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The Dowland Project|Night Sessions

Night Sessions

The Dowland Project, John Potter

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Recorded in 2001 and 2008, Night Sessions is the fourth album of the Dowland Project on ECM, drawing on music of the late Medieval and Renaissance periods as raw source material for improvisation. Leader John Potter is joined by Stephen Stubbs, John Surman, Barry Guy, Maya Homburger, and Milos Valent, all experts on antique and modern instruments who create a mysterious dialog between the past and present by crossing boundaries of style and expression. Much of the music they have reworked is anonymous, derived from fragmentary pieces or ancient chants, though there are a few pieces by known composers, such as Joan Ambrosio Dalza, Bernart de Ventadorn, Solage, and Pierre Attaingnant, and their music is also subjected to the group's unpredictable adaptations. This album is not for early music purists or people who like to put their music in neat cubbyholes, because the blending of consort music with avant-garde jazz and experimental vocalizations does not allow for easy categorization. Yet the album works surprisingly well on its own terms, not only because of its compelling feeling of darkness and melancholy, but also because it provides many inventive transformations and surprises that keep the listener thinking. It may be called crossover music for the sake of convenience, but Night Sessions really is sui generis.

© TiVo

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Night Sessions

The Dowland Project

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1
First Descent
Stephen Stubbs
00:01:17

Stephen Stubbs, Composer, Lute, MainArtist, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2013 ECM Records GmbH

2
Menino Jesus à Lappa
John Potter
00:07:07

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Milos Valent, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

3
Recercar
Stephen Stubbs
00:01:13

Stephen Stubbs, Composer, Lute, MainArtist, AssociatedPerformer - Markus Heiland, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2013 ECM Records GmbH

4
Can Vei La Lauzeta Mover
John Potter
00:06:51

Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Bernart De Ventadorn, ComposerLyricist - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

5
First Triage
The Dowland Project
00:06:58

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Milos Valent, Arranger, Viola, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

6
Man in the Moon
John Potter
00:07:30

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

7
Corpus Christi
John Potter
00:02:54

Traditional, ComposerLyricist - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

8
Whistling in the Dark
John Potter
00:05:24

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

9
Swart Mekerd Smethes
John Potter
00:05:03

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

10
Fumeux Fume
John Potter
00:03:23

John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Solage, ComposerLyricist - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

11
Hortus Ignotus
John Potter
00:04:11

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

12
Mystery Play
John Potter
00:03:40

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

13
I Sing of a Maiden
John Potter
00:03:57

Traditional, ComposerLyricist - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

14
Theoleptus 22
John Potter
00:05:53

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Potter, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Barry Guy, Arranger, Double Bass, Work Arranger, AssociatedPerformer - Manfred Eicher, Producer - Maya Homburger, Arranger, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

15
Second Descent
Stephen Stubbs
00:00:30

Stephen Stubbs, Composer, Lute, MainArtist, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2013 ECM Records GmbH

16
Second Triage
The Dowland Project
00:05:23

Traditional, ComposerLyricist - Stephen Stubbs, Arranger, Lute, Work Arranger, AssociatedPerformer - John Surman, Arranger, Bass Clarinet, Percussion, Saxophone, Work Arranger, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Milos Valent, Arranger, Viola, Violin, Work Arranger, AssociatedPerformer - The Dowland Project, Ensemble, MainArtist

℗ 2013 ECM Records GmbH

17
Prelude
Stephen Stubbs
00:01:06

Stephen Stubbs, Composer, Lute, MainArtist, AssociatedPerformer - Markus Heiland, Mixer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2013 ECM Records GmbH

Album review

Recorded in 2001 and 2008, Night Sessions is the fourth album of the Dowland Project on ECM, drawing on music of the late Medieval and Renaissance periods as raw source material for improvisation. Leader John Potter is joined by Stephen Stubbs, John Surman, Barry Guy, Maya Homburger, and Milos Valent, all experts on antique and modern instruments who create a mysterious dialog between the past and present by crossing boundaries of style and expression. Much of the music they have reworked is anonymous, derived from fragmentary pieces or ancient chants, though there are a few pieces by known composers, such as Joan Ambrosio Dalza, Bernart de Ventadorn, Solage, and Pierre Attaingnant, and their music is also subjected to the group's unpredictable adaptations. This album is not for early music purists or people who like to put their music in neat cubbyholes, because the blending of consort music with avant-garde jazz and experimental vocalizations does not allow for easy categorization. Yet the album works surprisingly well on its own terms, not only because of its compelling feeling of darkness and melancholy, but also because it provides many inventive transformations and surprises that keep the listener thinking. It may be called crossover music for the sake of convenience, but Night Sessions really is sui generis.

© TiVo

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