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The Hanover Band|Schubert: Orchestral Favourites, Vol. 15

Schubert: Orchestral Favourites, Vol. 15

The Hanover Band & Roy Goodman

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In addition to Schubert’s Overture in The Italian Style that is very rarely performed – with reason, since it doesn’t present Schubert at his most inspired − but it is still worth knowing so as to notice how, at that young age, the composer was already creating his own language, while paying tribute to Rossini –, this selection features a gorgeous interpretation of the whole stage music from Rosamunde, two overtures (Alfonso und Estrella and Die Zauberharfe), and most importantly his Unfinished Symphony, one of Schubert’s absolute masterpieces. Roy Goodman and the Hanover Band give an ample, extremely colourful interpretation of the piece – it is the first symphony for which the composer used trombones, and quite generously at that; an orchestra section also featured in his Great Symphony in C major –, with just enough reflection and, above all, a sense for phrases and articulation, that most interpretations so often lack. These recordings from 1992 haven’t lost an ounce of their enthusiasm. © SM/Qobuz

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Schubert: Orchestral Favourites, Vol. 15

The Hanover Band

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1
Overture in the Italian Style, D.591
00:07:25

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

2
Musik zu Helmina von Chezy's vieraktigem Schauspiele Rosamunde, Furstin von Zypern, K. 797: I. Overture Alfonso und Estrella, D. 732
00:05:33

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

3
Musik zu Helmina von Chezy's vieraktigem Schauspiele Rosamunde, Furstin von Zypern, K. 797: II. Entr'acte Music No. 1
00:08:15

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

4
Musik zu Helmina von Chezy's vieraktigem Schauspiele Rosamunde, Furstin von Zypern, K. 797: III. Ballet Music No. 1
00:08:11

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

5
Musik zu Helmina von Chezy's vieraktigem Schauspiele Rosamunde, Furstin von Zypern, K. 797: IV. Zwischenakt II
00:02:29

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

6
Musik zu Helmina von Chezy's vieraktigem Schauspiele Rosamunde, Furstin von Zypern, K. 797: V. Entr'acte Music No. 2
00:06:18

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

7
Musik zu Helmina von Chezy's vieraktigem Schauspiele Rosamunde, Furstin von Zypern, K. 797: VI. Ballet Music No. 2
00:06:14

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

8
Musik zu Helmina von Chezy's vieraktigem Schauspiele Rosamunde, Furstin von Zypern, K. 797: Overture Die Zauberharfe, D. 644
00:09:58

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

9
Symphony No. 8 in B Minor, D. 759: I. Allegro moderato
00:13:24

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

10
Symphony No. 8 in B Minor, D. 759: II. Andante con moto
00:09:51

The Hanover Band, Ensemble - Franz Schubert, Composer - Roy Goodman, Conductor

(C) 2018 Wyastone Estate Limited (P) 2018 Wyastone Estate Limited

Album review

In addition to Schubert’s Overture in The Italian Style that is very rarely performed – with reason, since it doesn’t present Schubert at his most inspired − but it is still worth knowing so as to notice how, at that young age, the composer was already creating his own language, while paying tribute to Rossini –, this selection features a gorgeous interpretation of the whole stage music from Rosamunde, two overtures (Alfonso und Estrella and Die Zauberharfe), and most importantly his Unfinished Symphony, one of Schubert’s absolute masterpieces. Roy Goodman and the Hanover Band give an ample, extremely colourful interpretation of the piece – it is the first symphony for which the composer used trombones, and quite generously at that; an orchestra section also featured in his Great Symphony in C major –, with just enough reflection and, above all, a sense for phrases and articulation, that most interpretations so often lack. These recordings from 1992 haven’t lost an ounce of their enthusiasm. © SM/Qobuz

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