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Rocky Votolato|Rocky Votolato

Rocky Votolato

Rocky Votolato

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Rocky Votolato's first solo record -- an album that was a big influence on Dashboard Confessional -- is a stripped-down and subtle acoustic folk set. Like early Elliott Smith, Votolato is able to convey so much emotion with simple instrumentation, hushed vocals and lo-fi production. If Smith was simplifying his work in the punk group Heatmiser by turning to folk, Votolato goes one step further, taking Smith's singer/songwriter style and making it calmer, always threatening to simply float away. From the breezy "Intro to ACGF" to the more somber "Victims" and "A Painting of a Song", this debut is always reflective, simultaneously evoking the quieter picking of Leonard Cohen and the internal outpouring of Van Morrison's Astral Weeks. Vocally, Votolato carries on the sound he developed in the softer moments of his rock band Waxwing, something akin to Bright Eyes without the waver and warble. The album ends with "I Remember Music", one of Votolato's best songs and the record's most buoyant -- a mythologizing nostalgia trip that is both intimate and touching like a fading photograph.

© Charles Spano /TiVo

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Rocky Votolato

Rocky Votolato

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1
I'd Be Fine
00:01:29

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

2
Treepeople
00:02:24

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

3
Intro to ACGF
00:01:49

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

4
Cut Me In Two
00:02:18

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

5
Victims
00:03:24

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

6
Blood In Your Eyes
00:03:54

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

7
A Painting of a Song
00:02:47

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

8
The Bed Is Warm
00:03:37

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

9
People to Impress
00:03:02

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

10
Work Hard
00:01:36

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

11
Coast Lines to Follow
00:02:36

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

12
I Remember Music
00:04:42

Rocky Votolato, Composer, MainArtist - Second Nature Recordings, MusicPublisher

1999 Second Nature Recordings 1999 Second Nature Recordings

Album review

Rocky Votolato's first solo record -- an album that was a big influence on Dashboard Confessional -- is a stripped-down and subtle acoustic folk set. Like early Elliott Smith, Votolato is able to convey so much emotion with simple instrumentation, hushed vocals and lo-fi production. If Smith was simplifying his work in the punk group Heatmiser by turning to folk, Votolato goes one step further, taking Smith's singer/songwriter style and making it calmer, always threatening to simply float away. From the breezy "Intro to ACGF" to the more somber "Victims" and "A Painting of a Song", this debut is always reflective, simultaneously evoking the quieter picking of Leonard Cohen and the internal outpouring of Van Morrison's Astral Weeks. Vocally, Votolato carries on the sound he developed in the softer moments of his rock band Waxwing, something akin to Bright Eyes without the waver and warble. The album ends with "I Remember Music", one of Votolato's best songs and the record's most buoyant -- a mythologizing nostalgia trip that is both intimate and touching like a fading photograph.

© Charles Spano /TiVo

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