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Harry Partch|PARTCH, H.: Historic Speech Music Recordings  (Harry Partch - Li Po)

PARTCH, H.: Historic Speech Music Recordings (Harry Partch - Li Po)

Harry Partch - Li Po

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Enclosure 2 is a four-CD set from Innova, the label of the Minnesota Composers' Forum. The set gathers some of the rarest recordings of compositions by Harry Partch, plus a few introductory remarks and a 46-minute group of reminiscences from Partch's wake, made by his closest friends and co-workers, interspersed with some further remarks on a tape made of Partch.
There are several larger works on this album: ten of the Li Po Lyrics, Barstow, U.S. Highball, Dark Brother, Quarter-Saw Section, and Ring Around the Moon. Every one of these entries is a different recording -- often of a different revision -- from the same work's release on Partch's Gate Five label.
Most of the short pieces in the set (By the Rivers of Babylon, San Francisco, While my Heart Keeps Beating Time, San Francisco II, Two Settings from Joyce's Finnegan's Wake, Y.D. Fantasy, O Frabjous Day!, And Bless This House) are presented in the acetate recordings made by Warren Gilson in Madison, Wisconsin, in 1945. They are noisy, and their recording quality varies from piece to piece, but they are in general exciting performances. San Francisco II is an intriguing selection; it is a high-quality 1990 broadcast recording of the original work San Francisco, arranged for standard instruments rather than the unique Partch instruments, but still played in Partch's just-intonation forty-three-tone-to-the-octave system. While My Heart Keeps Beating Time, Partch's one and only published pop song, is also a more modern recording and affords a fascinating contrast to his serious work.
There is an awful lot of material here of interest only to specialists, which rules out the acquisition of the four-CD set for anyone else to whom cost is an object.

© TiVo

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PARTCH, H.: Historic Speech Music Recordings (Harry Partch - Li Po)

Harry Partch

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1
I am Harry Partch
Harry Partch
00:00:24

Harry Partch, narrator

2
By the Rivers of Babylon
Lee Hoiby
00:03:25

Harry Partch, narrator - Harry Partch, viola - Lee Hoiby, kithara - Christine Charnstrom, keyboards

3
A Wagnerian Wrestling Match
Harry Partch
00:01:22

Harry Partch, narrator

4
A Dream
Harry Partch
00:04:34

Harry Partch, narrator - William Wendlant, viola

5
An Encounter in the Field
Harry Partch
00:00:47

Harry Partch, narrator - William Wendlant, viola

6
On Hearing the Flute
Harry Partch
00:01:00

Harry Partch, narrator - William Wendlant, viola

7
The Intruder
Harry Partch
00:01:10

Harry Partch, narrator - William Wendlant, viola

8
I am a Peach Tree
Harry Partch
00:01:26

Harry Partch, narrator - William Wendlant, viola

9
With a Man of Leisure
Harry Partch
00:00:47

Harry Partch, narrator - William Wendlant, viola

10
A Midnight Farewell
Harry Partch
00:01:19

Harry Partch, narrator - William Wendlant, viola

11
Before the Cask of Wine
Harry Partch
00:02:10

Harry Partch, narrator - William Wendlant, viola

12
On the Ship of Spicewood
Harry Partch
00:02:31

Harry Partch, narrator - William Wendlant, viola

13
By the Great Wall
Harry Partch
00:01:56

Harry Partch, narrator - William Wendlant, viola

14
The Use of English in Serious Music
Harry Partch
00:00:57

Harry Partch, narrator

15
8 Hitchhikers' Inscriptions
Lee Hoiby
00:08:26

Harry Partch, narrator - Harry Partch, guitar - Lee Hoiby, kithara - Christine Charnstrom, keyboards

16
a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
Lee Hoiby
00:02:29

Harry Partch, narrator - Harry Partch, viola - Lee Hoiby, kithara - Christine Charnstrom, keyboards

17
Life is too precious to spend it with important people
Harry Partch
00:01:29

Harry Partch, narrator

18
a Musical Account of a Transcontinental Hobo Trip
Lee Hoiby
00:26:46

Harry Partch, narrator - Harry Partch, guitar - Lee Hoiby, kithara - Christine Charnstrom, keyboards - Fralia Hancock, drum

19
My Heart Keeps Beating Time
Harry Partch
00:01:36

Harry Partch, narrator - Liz Schmidt, piano

20
San Francisco II
Harry Partch
00:02:50

Harry Partch, narrator - Arun Chandra, guitar - Rick Burkhardt, guitar - Keith Johnson, guitar - Sarah Wiseman, cello - Lesley Olson, flute

DISC 2

1
I'm going to start right off by giving you some sounds…
Harry Partch
00:00:30

Harry Partch, narrator

2
No. 1. Isobel
Harry Partch
00:02:53

Harry Partch, narrator - Harry Partch, kithara - Dorothy Holden, flute - Hilmar Luckhardt, flute

