Categories:
Cart 0

Your cart is empty

Tweet|Southern Hummingbird

Southern Hummingbird

Tweet

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Prior to her debut album, Southern Hummingbird, Tweet made her name as a protégée of Missy "Misdemeanor" Elliott, appearing as a backing/guest vocalist on a few tracks with Elliott and, naturally, Elliott's producer, Timbaland. It should come as no surprise that those are the two dominant personalities on Southern Hummingbird, even if Tweet produces and co-writes several cuts here, since this whole axis has one sound that has served them well. Served them so well, it's given them critical and chart hits, along with a host of imitators, so there is no reason to abandon it now, even if the skeletal rhythms and endlessly looped riffs are beginning to wear a bit thin. This formula depends more on the overall sound of the track than the charisma of the singer -- but, ironically enough, it works best when its fronted by somebody with personality, like Elliott. Tweet fades into the mix. She's attractive and is sweetly sexy, but isn't forceful. That works to her advantage on the lead single, "Oops (Oh My)," where she's so taken by a seduction she can barely speak, or even name who's taking her. Driven by a clever Casio-bass clarinet loop, it's the hottest thing on the record, punctured slightly by Elliott's disarming murmur, "I was feeling so good I had to touch myself," but it's good enough to withstand that. The rest of Southern Hummingbird sustains the essential feel of that track, occasionally forcing a Sign o the Times-era Prince to the forefront (which is welcome), and it does have a few songs that distinguish themselves, such as "Smoking Cigarettes," but it all blends together a little bit too much to be distinctive and, as such, it has a faint feel of product, a slow seduction record for the Timbaland-worshipping hipster set. A feel that is only enhanced by the end of the record, when Tweet actually records her thank you shout-outs as a full track, then, as a bonus, there are two uncredited Missy Elliott tracks that don't seem to have a trace of Tweet to them. Their inclusion is puzzling, unless you consider them the overdue payment of distinctive hip-hop for those hardcore fans who sat through the even-handed, stylish but samey urban soul that is Southern Hummingbird.

© Stephen Thomas Erlewine /TiVo

More info

Southern Hummingbird

Tweet

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $10.83/month

1
So Much to Say - Intro (LP Version)
Tweet
00:01:24

Tweet, MainArtist - C. Keys, Writer - Nisan, Producer - Dylan Dresdow, Mixer, Engineer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

2
My Place (LP Version)
Tweet
00:04:24

Tweet, MainArtist - C. Keys, Writer - Nisan, Producer - Dylan Dresdow, Mixer, Engineer - Lil Charlie, Lead Guitar

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

3
Smoking Cigarettes (LP Version)
Tweet
00:04:16

Nisan Stewart, Additional Producer - Craig Brockman, Additional Producer - Tweet, Producer, Vocals, MainArtist - C. Keys, Writer - Missy Elliot, Vocals - Dylan Dresdow, Mixer, Engineer - Jubu Smith, Guitar

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

4
Best Friend (LP Version)
Tweet/Bilal
00:05:08

Nisan Stewart, Additional Producer - Craig Brockman, Additional Producer - Tweet, Producer, Vocals - C. Keys, Writer - Missy Elliot, Vocals - Dylan Dresdow, Mixer, Engineer - Lil Charlie, Lead Guitar - B. Oliver, Writer - Dontae, Bass - Tweet/Bilal, MainArtist

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

5
Always Will (LP Version)
Tweet
00:04:41

Tweet, MainArtist - C. Keys, Writer - Jubu, Producer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

6
Boogie 2Nite (LP Version)
Tweet
00:04:10

Tweet, MainArtist - C. Keys, Writer - Jubu, Producer - Dylan Dresdow, Mixer, Engineer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

7
Oops (Oh My) (feat. Missy Elliott LP Version)
Tweet
00:03:57

Missy Elliott, FeaturedArtist - Charlene Keys, Composer - Tweet, Vocals, MainArtist - Senator Jimmy D, Engineer - Timbaland, Producer - Jimmy Douglas, Mixer - Timothy Mosley, Composer - Melissa Elliott, Composer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

8
Make Ur Move (LP Version)
Tweet
00:03:49

Jimmy Douglass, Mixer - Tweet, MainArtist - C. Keys, Writer - Senator Jimmy D, Engineer - Timberland, Producer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

9
Motel (LP Version)
Tweet
00:03:48

Tweet, Producer, MainArtist - C. Keys, Writer - Dylan Dresdow, Mixer, Engineer - S. Weems, Writer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

