Knut Schoch Scheidt: Geistliche Concerte

Scheidt: Geistliche Concerte

Knut Schoch

Includes: 1 Digital booklet

Released on May 5, 2017 by Christophorus

Main artist: Isolde Kittel-Zerer

Genre: Classical

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Album : 1 disk - 20 tracks Total length : 01:09:03

    Tabulatura nova, Book 2 (Samuel Scheidt)
  1. 1 Tabulatura nova, Book 2: Tabulatura nova, Book 2: Gelobet seist du, Jesu Christ, SSWV 135

    Isolde Kittel-Zerer, Performer - Samuel Scheidt, Composer Copyright : 2017 Christophorus

  2. Geistliche Conzerte III
  3. 2 Geistliche Conzerte III: Geistlicher Concerten, Part III: Vom Himmel hoch, da komm ich her, SWV 290 - Euch ist ein Kindlein heut geborn SSWV 291

    Knut Schoch, Performer - I Sonatori, Ensemble - Anonymous, Lyricist - Samuel Scheidt, Composer Copyright : 2017 Christophorus

  4. Geistliche Conzerte I
  5. 3 Geistliche Conzerte I: Newe geistliche Concerten, Part I: Wie schön leuchtet der Morgenstern, SSWV 185

    Knut Schoch, Performer - I Sonatori, Ensemble - Samuel Scheidt, Composer - Bible, Lyricist Copyright : 2017 Christophorus

  6. Geistliche Conzerte III
  7. 4 Geistliche Conzerte III: Geistlicher Concerten, Part III: Mit Fried und Freud ich fahr dahin, SSWV 302

    Knut Schoch, Performer - I Sonatori, Ensemble - Anonymous, Lyricist - Samuel Scheidt, Composer Copyright : 2017 Christophorus

  8. Canzoni fantasie et correnti da suonar (Bartolomé de Selma y Salaverde)
  9. 5 Canzoni fantasie et correnti: Canzoni fantasie et correnti da suonar: No. 11. Canzon prima a 2

    I Sonatori, Ensemble - Bartolomé de Selma y Salaverde, Composer Copyright : 2017 Christophorus

  10. Sei nun wieder zufrieden, meine Seele (Andreas Hammerschmidt)
  11. 6 Sei nun wieder zufrieden, meine Seele: Sei nun wieder zufrieden

    Knut Schoch, Performer - I Sonatori, Ensemble - Andreas Hammerschmidt, Composer - Bible, Lyricist Copyright : 2017 Christophorus

  12. Canzoni fantasie et correnti da suonar (Bartolomé de Selma y Salaverde)
  13. 7 Canzoni fantasie et correnti: Vestiva i colli passegiatto a 2

    I Sonatori, Ensemble - Bartolomé de Selma y Salaverde, Composer Copyright : 2017 Christophorus

  14. 8 Canzoni fantasie et correnti: Vestiva i colli passegiatto

    I Sonatori, Ensemble - Bartolomé de Selma y Salaverde, Composer Copyright : 2017 Christophorus

  15. Paradisus musicus (Melchior Franck)
  16. 9 Paradisus musicus: No. 1. Wenn ewer Sünd gleich blutroth ist

    Knut Schoch, Performer - I Sonatori, Ensemble - Melchior Franck, Composer - Bible, Lyricist Copyright : 2017 Christophorus

  17. 10 Paradisus musicus: No. 3. Prediget von den Gerechten

    Knut Schoch, Performer - I Sonatori, Ensemble - Melchior Franck, Composer - Bible, Lyricist Copyright : 2017 Christophorus

  18. Liebliche Kraftblümlein (Samuel Scheidt)
  19. 11 Liebliche Kraftblümlein: Liebliche Krafft-Blümlein: Die Güte des Herrn ist, SSWV 267

    Knut Schoch, Performer - I Sonatori, Ensemble - Samuel Scheidt, Composer - Bible, Lyricist Copyright : 2017 Christophorus

  20. Parnassia militia concertuum (Vinko Jelić)
  21. 12 Parnassia militia concertuum: Parnassia militia concertuum: Ricercar primo

    I Sonatori, Ensemble - Vinko Jelić, Composer Copyright : 2017 Christophorus

  22. Musicalische Friedens Seufftzer (Johann Erasmus Kindermann)
  23. 13 Musicalische Friedens Seufftzer: Musicalische Friedens Seufftzer: Die Güte des Herren

