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After a proliferation of recordings from Marc Minkowski and The Musicians of the Louvre for several years, they have now become scarcer. Fans will, therefore, be very pleased to find him here in this well-polished version of the Great Mass in C minor, a work that was left unfinished by Mozart. It is difficult to play in its current state and has been reconstructed a dozen times with varying degrees of success. Here, Minkowski set his sights on the version reconstructed by Austrian composer and conductor Helmut Eder, who published it in the New Mozart Edition in 1985. It is well known that this monumental work, which should have been as long as Bach’s Mass in B minor or Beethoven’s Missa Solemnis had it been completed, was never commissioned and was composed as a thanksgiving for the recovery of his fiancé, Konstanze Weber. It is still a mystery why the work was left incomplete but there are probably multiple reasons for this. The original manuscript was found at the end of the 1970s and contains three-quarters of the work. It represents a kind of culmination of Western sacred music with the complete assimilation of earlier styles and a distinct Mozartian sound. Recorded in concert in Grenoble in 2018 following a European tour, this new version is performed using a reduced choir in keeping with its premiere performance in the small St. Peter’s Abbey in Salzburg, 1783. © François Hudry/Qobuz
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Mass in C Minor, K. 427 "Great" (Recons. H. Eder) (Wolfgang Amadeus Mozart)
Ana Maria Labin, Soprano - Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ambroisine Bré, Mezzo-Soprano - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ana Maria Labin, Soprano - Ambroisine Bré, Mezzo-Soprano - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ana Maria Labin, Soprano - Ambroisine Bré, Mezzo-Soprano - Stanislas de Barbeyrac, Tenor - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ana Maria Labin, Soprano - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Ana Maria Labin, Soprano - Ambroisine Bré, Mezzo-Soprano - Stanislas de Barbeyrac, Tenor - Norman Patzke, Baritone - Ripieno Choir - Les Musiciens du Louvre - Marc Minkowski, Conductor - Wolfgang Amadeus Mozart, Composer
(C) 2020 PENTATONE (P) 2020 PENTATONE
Album review
After a proliferation of recordings from Marc Minkowski and The Musicians of the Louvre for several years, they have now become scarcer. Fans will, therefore, be very pleased to find him here in this well-polished version of the Great Mass in C minor, a work that was left unfinished by Mozart. It is difficult to play in its current state and has been reconstructed a dozen times with varying degrees of success. Here, Minkowski set his sights on the version reconstructed by Austrian composer and conductor Helmut Eder, who published it in the New Mozart Edition in 1985. It is well known that this monumental work, which should have been as long as Bach’s Mass in B minor or Beethoven’s Missa Solemnis had it been completed, was never commissioned and was composed as a thanksgiving for the recovery of his fiancé, Konstanze Weber. It is still a mystery why the work was left incomplete but there are probably multiple reasons for this. The original manuscript was found at the end of the 1970s and contains three-quarters of the work. It represents a kind of culmination of Western sacred music with the complete assimilation of earlier styles and a distinct Mozartian sound. Recorded in concert in Grenoble in 2018 following a European tour, this new version is performed using a reduced choir in keeping with its premiere performance in the small St. Peter’s Abbey in Salzburg, 1783. © François Hudry/Qobuz
About the album
- 1 disc(s) - 13 track(s)
- Total length: 00:48:21
- 1 Digital booklet
- Main artists: Ripieno Choir
- Composer: Wolfgang Amadeus Mozart
- Label: PENTATONE
- Area: Autriche
- Genre: Classical
- Period: Classical
(C) 2020 PENTATONE (P) 2020 PENTATONE
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