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Karine Deshayes|Mozart: Exsultate, jubilate!

Mozart: Exsultate, jubilate!

Karine Deshayes, Les Paladins, Jérôme Corréas

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This is something of a historical performance of Mozart, and not just because the backing forces are the early music group Les Paladins and their conductor, Jérôme Corréas. True, this ensemble delivers classic period performances, with zippy tempos and crisp textures in the very early Symphony No. 17 in G major, K. 129, a work in which one can hear the distinct Mozart personality emerging in leaps and bounds. However, the performance is also historically oriented in the vocals of mezzo-soprano Karine Deshayes. Conductor Corréas indicates in the interview-format booklet that he wanted to "create a program centered on Mozart in the dying years of the Baroque," and this works in several ways. The most important is that Deshayes' voice is ideally suited to the project. The main attraction, the athletic motet Exsultate, jubilate, K. 165, must have been one of the last works by a major composer to be written for a castrato, Venanzio Rauzzini, and Deshayes applies enough muscle in this work to evoke the castrato voice. Her voice is also a flexible instrument that lets her change gears effectively in pure cantabile pieces like the Agnus Dei from the Mass in C major, K. 317 ("Coronation"), a dry run for the melody that became "Dove sono" from Le nozze di Figaro. It is a command performance married to an intelligent concept and sharp instrumental playing, and it would be hard to ask for anything more.

© James Manheim /TiVo

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Mozart: Exsultate, jubilate!

Karine Deshayes

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1
La Betulia Liberata, K. 118/74c: Aria. Quel nocchier che in gran procella (Amital)
Karine Deshayes
00:06:09

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

Symphony No. 17 in G major, K. 129 (Wolfgang Amadeus Mozart)

2
I. Allegro
Les Paladins
00:04:17

Wolfgang Amadeus Mozart, Composer - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

3
II. Andante
Les Paladins
00:04:01

Wolfgang Amadeus Mozart, Composer - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

4
III. Allegro
Les Paladins
00:03:55

Wolfgang Amadeus Mozart, Composer - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

5
Davide penitente, K. 469: Aria. Lungi le cure ingrate
Karine Deshayes
00:04:48

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

6
Church Sonata in D major, K. 69: Church Sonata in D Major, K. 69
Les Paladins
00:02:36

Wolfgang Amadeus Mozart, Composer - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

7
Church Sonata in G Major, K. 274
Les Paladins
00:03:34

Wolfgang Amadeus Mozart, Composer - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

8
Church Sonata in D major, K. 144: Church Sonata in D Major, K. 144
Les Paladins
00:03:16

Wolfgang Amadeus Mozart, Composer - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

9
Mass in C Major, K. 317 'Coronation': VI. Agnus Dei
Karine Deshayes
00:03:11

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

10
Church Sonata in E-flat major, K. 67: Church Sonata in E-Flat Major, K. 67
Les Paladins
00:02:39

Wolfgang Amadeus Mozart, Composer - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

Exsultate, jubilate, K. 165 (Wolfgang Amadeus Mozart)

11
I. Exsultate, jubilate
Karine Deshayes
00:04:43

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

12
II. Fulget amica dies
Karine Deshayes
00:00:50

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

13
III. Tu virginum corona
Karine Deshayes
00:05:38

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

14
IV. Alleluia, alleluia
Karine Deshayes
00:02:35

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

15
Vesperæ solennes de confessore, K. 339: V. Laudate Dominum
Karine Deshayes
00:02:42

Wolfgang Amadeus Mozart, Composer - Karine Deshayes, MainArtist, SopranoSolo - Jerome Correas, Conductor, MainArtist - Les Paladins, Orchestra, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Les Paladins

Album review

This is something of a historical performance of Mozart, and not just because the backing forces are the early music group Les Paladins and their conductor, Jérôme Corréas. True, this ensemble delivers classic period performances, with zippy tempos and crisp textures in the very early Symphony No. 17 in G major, K. 129, a work in which one can hear the distinct Mozart personality emerging in leaps and bounds. However, the performance is also historically oriented in the vocals of mezzo-soprano Karine Deshayes. Conductor Corréas indicates in the interview-format booklet that he wanted to "create a program centered on Mozart in the dying years of the Baroque," and this works in several ways. The most important is that Deshayes' voice is ideally suited to the project. The main attraction, the athletic motet Exsultate, jubilate, K. 165, must have been one of the last works by a major composer to be written for a castrato, Venanzio Rauzzini, and Deshayes applies enough muscle in this work to evoke the castrato voice. Her voice is also a flexible instrument that lets her change gears effectively in pure cantabile pieces like the Agnus Dei from the Mass in C major, K. 317 ("Coronation"), a dry run for the melody that became "Dove sono" from Le nozze di Figaro. It is a command performance married to an intelligent concept and sharp instrumental playing, and it would be hard to ask for anything more.

© James Manheim /TiVo

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