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Rosanne Cash|Seven Year Ache

Seven Year Ache

Rosanne Cash

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The bottom line is that Rosanne Cash's masterpiece Seven Year Ache paved the way for Garth Brooks, Shania Twain, Mary Chapin Carpenter, Shawn Colvin, and then some. Proclaimed by Cash and her husband/producer/collaborator, Rodney Crowell, as "punktry," the album adds an entirely new twist on the Nashville sound. Perhaps it is because this is L.A. country and reflects the cocaine bliss in the sound of the era as well as Fleetwood Mac's Tusk does. Utilizing everything from synthesizers and rock arrangements to pop ballad-styled charts and plenty of attitude, Seven Year Ache yielded three number one singles and songs by rock musicians such as Tom Petty and singer/songwriters like Keith Sykes and Steve Forbert. Of the singles, Cash penned two; the title track, which is a sorrowful indictment of her husband's philandering ways, and the shattering ballad "Blue Moon With Heartache." The third, the smash "My Baby Thinks He's a Train," was written by Asleep at the Wheel's Leroy Preston. Musically, the band included many of the same players from the Right or Wrong sessions, with the emerging vocal talent of former Pure Prairie League member Vince Gill. Forbert's "What Kinda Girl" is almost rockabilly in its shuffling intensity and punk bravado. It dares the listener to define the protagonist just to shatter the preconception. There's also a nod to tradition here in Cash's beautifully updated read of the Merle Haggard/Red Simpson nugget "You Don't Have Very Far to Go," complete with whinnying pedal steels and a honky tonk backbeat. In "My Baby Thinks He's a Train," Cash and Crowell very consciously offer a new generation interpretation of dad Johnny's sound. This rocks harder yet is smooth as silk and full of that desolate want Johnny offered in his delivery. But unlike her father's, this isn't a forlorn yearning want, it's a pissed off anthemic want. For the ambulance chasers, this record with its songs of infidelity and broken promises may indeed be the first crack in a marriage and collaboration that ended a decade later. The tempo borrows the old Tennessee Three rhythm, but sped up into the stratosphere, with a shifting Western swing line near the refrain. Over 20 years after it was first issued, Seven Year Ache sounds as fresh and revolutionary as it did when it was issued. Any album that stands that test of time in a field like country deserves to be regarded as a classic. Yes, this is the one that changed everything.
© Thom Jurek /TiVo

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Seven Year Ache

Rosanne Cash

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1
Rainin' (Album Version)
00:02:54

Hank DeVito, Electric Guitar - Rodney Crowell, Producer - Various, Electric Guitar - Jerry McGee, Electric Guitar - Emory Gordy Jr., Bass - Larrie Londin, Drums - Rosanne Cash, Vocal - Rosanne Cash, Performer - K. Sykes, Composer - K. Sykes, Lyricist

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

2
Seven Year Ache (Album Version)
00:03:15

Hank DeVito, Steel Guitar - Rodney Crowell, Producer - R. Cash, Composer - R. Cash, Lyricist - Jerry McGee, Electric Guitar - Emory Gordy, Piano - Rosanne Cash, Vocal - Rosanne Cash, Performer - Glen D. Hardin, Piano

(P) 1981 Sony Music Entertainment

3
Blue Moon With Heartache (Album Version)
00:04:26

Hank DeVito, Steel Guitar - Rodney Crowell, Producer - R. Cash, Composer - R. Cash, Lyricist - Emory Gordy Jr., Guitar - Emory Gordy Jr., Arranger - Larrie Londin, Drums - Rosanne Cash, Vocal - Rosanne Cash, Performer - Tony Brown, Piano

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

4
What Kinda Girl? (Album Version)
00:02:47

Hank DeVito, Slide Guitar - Rodney Crowell, Producer - S. Forbert, Composer - S. Forbert, Lyricist - Emory Gordy Jr., Bass - Larrie Londin, Drums - Rosanne Cash, Vocal - Rosanne Cash, Performer - Booker T. Jones, Organ - Tony Brown, Piano

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

5
You Don't Have Very Far To Go (Album Version)
00:02:34

Hank DeVito, Steel Guitar - Ricky Skaggs, Background Vocal - Rosemary Butler, Background Vocal - Rodney Crowell, Producer - Mickey Raphael, Harmonica - Larrie Londin, Drums - Tony Brown, Piano - Jerry McGee, Electric Guitar - Emory Gordy Jr., Bass - Rosanne Cash, Vocal - Rosanne Cash, Performer - M. Haggard, Composer - M. Haggard, Lyricist - R. Simpson, Composer - R. Simpson, Lyricist

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

6
My Baby Thinks He's A Train (Album Version)
00:03:13

Rodney Crowell, Producer - Emory Gordy Jr., Bass - Larrie Londin, Drums - Albert Lee, Electric Guitar - Rosanne Cash, Vocal - Rosanne Cash, Performer - L. Preston, Composer - L. Preston, Lyricist

(P) 1981 Sony Music Entertainment Inc.

