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Ryan Latimer|Ryan Latimer: Antiarkie

Ryan Latimer: Antiarkie

Ryan Latimer

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As his earliest exposure to orchestral music, the playful, frenetic, visceral nature of cartoon soundtracks remains a prominent aspect of Ryan Latimer's work. The title "Antiarkie" is a tribute and commentary on this characterful music with the BBC Symphony Orchestra, led by Pierre-André Valade, equipping a clattering range of percussion to achieve the effect of "wild and irregular chaos". This child-like energy is ever-present in the piano and percussion duet Slink & Stride, commissioned and performed by Psappha. A selection of short tunes and motifs jostle and reanimate "often subtly entwining themselves or sometimes taking more striding leaps" (Ryan Latimer).

Oliver Knussen and the Royal Academy of Music's new music group Manson Ensemble take on the intricate weaving gestures of Mills Mess. An amateur juggler himself, Ryan takes the piece's name and inspiration from the juggling pattern created by Steve Mills in the 1970s. The abrupt, twitchy changes of mood and rhythm convey the heightened precariousness as the spectacle becomes more flamboyant.

Ryan turns to Herman Melville’s classic 1851 novel Moby Dick for his Crouch End Festival Chorus commission Frigates & Folly with the BBC Concert Orchestra and David Temple. This piece focuses on the ship's tragically optimistic Second Mate, Stubb, whose sarcastic quips and witty songs include a silly ditty making light of a looming typhoon, a surreal dream scene involving a badger-haired merman imparting important life lessons, a drinking song and a depiction of the steadfast sun amidst the chaos of the cosmos. The piece entitled Moby Dick draws upon the structural and stylistic traits of the novel as a whole, capturing the dramatically contrasting character types and unfolding narrative. It was composed for the London Sinfonietta as part of the "Next Wave" programme, established by NMC and Sound and Music.

The song cycle Speaking of Letters and Dancing uses three short poems to explore the effect of distance and proximity in a personal relationship, brought to life by mezzo-soprano Rosie Middleton and Loki Ensemble with conductor Daniele Rosina. The first two movements use the texts of Polish poet and playwright Maria Pawlikowska-Jasnorzewska and explore the anticipation and anxiousness of receiving a long-awaited letter from a loved one with unexpectedly heart-breaking consequences, as well as the intimacy and joy of dancing with others. The collection concludes with Japanese poet Kobayashi Issa’s refined, compact poem Summer Night which depicts an evening so still that "even the stars, galaxies apart, might whisper intimately to each other" (Paul Conway).

Constructing a "meta-ensemble" from the peculiar collection of instruments at his disposal, Divertimento, performed by Britten Sinfonia, plays with time-honoured genres with glimpses of baroque-inspired fantasias, modernist violin gestures, and deconstructed quotes from Mozart’s Oboe Quartet. © NMC Recordings

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Ryan Latimer: Antiarkie

Ryan Latimer

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1
Mills Mess (Live)
Royal Academy of Music Manson Ensemble
00:04:43

Oliver Knussen, Conductor, MainArtist - Ryan Latimer, Composer - Royal Academy of Music Manson Ensemble, Ensemble, MainArtist

2021 NMC Recordings 2021 (P) NMC Recordings

2
Frigates & Folly
The BBC Concert Orchestra
00:15:44

David Temple, Conductor, MainArtist - BBC Concert Orchestra, Orchestra, MainArtist - Crouch End Festival Chorus, Choir, MainArtist - Herman Melville, Lyricist - Ryan Latimer, Composer - John Rayfield, MainArtist, AssociatedPerformer

2021 NMC Recordings 2021 (P) NMC Recordings

Divertimento (Ryan Latimer)

3
I. Scherzo
Britten Sinfonia
00:02:44

Britten Sinfonia, Ensemble, MainArtist - Ryan Latimer, Composer

2021 NMC Recordings 2021 (P) NMC Recordings

4
II. Fantasia
Britten Sinfonia
00:01:36

Britten Sinfonia, Ensemble, MainArtist - Ryan Latimer, Composer

2021 NMC Recordings 2021 (P) NMC Recordings

5
III. Passacaglia
Britten Sinfonia
00:07:01

Britten Sinfonia, Ensemble, MainArtist - Ryan Latimer, Composer

2021 NMC Recordings 2021 (P) NMC Recordings

6
Moby Dick
London Sinfonietta
00:09:16

London Sinfonietta, Ensemble, MainArtist - Garry Walker, Conductor, MainArtist - Ryan Latimer, Composer

