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Orgy in Rhythm, Vols. 1-2 was one of the first percussion-oriented jazz records, although it was preceded two weeks earlier by Art Blakey's obscure Columbia set Drum Suite. For the Blue Note date, released as two LPs, Blakey enlisted quite a lineup -- the leader, Art Taylor, Jo Jones, and Specs Wright on drums (with the latter two doubling on timpani); five percussionists; flutist Herbie Mann; pianist Ray Bryant; and bassist Wendell Marshall. Mann plays a variety of African wood flutes, except on the final number, a conventional blues featuring his regular flute. With percussionist Sabu leading the chanting and taking three vocals (Blakey himself sings a little on "Toffi"), the music is quite African-oriented and generally holds one's interest, preceding Max Roach's M'Boom by over 20 years. Mostly for specialized tastes, this is a set that drummers should consider essential.
© Scott Yanow /TiVo
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Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, AssociatedPerformer - Art Blakey & The Jazz Messengers, MainArtist - Sabu, Percussion, Vocals, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, Vocals, MainArtist, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer - Sabu, Percussion, Vocals, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer - Sabu, Percussion, Vocals, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer
(C) 1997 Blue Note Records ℗ 1957 Blue Note Records
Album review
Orgy in Rhythm, Vols. 1-2 was one of the first percussion-oriented jazz records, although it was preceded two weeks earlier by Art Blakey's obscure Columbia set Drum Suite. For the Blue Note date, released as two LPs, Blakey enlisted quite a lineup -- the leader, Art Taylor, Jo Jones, and Specs Wright on drums (with the latter two doubling on timpani); five percussionists; flutist Herbie Mann; pianist Ray Bryant; and bassist Wendell Marshall. Mann plays a variety of African wood flutes, except on the final number, a conventional blues featuring his regular flute. With percussionist Sabu leading the chanting and taking three vocals (Blakey himself sings a little on "Toffi"), the music is quite African-oriented and generally holds one's interest, preceding Max Roach's M'Boom by over 20 years. Mostly for specialized tastes, this is a set that drummers should consider essential.
© Scott Yanow /TiVo
About the album
- 1 disc(s) - 8 track(s)
- Total length: 01:08:09
- Main artists: Art Blakey
- Composer: Art Blakey
- Label: Blue Note Records
- Genre: Jazz
© 1997 Blue Note Records ℗ 1997 Blue Note Records
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