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The Secret Machines|September 000

September 000

The Secret Machines

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Classic and psychedelic rock get a much appreciated refreshment courtesy of the Secret Machines on this debut EP. Recorded with members of Califone at Clava Studios, September 000 is part pulsing instrumental exposition and part stadium-size rock songwriting, with an emphasis on hazy bombast that makes the Flaming Lips, the Who, and Pink Floyd obvious reference points. But the band holds their own against those monolithic influences quite well -- they're familiar without being too derivative; their arrangements and lyrics, along with Brian Deck's production, breathe a great deal of life into their music. This is a great (if short) debut, even if the reprise of "Marconi's Radio" does sound an awful lot like Madness' "Our House."

© Bryan Carroll /TiVo

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September 000

The Secret Machines

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1
Marconi's Radio
00:07:42

The Secret Machines, Composer, MainArtist, MusicPublisher

2002 Ace Fu Records 2003 The Secret Machines

2
What Used To Be French
00:06:30

The Secret Machines, Composer, MainArtist, MusicPublisher

2002 Ace Fu Records 2003 The Secret Machines

3
Breathe
00:02:43

The Secret Machines, Composer, MainArtist, MusicPublisher

2002 Ace Fu Records 2003 The Secret Machines

4
Still See You
00:02:49

The Secret Machines, Composer, MainArtist, MusicPublisher

2002 Ace Fu Records 2003 The Secret Machines

5
It's A Bad Wind That Don't Blow Somebody Some Good
00:05:56

The Secret Machines, Composer, MainArtist, MusicPublisher

2002 Ace Fu Records 2003 The Secret Machines

6
Marconi's Radio (Again)
00:02:46

The Secret Machines, Composer, MainArtist, MusicPublisher

2002 Ace Fu Records 2003 The Secret Machines

Album review

Classic and psychedelic rock get a much appreciated refreshment courtesy of the Secret Machines on this debut EP. Recorded with members of Califone at Clava Studios, September 000 is part pulsing instrumental exposition and part stadium-size rock songwriting, with an emphasis on hazy bombast that makes the Flaming Lips, the Who, and Pink Floyd obvious reference points. But the band holds their own against those monolithic influences quite well -- they're familiar without being too derivative; their arrangements and lyrics, along with Brian Deck's production, breathe a great deal of life into their music. This is a great (if short) debut, even if the reprise of "Marconi's Radio" does sound an awful lot like Madness' "Our House."

© Bryan Carroll /TiVo

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