10
Beautiful (LP Version)
Tweet
00:04:05

Craig Brockman, Producer - Tweet, Vocals, MainArtist - C. Keys, Writer - Missy Elliot, Vocals

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2001 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

11
Complain (LP Version)
Tweet
00:05:14

Nisan Stewart, Additional Producer - Craig Brockman, Additional Producer - Tweet, Producer, MainArtist - C. Keys, Writer - Dylan Dresdow, Mixer, Engineer - S. Weems, Writer - Greg Leiz, Pedal Steel Guitar

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

12
Heaven (LP Version)
Tweet
00:03:39

Craig Brockman, Additional Producer - Tweet, Producer, MainArtist - C. Keys, Writer - Senator Jimmy D, Engineer - Dylan Dresdow, Mixer, Engineer - Greg Leiz, Pedal Steel Guitar

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

13
Call Me (LP Version)
Tweet
00:02:57

Tweet, MainArtist - C. Keys, Writer - Senator Jimmy D, Engineer - Missy Elliot, Writer - Timbaland, Producer - Jimmy Douglas, Mixer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

14
Drunk (LP Version)
Tweet
00:05:24

Craig Brockman, Additional Producer - Tweet, Producer, MainArtist - C. Keys, Writer - Dylan Dresdow, Mixer, Engineer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

15
Southern Hummingbird - Outro (LP Version)
Tweet
00:01:31

Tweet, Performance, MainArtist - C. Keys, Writer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

16
Sexual Healing (Oops, Pt. 2) (Amended LP Version)
Tweet
00:04:46

Charlene Keys, ExecutiveProducer - Tweet, MainArtist - C. Keys, Writer - T Mosley, Writer - Missy Elliot, ExecutiveProducer - Timbaland, Producer - J.Johnson, Writer - Mary Jane Girls, Contributor

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

17
Big Spender (Bonus Track on initial release only)
Missy Elliott
00:03:10

Missy Elliott, Producer, Lead Vocals, MainArtist - Missy Elliot, Writer - MANNY MARROQUIN, MixingEngineer - Troy Johnson, Producer, Writer - Carlos Bedoya, Audio Recording Engineer - Tyson Leeper, Audio Recording Engineer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States.

Album review

Prior to her debut album, Southern Hummingbird, Tweet made her name as a protégée of Missy "Misdemeanor" Elliott, appearing as a backing/guest vocalist on a few tracks with Elliott and, naturally, Elliott's producer, Timbaland. It should come as no surprise that those are the two dominant personalities on Southern Hummingbird, even if Tweet produces and co-writes several cuts here, since this whole axis has one sound that has served them well. Served them so well, it's given them critical and chart hits, along with a host of imitators, so there is no reason to abandon it now, even if the skeletal rhythms and endlessly looped riffs are beginning to wear a bit thin. This formula depends more on the overall sound of the track than the charisma of the singer -- but, ironically enough, it works best when its fronted by somebody with personality, like Elliott. Tweet fades into the mix. She's attractive and is sweetly sexy, but isn't forceful. That works to her advantage on the lead single, "Oops (Oh My)," where she's so taken by a seduction she can barely speak, or even name who's taking her. Driven by a clever Casio-bass clarinet loop, it's the hottest thing on the record, punctured slightly by Elliott's disarming murmur, "I was feeling so good I had to touch myself," but it's good enough to withstand that. The rest of Southern Hummingbird sustains the essential feel of that track, occasionally forcing a Sign o the Times-era Prince to the forefront (which is welcome), and it does have a few songs that distinguish themselves, such as "Smoking Cigarettes," but it all blends together a little bit too much to be distinctive and, as such, it has a faint feel of product, a slow seduction record for the Timbaland-worshipping hipster set. A feel that is only enhanced by the end of the record, when Tweet actually records her thank you shout-outs as a full track, then, as a bonus, there are two uncredited Missy Elliott tracks that don't seem to have a trace of Tweet to them. Their inclusion is puzzling, unless you consider them the overdue payment of distinctive hip-hop for those hardcore fans who sat through the even-handed, stylish but samey urban soul that is Southern Hummingbird.

© Stephen Thomas Erlewine /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz?

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot
More on Qobuz
By Tweet

Charlene

Tweet

Charlene Tweet

It's Me Again

Tweet

Neva Felt This Way

Tweet

Neva Gonna Break My Heart Again

Tweet

You Got it

Tweet

You Got it Tweet

Playlists

You may also like...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Radical Optimism

Dua Lipa

Radical Optimism Dua Lipa

30

Adele

30 Adele

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift