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Marcus Miller|Renaissance

Renaissance

MARCUS MILLER

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Marcus Miller's career as a sideman, composer, and producer in jazz, R&B, and pop has been prolific. He's continuously pushed boundaries in order to blur and integrate genres. Renaissance is his first studio recording in five years (Free was released in 2007 in Europe and Japan, then re-released in the United States as Marcus in 2008). Renaissance's title reflects the idea that music needs a rebirth to keep up with the creative possibilities afforded by technology, and to reflect the ever-shifting, politically charged cultural landscape. The manner in which he posits this is anything but theoretical, however. Renaissance may be the most emotive offering in Miller's catalog. Groove and firepower are near constants here. Jazz-funk, R&B, rock, post-bop, club-jazz, and more come together in a wide-ranging collection that is deeply focused and expertly sequenced. Using a revolving cast whose core is alto saxophonist Alex Han, guitarist Adam Agati, and keyboardist Federico Gonzalez Peña, guests include trumpeters Maurice Brown and Sean Jones, organist Bobby Sparks, and more. Things get off to a skittering start on "Detroit," with Miller's bass riding heard over a knotty jazz-funk groove. Louis Cato's drums accent breaks in key sections, the souled-out horns highlight the choruses, and Agati's guitar nastily accents it all while Han's alto solo is a monster. The cover of "Slipping Into Darkness" melds Kris Bowers' piano and Sparks' organ with hand percussion, both trumpets, and Miller's funky reggae groove. The melody accents syncopation on the backbeat before weaving Bob Marley's and Peter Tosh's "Get Up, Stand Up" in as a logical yet surprising extension. Bowers' knotty piano solo illustrates the wide possibilities for jazz improvisation. "Jekyll & Hyde" combines alternate passages of elegant, soulful contemporary jazz with riff-driven rock as Agati and Miller complement and push one another. "Revelation" is a rumbling modal jam with funky highlights and fine soloing by Han. "Gorée (Go-ray)," with Miller on bass clarinet, is a lilting, post-bop ballad with lovely melodic interplay; it was inspired by his visit to the House of Slaves on Gorée Island, his feelings standing inside and reflecting on the horror of the slave experience. It's emotional quality contains numerous dimensions. It is a meditation on how the ends of the lives of these slaves as they knew them also birthed of the African-American experience, one of continued struggle that culturally evolved and transfromed into diverse musical forms that bore witness to tragedy but also triumph as the art created from this history has brought joy and meaning to individuals and societies across globe. Its tenderness and equanimity tells the whole story. "Cee-Tee-Eye," while a thoroughly contemporary jazz tune, pays excellent tribute to the inspiration of Creed Taylor's label. The set closer, a simple reading of "I'll Be There," showcases the bassist's gift for lyricism and understatement. Renaissance is a lofty title, but the inspired performances Miller puts on offer get very close to delivering on the ambition it promises.
© Thom Jurek /TiVo

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Renaissance

Marcus Miller

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1
Detroit
00:05:44

MARCUS MILLER, MainArtist, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

2
Redemption
00:06:09

MARCUS MILLER, MainArtist, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

3
February
00:04:15

MARCUS MILLER, MainArtist, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

4
Slippin’ Into Darkness
00:09:15

Lee Oskar, ComposerLyricist - Sylvester Allen, ComposerLyricist - MARCUS MILLER, MainArtist - Charles Miller, ComposerLyricist - Howard E. Scott, ComposerLyricist - Morris Dewayne Dickerson, ComposerLyricist - Harold Ray Brown, ComposerLyricist - Le Roy L. Jordan, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

5
Setembro (Brazilian Wedding Song)
00:06:37

Gilson Peranzzetta, ComposerLyricist - MARCUS MILLER, MainArtist - Ruben Blades, FeaturedArtist - IVAN LINS, ComposerLyricist - Gretchen Parlato, FeaturedArtist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

6
Jekyll & Hyde
00:06:30

MARCUS MILLER, MainArtist, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

7
Interlude: Nocturnal Mist
00:01:16

MARCUS MILLER, MainArtist - Luther Hanes, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

