dacianischer Simplicissimus (Hungarian or Dacian Simplicissimus , a "Simplicissimus" being a kind of village idiot) which had come out a little before, and in which the hero Lompyn travels musically across the countries affected by the Turkish invasion.  The ensemble Ars Antiqua Austria and its conductor Gunar Letzbor have distilled two distinct albums, one narrating the military adventures – the misfortunes of a simple soldier whose main preoccupation is saving his skin –  the other dealing with some rather below-the-belt escapades. This music, simple, popular, spirited, which rests on just a few violins, a theorbo, a gallichon (yes, there is such a thing!), a guitar, and a portative organ, is surely a very faithful reflection of the music that was being made in the countryside in those days; and the voice of the tenor Markus Miesenberger playfully renders the terrors, the desires, the cowardice and the little heroisms and crimes of the pitiable character as if you were there at the end of the 17th Century. © SM/Qobuz

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