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Blondie|Once More Into The Bleach

Once More Into The Bleach

Blondie, Debbie Harry

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Though Debbie Harry has generally worked in a pop/rock vein, she's had her share of exposure in dance clubs thanks to hits like "Heart of Glass," "Rapture," and the Chic-produced "Backfired." In 1988 -- a few years after she had left Chrysalis -- the label set out to exploit her club/dance appeal with Once More Into the Bleach, a generally decent, though not exceptional, collection of remixes. Those singles were obvious choices for this CD, which ranges from Blondie classics (including "Call Me," "Sunday Girl," and "The Tide Is High") to such solo material as "Feel the Spin" and the humorous "French Kissin' in the USA." The most interesting remixes here include a house-influenced version of "Backfired," and a Europop recasting of "Denis." But despite its strong points, Bleach is a collection that only the more devoted Blondie/Harry fanatics and club/dance DJs should look into. Those checking her out for the first time would be much better off with 1976's Blondie or 1978's Parallel Lines.

© Alex Henderson /TiVo

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Once More Into The Bleach

Blondie

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1
Denis
Blondie
00:05:24

Richard Gottehrer, Producer - Greg Calbi, Mastering Engineer, StudioPersonnel - Blondie, MainArtist - Deborah Harry, Vocals, AssociatedPerformer - Chris Stein, Guitar, Vibraphone, Bass, AssociatedPerformer - Rob Freeman, Engineer, StudioPersonnel - Jimmy Destri, Organ, Piano, Synthesizer, Background Vocalist, AssociatedPerformer - Clem Burke, Drums, Background Vocalist, AssociatedPerformer - Frank Infante, Guitar, Bass, AssociatedPerformer - Neil Mel Levenson, ComposerLyricist

(C) 2003 Capitol Records, Inc. ℗ 1977 Capitol Records, LLC

2
Heart Of Glass (Remix)
Blondie
00:05:51

Michael Chapman, Producer, Remix Engineer, StudioPersonnel - Blondie, MainArtist - Deborah Harry, ComposerLyricist - Chris Stein, ComposerLyricist

(C) 2003 Capitol Records, Inc. ℗ 1978 Capitol Records, LLC

3
Call Me (Single Version / Theme From "American Gigolo")
Blondie
00:07:07

Giorgio Moroder, Composer, Producer - Harold Faltermeyer, Keyboards, Recording Arranger, AssociatedPerformer - Keith Forsey, Drums, Percussion, AssociatedPerformer - Blondie, Vocals, MainArtist, AssociatedPerformer - Deborah Harry, Author

(C) 2003 Capitol Records, Inc. ℗ 1980 Capitol Records, LLC

4
Rapture
Blondie
00:06:58

Mike Chapman, Producer - Tom Scott, Saxophone, AssociatedPerformer - Blondie, MainArtist - Deborah Harry, Vocals, AssociatedPerformer, ComposerLyricist - Chris Stein, Guitar, Timpani, AssociatedPerformer - Jimmy Destri, Keyboards, Organ, Synthesizer, Background Vocalist, AssociatedPerformer - Clem Burke, Drums, Background Vocalist, AssociatedPerformer - Nigel Harrison, Bass Guitar, Background Vocalist, AssociatedPerformer - Christopher Stein, ComposerLyricist - Frank Infante, Guitar, Background Vocalist, AssociatedPerformer

(C) 2003 Capitol Records, Inc. ℗ 1980 Capitol Records, LLC

5
Atomic
Blondie
00:04:36

Mike Chapman, Producer - Blondie, MainArtist - Deborah Harry, Vocals, AssociatedPerformer, ComposerLyricist - Chris Stein, Guitar, AssociatedPerformer - Jimmy Destri, Keyboards, AssociatedPerformer, ComposerLyricist - Clem Burke, Drums, AssociatedPerformer - Nigel Harrison, Bass Guitar, AssociatedPerformer - Frank Infante, Guitar, AssociatedPerformer

(C) 2003 Capitol Records, Inc. ℗ 1979 Capitol Records, LLC

6
The Tide Is High
Blondie
00:05:36

Mike Chapman, Producer - John Holt, ComposerLyricist - Blondie, MainArtist - Deborah Harry, Vocals, AssociatedPerformer - Chris Stein, Guitar, Timpani, AssociatedPerformer - Jimmy Destri, Keyboards, Organ, Synthesizer, Background Vocalist, AssociatedPerformer - Clem Burke, Drums, Background Vocalist, AssociatedPerformer - Tyrone Evans, ComposerLyricist - Nigel Harrison, Bass Guitar, Background Vocalist, AssociatedPerformer - Howard Anthony Barrett, ComposerLyricist - Frank Infante, Guitar, Background Vocalist, AssociatedPerformer

(C) 2003 Capitol Records, Inc. ℗ 1980 Capitol Records, LLC

7
The Jam Was Moving
Debbie Harry
00:03:29

NILE RODGERS, Composer - BERNARD EDWARDS, Composer - Debbie Harry, MainArtist - Rodgers And Bernard, Producer

(C) 2003 Capitol Records, Inc. ℗ 1981 Capitol Records, LLC

8
In Love With Love
Deborah Harry
00:07:13

Deborah Harry, Composer - Chris Stein, Composer - Debbie Harry, MainArtist

(C) 2003 Capitol Records, Inc. ℗ 1986 Chrysalis Records Ltd

9
Rush, Rush
Debbie Harry
00:04:47

Giorgio Moroder, Composer - Debbie Harry, Composer, MainArtist

(C) 2003 Capitol Records, Inc. ℗ 1983 Capitol Records, LLC

10
French Kissin In The U.S.A.
Deborah Harry
00:05:14
11
Feel The Spin
Deborah Harry
00:06:48

Deborah Harry, Composer, MainArtist - JOHN "JELLYBEAN" BENITEZ, Composer - Antoinette Colandero, Composer - Jellybean Benitez, Producer

(C) 2003 Capitol Records, Inc. ℗ 1987 Chrysalis Records Ltd

12
Backfired
Debbie Harry
00:06:02

NILE RODGERS, Composer - BERNARD EDWARDS, Composer - Debbie Harry, MainArtist - Rodgers And Bernard, Producer

(C) 2003 Capitol Records, Inc. ℗ 1981 Capitol Records, LLC

13
Sunday Girl
Blondie
00:03:08

Michael Chapman, Producer - Blondie, MainArtist - Chris Stein, ComposerLyricist

(C) 2003 Capitol Records, Inc. ℗ 1978 Capitol Records, LLC

Album review

Though Debbie Harry has generally worked in a pop/rock vein, she's had her share of exposure in dance clubs thanks to hits like "Heart of Glass," "Rapture," and the Chic-produced "Backfired." In 1988 -- a few years after she had left Chrysalis -- the label set out to exploit her club/dance appeal with Once More Into the Bleach, a generally decent, though not exceptional, collection of remixes. Those singles were obvious choices for this CD, which ranges from Blondie classics (including "Call Me," "Sunday Girl," and "The Tide Is High") to such solo material as "Feel the Spin" and the humorous "French Kissin' in the USA." The most interesting remixes here include a house-influenced version of "Backfired," and a Europop recasting of "Denis." But despite its strong points, Bleach is a collection that only the more devoted Blondie/Harry fanatics and club/dance DJs should look into. Those checking her out for the first time would be much better off with 1976's Blondie or 1978's Parallel Lines.

© Alex Henderson /TiVo

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