8
Revelation
00:04:46

MARCUS MILLER, MainArtist, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

9
Mr. Clean
00:05:01

Weldon Irvine, Jr., ComposerLyricist - MARCUS MILLER, MainArtist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

10
Gorée (Go-ray)
00:05:39

MARCUS MILLER, MainArtist, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

11
CEE-TEE-EYE
00:07:40

MARCUS MILLER, MainArtist, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

12
Tightrope
00:05:46

Antwan Patton, ComposerLyricist - MARCUS MILLER, MainArtist - Janelle Monáe Robinson, ComposerLyricist - Nathaniel Irvin III, ComposerLyricist - Charles Delbert Joseph II, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

13
I'll Be There
00:03:48

Bob West, ComposerLyricist - MARCUS MILLER, MainArtist - Berry Gordy, ComposerLyricist - Hal Davis, ComposerLyricist - Willie Hutchison, ComposerLyricist - Freddy Wexler, ComposerLyricist

℗ 2012 Hannibal L.L.C. Under license to Concord Music Group, Inc.

Album Description

Marcus Miller's career as a sideman, composer, and producer in jazz, R&B, and pop has been prolific. He's continuously pushed boundaries in order to blur and integrate genres. Renaissance is his first studio recording in five years (Free was released in 2007 in Europe and Japan, then re-released in the United States as Marcus in 2008). Renaissance's title reflects the idea that music needs a rebirth to keep up with the creative possibilities afforded by technology, and to reflect the ever-shifting, politically charged cultural landscape. The manner in which he posits this is anything but theoretical, however. Renaissance may be the most emotive offering in Miller's catalog. Groove and firepower are near constants here. Jazz-funk, R&B, rock, post-bop, club-jazz, and more come together in a wide-ranging collection that is deeply focused and expertly sequenced. Using a revolving cast whose core is alto saxophonist Alex Han, guitarist Adam Agati, and keyboardist Federico Gonzalez Peña, guests include trumpeters Maurice Brown and Sean Jones, organist Bobby Sparks, and more. Things get off to a skittering start on "Detroit," with Miller's bass riding heard over a knotty jazz-funk groove. Louis Cato's drums accent breaks in key sections, the souled-out horns highlight the choruses, and Agati's guitar nastily accents it all while Han's alto solo is a monster. The cover of "Slipping Into Darkness" melds Kris Bowers' piano and Sparks' organ with hand percussion, both trumpets, and Miller's funky reggae groove. The melody accents syncopation on the backbeat before weaving Bob Marley's and Peter Tosh's "Get Up, Stand Up" in as a logical yet surprising extension. Bowers' knotty piano solo illustrates the wide possibilities for jazz improvisation. "Jekyll & Hyde" combines alternate passages of elegant, soulful contemporary jazz with riff-driven rock as Agati and Miller complement and push one another. "Revelation" is a rumbling modal jam with funky highlights and fine soloing by Han. "Gorée (Go-ray)," with Miller on bass clarinet, is a lilting, post-bop ballad with lovely melodic interplay; it was inspired by his visit to the House of Slaves on Gorée Island, his feelings standing inside and reflecting on the horror of the slave experience. It's emotional quality contains numerous dimensions. It is a meditation on how the ends of the lives of these slaves as they knew them also birthed of the African-American experience, one of continued struggle that culturally evolved and transfromed into diverse musical forms that bore witness to tragedy but also triumph as the art created from this history has brought joy and meaning to individuals and societies across globe. Its tenderness and equanimity tells the whole story. "Cee-Tee-Eye," while a thoroughly contemporary jazz tune, pays excellent tribute to the inspiration of Creed Taylor's label. The set closer, a simple reading of "I'll Be There," showcases the bassist's gift for lyricism and understatement. Renaissance is a lofty title, but the inspired performances Miller puts on offer get very close to delivering on the ambition it promises.
© Thom Jurek /TiVo

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