3
No. 2. Annah the Allmaziful
Harry Partch
00:02:20

Harry Partch, narrator - Harry Partch, kithara - Dorothy Holden, flute - Hilmar Luckhardt, flute

4
Dark Brother
Lee Hoiby
00:07:37

Harry Partch, narrator - Harry Partch, viola - Lee Hoiby, kithara - Christine Charnstrom, keyboards - Fralia Hancock, drum

5
Prelude to Talk
Harry Partch
00:02:14

Harry Partch, narrator

6
Introduction to Examples Oo Intonation
Harry Partch
00:06:05

Harry Partch, narrator

7
Scale of Olympos (Pentatonic)
Harry Partch
00:01:05

Harry Partch, narrator

8
Enharmonic Scale of Archytas; Separated by 3/2
Harry Partch
00:01:35

Harry Partch, narrator

9
Scale of Pythagoras; Separated by 3/2's; Triad
Harry Partch
00:01:07

Harry Partch, narrator

10
Ptolemaic Intense Diatonic; Separated by 3/2's
Harry Partch
00:00:53

Harry Partch, narrator

11
Ptolemy's Equable Diatonic; Separated by 3/2's
Harry Partch
00:01:24

Harry Partch, narrator

12
Terpander's Hexatonic
Harry Partch
00:01:52

Harry Partch, narrator

13
Close Degrees
Harry Partch
00:01:08

Harry Partch, narrator

14
True and Tempered Triads
Harry Partch
00:01:23

Harry Partch, narrator

15
Resolutions from p. 186 of Genesis of a Music;
Harry Partch
00:02:24

Harry Partch, narrator

16
Fox-Strangeways Resolutions
Harry Partch
00:02:27

Harry Partch, narrator

17
Tonal Flux from Genesis, p. 188; Tonal Flux fr
Harry Partch
00:03:56

Harry Partch, narrator

18
Multiple Tonal Senses from Antiphony of Oedipu
Harry Partch
00:02:39

Harry Partch, narrator

19
Multiple Tonal Senses from Dark Brother, "and
Harry Partch
00:04:04

Harry Partch, narrator

20
Melodic Subtleties from The Street, "Down Maxw
Harry Partch
00:01:45

Harry Partch, narrator

21
Melodic Subtleties from The Bewitched
Harry Partch
00:06:12

Harry Partch, narrator

22
Instrumental Tunings: Harmonic Canon I as in R
Harry Partch
00:10:42

Harry Partch, narrator

23
Dissonances and Consonance: Coda to Oedipus; C
Harry Partch
00:06:52

Harry Partch, narrator

DISC 3

1
June 11, 1935 - Santa Rosa, California
Harry Partch
00:00:27

Harry Partch, narrator - Sheila Guymer, piano

2
June 12 - Federal Shelter, Stockton
Harry Partch
00:03:36

Harry Partch, narrator - Sheila Guymer, piano

3
June 13
Harry Partch
00:01:28

Harry Partch, narrator - Sheila Guymer, piano

4
June 14
Harry Partch
00:02:22

Harry Partch, narrator - Sheila Guymer, piano

5
June 16 - Harrington Ranch, San Joaquin Delta
Harry Partch
00:03:27

Harry Partch, narrator - Sheila Guymer, piano

6
June 17
Harry Partch
00:00:26

Harry Partch, narrator - Sheila Guymer, piano

7
July 4
Harry Partch
00:03:50

Harry Partch, narrator - Sheila Guymer, piano

Album review

Enclosure 2 is a four-CD set from Innova, the label of the Minnesota Composers' Forum. The set gathers some of the rarest recordings of compositions by Harry Partch, plus a few introductory remarks and a 46-minute group of reminiscences from Partch's wake, made by his closest friends and co-workers, interspersed with some further remarks on a tape made of Partch.
There are several larger works on this album: ten of the Li Po Lyrics, Barstow, U.S. Highball, Dark Brother, Quarter-Saw Section, and Ring Around the Moon. Every one of these entries is a different recording -- often of a different revision -- from the same work's release on Partch's Gate Five label.
Most of the short pieces in the set (By the Rivers of Babylon, San Francisco, While my Heart Keeps Beating Time, San Francisco II, Two Settings from Joyce's Finnegan's Wake, Y.D. Fantasy, O Frabjous Day!, And Bless This House) are presented in the acetate recordings made by Warren Gilson in Madison, Wisconsin, in 1945. They are noisy, and their recording quality varies from piece to piece, but they are in general exciting performances. San Francisco II is an intriguing selection; it is a high-quality 1990 broadcast recording of the original work San Francisco, arranged for standard instruments rather than the unique Partch instruments, but still played in Partch's just-intonation forty-three-tone-to-the-octave system. While My Heart Keeps Beating Time, Partch's one and only published pop song, is also a more modern recording and affords a fascinating contrast to his serious work.
There is an awful lot of material here of interest only to specialists, which rules out the acquisition of the four-CD set for anyone else to whom cost is an object.

© TiVo

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