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Stefano Maiorana|Santiago de Murcia: Entre dos almas

Santiago de Murcia: Entre dos almas

Stefano Maiorana

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The heterogeneous output of Santiago de Murcia, one of the key figures in the Baroque guitar repertory, includes a number of transcriptions from the Op. 5 of Arcangelo Corelli, the famous collection of "sonatas with violin and string bass or harpsichord" published in Rome in 1700. The diffusion of Corelli’s works in Spain, and in particular in Madrid, suggests how highly the Italian style was valued at the court of Philip V, where Santiago taught Queen Maria Luisa of Savoy between 1704 and 1706. This gave rise to the idea of investigating the relationship between the Spanish and Italian styles in de Murcia’s guitar music.

Pieces such as the fandango, jacaras and canarios, here presented in original arrangements that attempt to achieve a synthesis between historical research and creativity, are coupled with two Corelli Sonatas and a set of original or anonymous variations on the Follie italianas. The result is a stimulating kaleidoscope of sonorities in which different aesthetics and instrumental techniques dialogue, contrast and blend together. After his CD "Intavolatura", devoted to the solo theorbo music of Kapsberger ("hypnotisant" - Le Devoir; "terrific" - American Record Guide; "outstanding" - Lute News), Stefano Maiorana turns his attention to the Baroque guitar, investigating its unique sound and its ability to adapt to different languages and styles. © Arcana

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Santiago de Murcia: Entre dos almas

Stefano Maiorana

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1
Fandango
00:04:16

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

2
Folías Ytalianas. Despacio
00:06:53

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

Sonata in E minor (Arcangelo Corelli)

3
I. Tocata. Grave (From Sonata in E Minor, Op. 5 No. 8) (Arr. for Guitar)
00:04:38

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Santiago de Murcia, Arranger - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

4
II. Allegro (From Sonata in E Minor, Op. 5 No. 8) (Arr. for Guitar)
00:01:59

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Santiago de Murcia, Arranger - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

5
III. Despacio
00:00:55

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

6
IV. Giga (From Sonata in G Minor, Op. 5 No. 5) (Arr. for Guitar)
00:01:37

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Santiago de Murcia, Arranger - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

7
Folías Gallegas
00:02:58

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

8
Tarantelas
00:04:30

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

9
Marizápalos
00:05:29

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

10
Canarios
00:04:29

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

Sonata in C Major, Op. 5 No. 3 (Arcangelo Corelli)

11
I. Preludio. Grabe (Arr. for Guitar)
00:02:39

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Santiago de Murcia, Arranger - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

12
II. Allegro (Arr. for Guitar)
00:02:05

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Stefano Maiorana, Arranger, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

13
III. Adagio (Arr. for Guitar)
00:02:58

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Stefano Maiorana, Arranger, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

14
IV. Allegro (Arr. for Guitar)
00:01:03

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Stefano Maiorana, Arranger, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

15
V. Giga (Arr. for Guitar)
00:02:23

Copyright Control, MusicPublisher - Arcangelo Corelli, Composer - Santiago de Murcia, Arranger - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

16
Jácaras
00:03:35

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

17
Ydea especial de clarínes
00:07:57

Copyright Control, MusicPublisher - Santiago de Murcia, Composer - Stefano Maiorana, MainArtist

2021 Outhere Music France 2021 Stefano Maiorana, under exclusive licence to Outhere Music France

Album review

The heterogeneous output of Santiago de Murcia, one of the key figures in the Baroque guitar repertory, includes a number of transcriptions from the Op. 5 of Arcangelo Corelli, the famous collection of "sonatas with violin and string bass or harpsichord" published in Rome in 1700. The diffusion of Corelli’s works in Spain, and in particular in Madrid, suggests how highly the Italian style was valued at the court of Philip V, where Santiago taught Queen Maria Luisa of Savoy between 1704 and 1706. This gave rise to the idea of investigating the relationship between the Spanish and Italian styles in de Murcia’s guitar music.

Pieces such as the fandango, jacaras and canarios, here presented in original arrangements that attempt to achieve a synthesis between historical research and creativity, are coupled with two Corelli Sonatas and a set of original or anonymous variations on the Follie italianas. The result is a stimulating kaleidoscope of sonorities in which different aesthetics and instrumental techniques dialogue, contrast and blend together. After his CD "Intavolatura", devoted to the solo theorbo music of Kapsberger ("hypnotisant" - Le Devoir; "terrific" - American Record Guide; "outstanding" - Lute News), Stefano Maiorana turns his attention to the Baroque guitar, investigating its unique sound and its ability to adapt to different languages and styles. © Arcana

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