2021 NMC Recordings 2021 (P) NMC Recordings

Speaking of Letters and Dancing (Ryan Latimer)

7
I. A Letter
Loki Ensemble
00:03:11

Maria Pawlikowska-Jasnorzewska, Lyricist - Ryan Latimer, Composer - Rosie Middleton, MainArtist, AssociatedPerformer - Daniele Rosina, Conductor, MainArtist - Loki Ensemble, Ensemble, MainArtist

2021 NMC Recordings 2021 (P) NMC Recordings

8
II. Dancing
Loki Ensemble
00:02:57

Maria Pawlikowska-Jasnorzewska, Lyricist - Ryan Latimer, Composer - Rosie Middleton, MainArtist, AssociatedPerformer - Daniele Rosina, Conductor, MainArtist - Loki Ensemble, Ensemble, MainArtist

2021 NMC Recordings 2021 (P) NMC Recordings

9
III. Summer Night
Loki Ensemble
00:04:16

Kobayashi Issa, Lyricist - Ryan Latimer, Composer - Rosie Middleton, MainArtist, AssociatedPerformer - Daniele Rosina, Conductor, MainArtist - Loki Ensemble, Ensemble, MainArtist

2021 NMC Recordings 2021 (P) NMC Recordings

10
Slink & Stride
Psappha
00:03:42

Psappha, Ensemble, MainArtist - Ryan Latimer, Composer

2021 NMC Recordings 2021 (P) NMC Recordings

11
Antiarkie
The BBC Symphony Orchestra
00:09:29

The BBC Symphony Orchestra, Orchestra, MainArtist - Pierre-Andre Valade, Conductor, MainArtist - Ryan Latimer, Composer

2021 NMC Recordings 2021 (P) NMC Recordings

Album review

As his earliest exposure to orchestral music, the playful, frenetic, visceral nature of cartoon soundtracks remains a prominent aspect of Ryan Latimer's work. The title "Antiarkie" is a tribute and commentary on this characterful music with the BBC Symphony Orchestra, led by Pierre-André Valade, equipping a clattering range of percussion to achieve the effect of "wild and irregular chaos". This child-like energy is ever-present in the piano and percussion duet Slink & Stride, commissioned and performed by Psappha. A selection of short tunes and motifs jostle and reanimate "often subtly entwining themselves or sometimes taking more striding leaps" (Ryan Latimer).

Oliver Knussen and the Royal Academy of Music's new music group Manson Ensemble take on the intricate weaving gestures of Mills Mess. An amateur juggler himself, Ryan takes the piece's name and inspiration from the juggling pattern created by Steve Mills in the 1970s. The abrupt, twitchy changes of mood and rhythm convey the heightened precariousness as the spectacle becomes more flamboyant.

Ryan turns to Herman Melville’s classic 1851 novel Moby Dick for his Crouch End Festival Chorus commission Frigates & Folly with the BBC Concert Orchestra and David Temple. This piece focuses on the ship's tragically optimistic Second Mate, Stubb, whose sarcastic quips and witty songs include a silly ditty making light of a looming typhoon, a surreal dream scene involving a badger-haired merman imparting important life lessons, a drinking song and a depiction of the steadfast sun amidst the chaos of the cosmos. The piece entitled Moby Dick draws upon the structural and stylistic traits of the novel as a whole, capturing the dramatically contrasting character types and unfolding narrative. It was composed for the London Sinfonietta as part of the "Next Wave" programme, established by NMC and Sound and Music.

The song cycle Speaking of Letters and Dancing uses three short poems to explore the effect of distance and proximity in a personal relationship, brought to life by mezzo-soprano Rosie Middleton and Loki Ensemble with conductor Daniele Rosina. The first two movements use the texts of Polish poet and playwright Maria Pawlikowska-Jasnorzewska and explore the anticipation and anxiousness of receiving a long-awaited letter from a loved one with unexpectedly heart-breaking consequences, as well as the intimacy and joy of dancing with others. The collection concludes with Japanese poet Kobayashi Issa’s refined, compact poem Summer Night which depicts an evening so still that "even the stars, galaxies apart, might whisper intimately to each other" (Paul Conway).

Constructing a "meta-ensemble" from the peculiar collection of instruments at his disposal, Divertimento, performed by Britten Sinfonia, plays with time-honoured genres with glimpses of baroque-inspired fantasias, modernist violin gestures, and deconstructed quotes from Mozart’s Oboe Quartet. © NMC Recordings

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