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Stone Temple Pilots|Purple

Purple

Stone Temple Pilots

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Stone Temple Pilots had hits with Core, but they got no respect. They suffered a barrage of savage criticism and it must have hurt, since their second effort seems a conscious effort to distinguish themselves as a band not indebted to grunge. That didn't get them anywhere, as they were attacked as viciously as before, but Purple is nevertheless a quantum leap over their debut, showcasing a band hitting its stride. They still aren't much for consistency, and there's more than a fair share of filler over this album's "12 Gracious Melodies." Still, this filler isn't cut-rate grunge, as it was on the debut; it has its own character, heavily melodic and slightly psychedelic. That's a fair assessment of the hits, as well, but there's a difference there -- namely, expert song and studiocraft. Yes, they were considerably more mainstream than their peers, but time has proven that that's their primary charm, since they were unafraid to temper their grunge with big arena hooks and swirling melodies. It works particularly well on the tight, concise "Vasoline" and the acoustic-based "Pretty Penny," but it really shines on the record's two masterpieces, "Big Empty" and "Interstate Love Song." "Big Empty" is ominous and foreboding, yet remains anthemic, a perfect encapsulation of mainstream alienation that is surpassed only by "Interstate Love Song," a concise epic as alluring as the open highway. These two songs are so good (really, mainstream hard rock didn't get better than these two cuts) that the unevenness of the rest of the record is all the more frustrating, but the filler here is better than before -- and those singles are proof positive that STP was the best straight-ahead rock singles outfit of their time.

© Stephen Thomas Erlewine /TiVo

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Purple

Stone Temple Pilots

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1
Meatplow (LP Version)
00:03:37

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums - Dean DeLeo, Guitar, Writer - Robert Deleo, Bass Guitar, Backing Vocals, Writer - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Vasoline (LP Version)
00:02:54

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums, Percussion, Writer - Dean DeLeo, Guitar, Writer - Robert Deleo, Bass Guitar, Backing Vocals - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Composer, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Lounge Fly (LP Version) Explicit
00:05:18

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums, Percussion - Dean DeLeo, Guitar - Robert Deleo, Bass Guitar, Backing Vocals, Writer - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Percussion, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Interstate Love Song (LP Version)
00:03:13

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums - Dean DeLeo, Guitar - Robert Deleo, Bass Guitar, Percussion, Writer - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
Still Remains (LP Version)
00:03:33

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums, Percussion - Dean DeLeo, Acoustic Guitar, Electric Guitar, Writer - Robert Deleo, Bass Guitar, Percussion, Writer - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Percussion, Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Pretty Penny (LP Version)
00:03:42

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums, Percussion - Dean DeLeo, Guitar, Percussion, Writer - Robert Deleo, Bass Guitar, Percussion, Backing Vocals - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Percussion, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
Silvergun Superman (LP Version)
00:05:16

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums - Dean DeLeo, Drums, Acoustic Guitar, Writer - Robert Deleo, Bass Guitar, Backing Vocals, Writer - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Percussion, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Big Empty (LP Version)
00:04:53

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums, Percussion - Dean DeLeo, Guitar, Writer - Robert Deleo, Bass Guitar, Backing Vocals - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
Unglued (LP Version)
00:02:34

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums - Dean DeLeo, Guitar - Robert Deleo, Bass Guitar, Backing Vocals, Writer - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
Army Ants (LP Version)
00:03:46

Brendan O'Brien, Producer, Percussion, Audio Recording Engineer, Mellotron, MixingEngineer - Eric Kretz, Drums - Dean DeLeo, Guitar, Writer - Robert Deleo, Bass Guitar, Backing Vocals - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Lead Vocals, Writer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
Kitchenware & Candybars (LP Version)
00:08:06

Brendan O'Brien, Producer, Audio Recording Engineer, MixingEngineer - Eric Kretz, Drums - Dean DeLeo, Guitar - Robert Deleo, Bass Guitar, Backing Vocals, Writer - Bob Ludwig, MasteringEngineer - Stone Temple Pilots, MainArtist - Scott Weiland, Lead Vocals, Writer - Nick DiDia, Engineer - Caram Costanzo, AssistantEngineer

© 1994 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

Stone Temple Pilots had hits with Core, but they got no respect. They suffered a barrage of savage criticism and it must have hurt, since their second effort seems a conscious effort to distinguish themselves as a band not indebted to grunge. That didn't get them anywhere, as they were attacked as viciously as before, but Purple is nevertheless a quantum leap over their debut, showcasing a band hitting its stride. They still aren't much for consistency, and there's more than a fair share of filler over this album's "12 Gracious Melodies." Still, this filler isn't cut-rate grunge, as it was on the debut; it has its own character, heavily melodic and slightly psychedelic. That's a fair assessment of the hits, as well, but there's a difference there -- namely, expert song and studiocraft. Yes, they were considerably more mainstream than their peers, but time has proven that that's their primary charm, since they were unafraid to temper their grunge with big arena hooks and swirling melodies. It works particularly well on the tight, concise "Vasoline" and the acoustic-based "Pretty Penny," but it really shines on the record's two masterpieces, "Big Empty" and "Interstate Love Song." "Big Empty" is ominous and foreboding, yet remains anthemic, a perfect encapsulation of mainstream alienation that is surpassed only by "Interstate Love Song," a concise epic as alluring as the open highway. These two songs are so good (really, mainstream hard rock didn't get better than these two cuts) that the unevenness of the rest of the record is all the more frustrating, but the filler here is better than before -- and those singles are proof positive that STP was the best straight-ahead rock singles outfit of their time.

© Stephen Thomas Erlewine /TiVo

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