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Orli Shaham - Mozart: Piano Concertos No. 17, K. 453 & No. 24, K. 491

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Mozart: Piano Concertos No. 17, K. 453 & No. 24, K. 491

Orli Shaham, St. Louis Symphony Orchestra and David Robertson

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Although often overshadowed by her brother Gil, with whom she has made several recordings, Orli Shaham is pursuing a magnificent career on the piano. Shaham is continuing to keep it in the family with this new album, which takes on two of Mozart's concertos, which she has chosen to record with her husband, David Robertson conducting. Robertson is the conductor of the Saint Louis Chamber Orchestra.


Orli Shaham's particular affinity for Mozart was already demonstrated in the recording of sonatas for violin and piano, which she made with her brother: it is confirmed here in this music's rounded, sensual sound and its expressive musicality. It soars into a luminous hedonism in the Piano Concerto No. 17 in G Major, K. 453, with a splendid Andante which is marked by an irresistible melancholy. In Shaham's hands, the torments of the Piano Concerto No. 24 in C minor, K. 491 are softened: they belong to the 18th Century, and do not announce the romanticism imagined by the many performers who see (often correctly) this work as containing a miraculous expressive force which bursts the bounds of its era. © François Hudry/Qobuz

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Mozart: Piano Concertos No. 17, K. 453 & No. 24, K. 491

Orli Shaham

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1
Piano Concerto No. 17 in G Major, K. 453: I. Allegro 00:12:26

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - David Robertson, Conductor, MainArtist - St. Louis Symphony Orchestra, Orchestra, MainArtist - Orli Shaham, Soloist, MainArtist

2019 Canary Classics LLC 2019 Canary Classics LLC

2
Piano Concerto No. 17 in G Major, K. 453: II. Andante 00:09:52

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - David Robertson, Conductor, MainArtist - St. Louis Symphony Orchestra, Orchestra, MainArtist - Orli Shaham, Soloist, MainArtist

2019 Canary Classics LLC 2019 Canary Classics LLC

3
Piano Concerto No. 17 in G Major, K. 453: III. Allegretto 00:07:43

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - David Robertson, Conductor, MainArtist - St. Louis Symphony Orchestra, Orchestra, MainArtist - Orli Shaham, Soloist, MainArtist

2019 Canary Classics LLC 2019 Canary Classics LLC

4
Piano Concerto No. 24 in C Minor, K. 491: I. Allegro 00:13:16

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - David Robertson, Conductor, MainArtist - St. Louis Symphony Orchestra, Orchestra, MainArtist - Orli Shaham, Soloist, MainArtist

2019 Canary Classics LLC 2019 Canary Classics LLC

5
Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto 00:07:04

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - David Robertson, Conductor, MainArtist - St. Louis Symphony Orchestra, Orchestra, MainArtist - Orli Shaham, Soloist, MainArtist

2019 Canary Classics LLC 2019 Canary Classics LLC

6
Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto 00:08:43

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - David Robertson, Conductor, MainArtist - St. Louis Symphony Orchestra, Orchestra, MainArtist - Orli Shaham, Soloist, MainArtist

2019 Canary Classics LLC 2019 Canary Classics LLC

Album Description

Although often overshadowed by her brother Gil, with whom she has made several recordings, Orli Shaham is pursuing a magnificent career on the piano. Shaham is continuing to keep it in the family with this new album, which takes on two of Mozart's concertos, which she has chosen to record with her husband, David Robertson conducting. Robertson is the conductor of the Saint Louis Chamber Orchestra.


Orli Shaham's particular affinity for Mozart was already demonstrated in the recording of sonatas for violin and piano, which she made with her brother: it is confirmed here in this music's rounded, sensual sound and its expressive musicality. It soars into a luminous hedonism in the Piano Concerto No. 17 in G Major, K. 453, with a splendid Andante which is marked by an irresistible melancholy. In Shaham's hands, the torments of the Piano Concerto No. 24 in C minor, K. 491 are softened: they belong to the 18th Century, and do not announce the romanticism imagined by the many performers who see (often correctly) this work as containing a miraculous expressive force which bursts the bounds of its era. © François Hudry/Qobuz

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