    Knut Schoch, Performer - I Sonatori, Ensemble - Johann Erasmus Kindermann, Composer - Bible, Lyricist Copyright : 2017 Christophorus

  24. Violin Sonata No. 3
  25. 14 Violin Sonata No. 3

    I Sonatori, Ensemble - Johann Erasmus Kindermann, Composer Copyright : 2017 Christophorus

  26. Geistliche Conzerte II (Samuel Scheidt)
  27. 15 Geistliche Conzerte II: Geistlicher Concerten, Part II: Da Jesus am dem Kreuze stund, SSWV 238

    Knut Schoch, Performer - I Sonatori, Ensemble - Anonymous, Lyricist - Samuel Scheidt, Composer Copyright : 2017 Christophorus

  28. Cantio Sacra
  29. 16 Cantio Sacra: Cantio Sacra: Christ lag in Todesbanden, SSWV 131

    Isolde Kittel-Zerer, Performer - Samuel Scheidt, Composer Copyright : 2017 Christophorus

  30. Geistliche Conzerte III
  31. 17 Geistliche Conzerte III: Geistlicher Concerten, Part III: Christ lag in Todensbanden, SWV 303

    Knut Schoch, Performer - I Sonatori, Ensemble - Anonymous, Lyricist - Samuel Scheidt, Composer Copyright : 2017 Christophorus

  32. Canzoni fantasie et correnti da suonar (Bartolomé de Selma y Salaverde)
  33. 18 Canzoni fantasie et correnti: Canzoni fantasie et correnti da suonar: No. 16. Canzon a 2

    I Sonatori, Ensemble - Bartolomé de Selma y Salaverde, Composer Copyright : 2017 Christophorus

  34. Gen Himmel zu dem Vater mein (Thomas Selle)
  35. 19 Gen Himmel zu dem Vater mein

    Knut Schoch, Performer - I Sonatori, Ensemble - Anonymous, Lyricist - Thomas Selle, Composer Copyright : 2017 Christophorus

  36. Geistliche Conzerte III (Samuel Scheidt)
  37. 20 Geistliche Conzerte III: Geistlicher Concerten, Part III: Komm, heiliger Geist, SSWV 311

    Knut Schoch, Performer - I Sonatori, Ensemble - Anonymous, Lyricist - Samuel Scheidt, Composer Copyright : 2017 Christophorus

About

The main composer on this album is Samuel Scheidt (1587-1654), whose life was permanently scarred by the abominations of the Thirty Years’ War. His contemporaries – some of their vocal and instrumental works appear on this same album: Melchior Franck, Andreas Hammerschmidt, Johann Kindermann or Bartolomeo de Selma y Salaverde – considered him as a versatile composer of the highest rank, together with his colleagues Schütz and Schein (the “Three Great SCH” or the early German baroque). However, later assessments during the 19th and 20th centuries saw him rather as an instrumental composer who had considerably furthered the art and style of his teacher Sweelinck in terms of contrapuntal development. This is best seen in his two organ pieces Gelobet seist du, Jesu Christ and Christ lag in Todesbanden from the collection printed under the name Tabulatura Nova. Both rely, according to prescriptions given to Lutheran organists, on church melodies for their cantus firmus, in particular German-language chorales by Martin Luther and his contemporaries, themselves partly based on known pre-Reformation sequences. That Scheidt, in contrast to Schütz for instance, largely based his vocal compositions on these sources, was due to the fact that his works were destined for an urban church music audience. The composition of “small”, i.e. soloistic and spiritual concertos – as distinguished from large-scale, partly double-choral works, such as Scheidt had published in his Concertus sacri in 1622 – came to play an additional role during the Thirty Years' War, as city chapels suffered considerable personnel and material restrictions. The smaller form meant higher chances of being printed and finding customers. The ensemble I SONATORI consists of five specialists of the so-called “Ancient music scene”, all of which which are active as soloists in numerous prestigious baroque ensembles (among them the Freiburger Barockorchester) and have come together to make music even outside of the “mainstream” baroque repertoire. The sung pieces are performed here by the tenor Knut Schoch, accompanied by the violin, the bassoon (or rather the bass dulcian), the cello (more precisely the violone) and the portable organ.

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