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Because Mozart left his Requiem in D minor unfinished at the time of his death in 1791, various completions have been attempted to make it performable, in some way reflecting his intentions and style. The most frequently used version in modern times was completed by Mozart's assistant, Franz Xaver Süssmayr, and despite some compositional errors and clumsy orchestration, its form is widely accepted to accord with Mozart's final instructions. Another completion was started by Mozart's friend, Joseph Eybler, at the request of Constanze Mozart, though he was unable to finish it. Other restorers have typically modified Süssmayr's orchestration, added the fragmentary (and somewhat speculative) Amen fugue to the end of the Sequence, or recomposed parts of the Offertory, Agnus Dei, and Benedictus, which are Süssmayr's handiwork. In this stunning performance by Masaaki Suzuki and the Bach Collegium Japan, the scholarly completion by Masato Suzuki is performed, which closely follows Mozart's autograph and incorporates Süssmayr's better additions with elements by Eybler, as well as some changes to the orchestration that correspond to Mozart's practices. As a result of this careful sifting of material, the Requiem seems to have shed a lot of historical baggage, both in its textures and its sound, and this brilliantly recorded hybrid SACD offers clarity and balance, which enhance the effect of this leaner and tighter Requiem. But much of this newfound transparency is due to the alert performance by Suzuki's choir and original instruments orchestra, which give the Requiem lucid parts and exciting sonorities. This recording also includes the Vesperae Sollennes de confessore, a work Mozart composed ten years before the Requiem. Thanks to the predominance of major keys and the lighter mood of the music, it provides a good balance to the much darker-hued Requiem. On a bonus track, an alternate version of the Tuba mirum is provided. This BIS recording is highly recommended.
© TiVo
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Requiem in D Minor, K. 626 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Carolyn Sampson, MainArtist, AssociatedPerformer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Carolyn Sampson, MainArtist, AssociatedPerformer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Vesperae solennes de confessore, K. 339 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Bible, Lyricist - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Bible, Lyricist - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Bible, Lyricist - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Bible, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Bible, Lyricist - Carolyn Sampson, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Wolfgang Amadeus Mozart, Composer - Bible, Lyricist - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Requiem in D Minor, K. 626 (Wolfgang Amadeus Mozart)
Wolfgang Amadeus Mozart, Composer - Christian Immler, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Makoto Sakurada, MainArtist, AssociatedPerformer - Marianne Beate Kielland, MainArtist, AssociatedPerformer - Mass Text, Lyricist - Masaaki Suzuki, Conductor, MainArtist - Bach Collegium Japan, Orchestra, MainArtist
2015 BIS 2015 (P) BIS
Album review
Because Mozart left his Requiem in D minor unfinished at the time of his death in 1791, various completions have been attempted to make it performable, in some way reflecting his intentions and style. The most frequently used version in modern times was completed by Mozart's assistant, Franz Xaver Süssmayr, and despite some compositional errors and clumsy orchestration, its form is widely accepted to accord with Mozart's final instructions. Another completion was started by Mozart's friend, Joseph Eybler, at the request of Constanze Mozart, though he was unable to finish it. Other restorers have typically modified Süssmayr's orchestration, added the fragmentary (and somewhat speculative) Amen fugue to the end of the Sequence, or recomposed parts of the Offertory, Agnus Dei, and Benedictus, which are Süssmayr's handiwork. In this stunning performance by Masaaki Suzuki and the Bach Collegium Japan, the scholarly completion by Masato Suzuki is performed, which closely follows Mozart's autograph and incorporates Süssmayr's better additions with elements by Eybler, as well as some changes to the orchestration that correspond to Mozart's practices. As a result of this careful sifting of material, the Requiem seems to have shed a lot of historical baggage, both in its textures and its sound, and this brilliantly recorded hybrid SACD offers clarity and balance, which enhance the effect of this leaner and tighter Requiem. But much of this newfound transparency is due to the alert performance by Suzuki's choir and original instruments orchestra, which give the Requiem lucid parts and exciting sonorities. This recording also includes the Vesperae Sollennes de confessore, a work Mozart composed ten years before the Requiem. Thanks to the predominance of major keys and the lighter mood of the music, it provides a good balance to the much darker-hued Requiem. On a bonus track, an alternate version of the Tuba mirum is provided. This BIS recording is highly recommended.
© TiVo
About the album
- 1 disc(s) - 22 track(s)
- Total length: 01:14:26
- 1 Digital booklet
- Main artists: Bach Collegium Japan Masaaki Suzuki
- Composer: Wolfgang Amadeus Mozart
- Label: BIS
- Genre: Classical
2015 BIS 2015 BIS
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