7
Only Human (Album Version)
00:03:59

Emory Gordy, Bass - Frank Reckard, Electric Guitar - Rodney Crowell, Producer - Larrie Londin, Drums - Tony Brown, Piano - K. Sykes, Composer - K. Sykes, Lyricist - Jerry McGee, Electric Guitar - Booker T. Jones, Organ - Rosanne Cash, Vocal - Rosanne Cash, Performer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

8
Where Will The Words Come From? (Album Version)
00:02:44

Albert Lee, Acoustic Baritone Guitar - Hank DeVito, Steel Guitar - G.D. Hardin, Composer - G.D. Hardin, Lyricist - Emory Gordy, Mandolin - Emory Gordy, Bass - S. Curtis, Composer - S. Curtis, Lyricist - Rodney Crowell, Producer - Rodney Crowell, Background Vocal - Larrie Londin, Drums - Tony Brown, Piano - Emmylou Harris, Background Vocal - Rosanne Cash, Vocal - Rosanne Cash, Performer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

9
Hometown Blues (Album Version)
00:02:57

Hank DeVito, Electric Guitar - Emory Gordy, Bass - Rodney Crowell, Producer - Larrie Londin, Drums - Tony Brown, Piano - Jerry McGee, Electric Guitar - Booker T. Jones, Organ - Rosanne Cash, Vocal - Rosanne Cash, Performer - T. Petty, Composer - T. Petty, Lyricist

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

10
I Can't Resist (Album Version)
00:03:25

H. Devito, Lyricist - H. Devito, Composer - Hank DeVito, Electric Guitar - Emory Gordy, Acoustic Baritone Guitar - Emory Gordy, Electric Guitar - R. Crowell, Composer - R. Crowell, Lyricist - Phil Kenzie, Saxophone - Rodney Crowell, Producer - Larrie Londin, Drums - Tony Brown, Piano - Rosanne Cash, Performer

(P) 1981 SONY BMG MUSIC ENTERTAINMENT

11
The Feeling (Album Version)
00:04:24

Rodney Crowell, Producer - Rosanne Cash, Vocal - Rosanne Cash, Performer - Unknown, Composer - Unknown, Lyricist

1982 Sony Music Entertainment Inc.

12
Seven Year Ache (Live)
00:03:24

Zev Katz, Bass - Rodney Crowell, Producer - R. Cash, Composer - R. Cash, Lyricist - Clifford Carter, Keyboards - Rosanne Cash, Vocal - Rosanne Cash, Performer - Larry Campbell, Guitar - John Leventhal, Guitar - Dennis McDermott, Drums

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

Album Description

The bottom line is that Rosanne Cash's masterpiece Seven Year Ache paved the way for Garth Brooks, Shania Twain, Mary Chapin Carpenter, Shawn Colvin, and then some. Proclaimed by Cash and her husband/producer/collaborator, Rodney Crowell, as "punktry," the album adds an entirely new twist on the Nashville sound. Perhaps it is because this is L.A. country and reflects the cocaine bliss in the sound of the era as well as Fleetwood Mac's Tusk does. Utilizing everything from synthesizers and rock arrangements to pop ballad-styled charts and plenty of attitude, Seven Year Ache yielded three number one singles and songs by rock musicians such as Tom Petty and singer/songwriters like Keith Sykes and Steve Forbert. Of the singles, Cash penned two; the title track, which is a sorrowful indictment of her husband's philandering ways, and the shattering ballad "Blue Moon With Heartache." The third, the smash "My Baby Thinks He's a Train," was written by Asleep at the Wheel's Leroy Preston. Musically, the band included many of the same players from the Right or Wrong sessions, with the emerging vocal talent of former Pure Prairie League member Vince Gill. Forbert's "What Kinda Girl" is almost rockabilly in its shuffling intensity and punk bravado. It dares the listener to define the protagonist just to shatter the preconception. There's also a nod to tradition here in Cash's beautifully updated read of the Merle Haggard/Red Simpson nugget "You Don't Have Very Far to Go," complete with whinnying pedal steels and a honky tonk backbeat. In "My Baby Thinks He's a Train," Cash and Crowell very consciously offer a new generation interpretation of dad Johnny's sound. This rocks harder yet is smooth as silk and full of that desolate want Johnny offered in his delivery. But unlike her father's, this isn't a forlorn yearning want, it's a pissed off anthemic want. For the ambulance chasers, this record with its songs of infidelity and broken promises may indeed be the first crack in a marriage and collaboration that ended a decade later. The tempo borrows the old Tennessee Three rhythm, but sped up into the stratosphere, with a shifting Western swing line near the refrain. Over 20 years after it was first issued, Seven Year Ache sounds as fresh and revolutionary as it did when it was issued. Any album that stands that test of time in a field like country deserves to be regarded as a classic. Yes, this is the one that changed everything.
© Thom Jurek /TiVo

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