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Shirley Scott|Shirley's Sounds

Shirley's Sounds

Shirley Scott

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There's a good reason why Scott's second album as a bandleader sounds very much like her first, Great Scott!, for both albums were cut at the same May 23, 1958, session. On Shirley's Sounds, Scott's again backed by the rhythm section of George Duvivier on bass (though George Tucker takes over the instrument for one number, "Bye Bye Blackbird") and Arthur Edgehill on drums. Like its predecessor, it's superior early organ jazz, full-sounding but streamlined owing to the trio format. Devoted entirely to outside compositions, the tracks capture both her virtuosic skill on the organ and her taste, squeezing the bluesiest inflections out of a standard like "Summertime." "(Back Home Again In) Indiana" is the cut that cooks the hardest, and blues colors are a big part of her interpretations of "Baby Won't You Please Come Home" and "I Can't See for Lookin'." Everything from the album is on the single-CD reissue compilation Trio Classics, Vol. 1, which also includes all of the tracks from Great Scott!

© Richie Unterberger /TiVo

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Shirley's Sounds

Shirley Scott

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1
It Could Happen To You
00:04:34

George Duvivier, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - James Van Heusen, ComposerLyricist - Johnny Burke, ComposerLyricist - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

2
Summertime
00:03:58

George Duvivier, Upright Bass, AssociatedPerformer - George Gershwin, ComposerLyricist - Ira Gershwin, Author - Dubose Heyward, Author - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

3
There Will Never Be Another You
00:03:22

George Duvivier, Upright Bass, AssociatedPerformer - Harry Warren, Composer - Mack Gordon, Author - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

4
Bye Bye Blackbird
00:06:39

Mort Dixon, Author - Ray Henderson, Composer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - George Tucker, Upright Bass, AssociatedPerformer - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

5
S’Posin
00:04:18

Paul Denniker, ComposerLyricist - George Duvivier, Upright Bass, AssociatedPerformer - Andy Razaf, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

6
Baby Won't You Please Come Home
00:04:02

George Duvivier, Upright Bass, AssociatedPerformer - Clarence Williams, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Charles Warfield , ComposerLyricist - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

7
Indiana
00:03:23

George Duvivier, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Organ, MainArtist, AssociatedPerformer - James Hanley, ComposerLyricist - BALLARD MACDONALD, ComposerLyricist - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

8
I Can't See For Lookin'
00:04:11

George Duvivier, Upright Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Dave Bartholomew, Composer - Arthur Edgehill, Drums, AssociatedPerformer

℗ 1961 Prestige Records

Album review

There's a good reason why Scott's second album as a bandleader sounds very much like her first, Great Scott!, for both albums were cut at the same May 23, 1958, session. On Shirley's Sounds, Scott's again backed by the rhythm section of George Duvivier on bass (though George Tucker takes over the instrument for one number, "Bye Bye Blackbird") and Arthur Edgehill on drums. Like its predecessor, it's superior early organ jazz, full-sounding but streamlined owing to the trio format. Devoted entirely to outside compositions, the tracks capture both her virtuosic skill on the organ and her taste, squeezing the bluesiest inflections out of a standard like "Summertime." "(Back Home Again In) Indiana" is the cut that cooks the hardest, and blues colors are a big part of her interpretations of "Baby Won't You Please Come Home" and "I Can't See for Lookin'." Everything from the album is on the single-CD reissue compilation Trio Classics, Vol. 1, which also includes all of the tracks from Great Scott!

© Richie Unterberger /TiVo

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