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Alan Curtis|Sesto libro de madrigali (Carlo Gesualdo)

Sesto libro de madrigali (Carlo Gesualdo)

Carlo Gesualdo

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The cruel double murder of his first wife and her lover made Don Carlo Gesualdo, Prince of Venosa (1566-1613), one of the most enigmatic figures in the history of music, whose work is almost obscured by the bloody drama of jealousy. The Sixth Book of Madrigals, published two years before his death, is, so to speak, the grand finale of a unique madrigal oeuvre to which the striking label of "mannerism" seems, for once, to be attached justifiably: the dissonances are in places almost painful, the word settings so colourful and varied in their imagery that there is an almost startling Modernity. The technical demand is so high that that so far only a few ensembles have dared to make a complete recording.<br<
Among them was Il Complesso Barocco under Alan Curtis, whose recording from 1994 is made accessible again here. © Note1

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Sesto libro de madrigali (Carlo Gesualdo)

Alan Curtis

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1
Madrigals for 5 Voices, Book 6: Se la mia morte brami
00:03:31

, Contributor - Alan Curtis, Conductor

2
Madrigals for 5 Voices, Book 6: Belta poi che t'assenti
00:03:13

, Contributor - Alan Curtis, Conductor

3
Madrigals for 5 Voices, Book 6: Tu piangi o Fille mia
00:03:19

, Contributor - Alan Curtis, Conductor

4
Madrigals for 5 Voices, Book 6: Resta di darmi noia
00:03:32

, Contributor - Alan Curtis, Conductor

5
Madrigals for 5 Voices, Book 6: Chiaro risplender suole
00:04:10

, Contributor - Alan Curtis, Conductor

6
Madrigals for 5 Voices, Book 6: Io parto e non piu dissi
00:03:09

, Contributor - Alan Curtis, Conductor

7
Madrigals for 5 Voices, Book 6: Mille volte il di moro
00:03:25

, Contributor - Alan Curtis, Conductor

8
Madrigals for 5 Voices, Book 6: Madrigals for 5 Voices, Book 6: O dolce mio tesoro
00:03:09

, Contributor - Alan Curtis, Conductor

9
Madrigals for 5 Voices, Book 6: Deh come in van sospiro
00:03:09

, Contributor - Alan Curtis, Conductor

10
Madrigals for 5 Voices, Book 6: Io pur respiro
00:03:01

, Contributor - Alan Curtis, Conductor

11
Madrigals for 5 Voices, Book 6: Alme d'amor rubelle
00:02:22

, Contributor - Alan Curtis, Conductor

12
Madrigals for 5 Voices, Book 6: Candido e verde fiore
00:02:15

, Contributor - Alan Curtis, Conductor

13
Madrigals for 5 Voices, Book 6: Ardita zanzaretta
00:03:23

, Contributor - Alan Curtis, Conductor

14
Madrigals for 5 Voices, Book 6: Ardo per te mio bene
00:03:30

, Contributor - Alan Curtis, Conductor

15
Madrigals for 5 Voices, Book 6: Ancide sol la morte
00:02:20

, Contributor - Alan Curtis, Conductor

16
Madrigals for 5 Voices, Book 6: Quel no crudel
00:02:19

, Contributor - Alan Curtis, Conductor

17
Madrigals for 5 Voices, Book 6: Madrigals for 5 Voices, Book 6: Moro, lasso, al mio duolo
00:03:43

, Contributor - Alan Curtis, Conductor

18
Madrigals for 5 Voices, Book 6: Madrigals for 5 Voices, Book 6: Volan quasi farfalle
00:02:44

, Contributor - Alan Curtis, Conductor

19
Madrigals for 5 Voices, Book 6: Al mio gioir il ciel si fa sereno
00:02:44

, Contributor - Alan Curtis, Conductor

20
Madrigals for 5 Voices, Book 6: Tu segui o bella Clori
00:02:36

, Contributor - Alan Curtis, Conductor

21
Madrigals for 5 Voices, Book 6: Ancor che per amarti
00:03:18

, Contributor - Alan Curtis, Conductor

22
Madrigals for 5 Voices, Book 6: Gia piansi nel dolore
00:02:36

, Contributor - Alan Curtis, Conductor

23
Madrigals for 5 Voices, Book 6: Quando ridente e bella
00:02:31

, Contributor - Alan Curtis, Conductor

Album review

The cruel double murder of his first wife and her lover made Don Carlo Gesualdo, Prince of Venosa (1566-1613), one of the most enigmatic figures in the history of music, whose work is almost obscured by the bloody drama of jealousy. The Sixth Book of Madrigals, published two years before his death, is, so to speak, the grand finale of a unique madrigal oeuvre to which the striking label of "mannerism" seems, for once, to be attached justifiably: the dissonances are in places almost painful, the word settings so colourful and varied in their imagery that there is an almost startling Modernity. The technical demand is so high that that so far only a few ensembles have dared to make a complete recording.<br<
Among them was Il Complesso Barocco under Alan Curtis, whose recording from 1994 is made accessible again here. © Note1

Details of the original recording : 70:50 - DDD - Enregistré en septembre 1994 à Bologne en Italie - Notes en français, anglais et allemand avec les textes chantés en italien et traduction anglaise

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