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Valer Sabadus|Pergolesi: - Stabat Mater- Laudate Pueri

Pergolesi: - Stabat Mater- Laudate Pueri

Michael Hofstetter

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Pergolesi's Stabat Mater, his achingly lovely swan song, was most likely written with two male singers in mind. Yet it's not often recorded that way, and the present release, with a genuine male soprano and alto, represents something rarer still, perhaps because not a lot of male singers can pull off the higher ranges convincingly without belting. Both the singers are billed as countertenors on the album, but Romanian-born Valer Barna-Sabadus, who looks like he just stepped out of a rock & roll dive, is a true soprano. Check out his soaring lines in the "Cujus animan," track 2, for the real news on this album. It's not that he delivers operatic power; plenty of countertenors can do that. It's the lightness and balance -- even a certain soberness -- that fit the work to its intended church ambiance. He can certainly execute the blooming operatic style, which he deploys to perfectly good effect in the choral psalm "Laudate Pueri Dominum," which rounds out the album; it's that he doesn't feel it's appropriate to this particular work. Barna-Sabadus' duets with male alto Terry Wey are gracefully restrained and deeply spiritual. The Neumeyer Consort under Michael Hofstetter, playing historical instruments, keeps the singers front and center but accompanies them sensitively. There are certainly other recordings of the Stabat Mater with greater sentiment, and arguably greater emotional impact, but for sheer vocal beauty and for original use of the male high voice this one is hard to top. Oehms' engineering, as usual, is crystal clear and beautifully attuned to the music, which was recorded in an auditorium at the music school of the University of Mainz.
© TiVo

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Pergolesi: - Stabat Mater- Laudate Pueri

Valer Sabadus

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Stabat Mater, P. 77 (Giovanni Battista Pergolesi)

1
Stabat mater dolorosa
Terry Wey
00:04:33

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

2
Cuius animam gementem
Terry Wey
00:02:02

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

3
O quam tristis et afflicta
Terry Wey
00:02:02

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

4
Quae moerebat et dolebat
Terry Wey
00:01:37

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

5
Quis est homo qui non fleret
Terry Wey
00:03:01

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

6
Vidit suum dulcem natum
Terry Wey
00:03:38

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

7
Eia mater, fons amoris
Terry Wey
00:02:18

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

8
Fac, ut ardeat cor meum
Terry Wey
00:01:57

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

9
Sancta Mater, istud agas
Terry Wey
00:05:48

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

10
Fac, ut portem Christi mortem
Terry Wey
00:04:16

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

11
Inflammatus et accensus
Terry Wey
00:01:55

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

12
Quando corpus morietur
Terry Wey
00:04:14

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

Laudate (Giovanni Battista Pergolesi)

13
Laudate
Neumeyer Consort
00:02:58

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Mainz Vocal, Choir - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

Laudate pueri (Giovanni Battista Pergolesi)

14
A solis Ortu
Terry Wey
00:03:30

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Mainz Vocal, Choir - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

15
Excelsus super omnes
Terry Wey
00:01:46

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Mainz Vocal, Choir - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

16
Quis sicut Dominus
Terry Wey
00:02:41

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Mainz Vocal, Choir - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

17
Suscitans a terra
Terry Wey
00:02:26

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Mainz Vocal, Choir - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

18
Gloria Patri
Neumeyer Consort
00:03:11

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Mainz Vocal, Choir - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

19
Sicut erat in principio
Terry Wey
00:02:05

Giovanni Battista Pergolesi, Composer - Terry Wey, Artist - Michael Hofstetter, Conductor - Mainz Vocal, Choir - Neumeyer Consort, Ensemble - Valer Barna-Sabadus, Artist, MainArtist

(C) 2012 Oehms Classics (P) 2012 Oehms Classics

Album review

Pergolesi's Stabat Mater, his achingly lovely swan song, was most likely written with two male singers in mind. Yet it's not often recorded that way, and the present release, with a genuine male soprano and alto, represents something rarer still, perhaps because not a lot of male singers can pull off the higher ranges convincingly without belting. Both the singers are billed as countertenors on the album, but Romanian-born Valer Barna-Sabadus, who looks like he just stepped out of a rock & roll dive, is a true soprano. Check out his soaring lines in the "Cujus animan," track 2, for the real news on this album. It's not that he delivers operatic power; plenty of countertenors can do that. It's the lightness and balance -- even a certain soberness -- that fit the work to its intended church ambiance. He can certainly execute the blooming operatic style, which he deploys to perfectly good effect in the choral psalm "Laudate Pueri Dominum," which rounds out the album; it's that he doesn't feel it's appropriate to this particular work. Barna-Sabadus' duets with male alto Terry Wey are gracefully restrained and deeply spiritual. The Neumeyer Consort under Michael Hofstetter, playing historical instruments, keeps the singers front and center but accompanies them sensitively. There are certainly other recordings of the Stabat Mater with greater sentiment, and arguably greater emotional impact, but for sheer vocal beauty and for original use of the male high voice this one is hard to top. Oehms' engineering, as usual, is crystal clear and beautifully attuned to the music, which was recorded in an auditorium at the music school of the University of Mainz.
© TiVo

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