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ZOFO Duet|Mosh Pit

Mosh Pit

Zofo

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Unusual title, ensemble name, performer clothing, and graphics aside, this is a straightforward recital of four-hand piano music. True, it's quite inventive. The Mosh Pit title refers to the fact that the music on the program, all of it American, refers to popular dance rhythms. The exploration of dance is not in fact carried forward to the punk era, so nobody would have been doing any moshing to the rhythms employed here. But the range of references is impressive, running from European forms in John Corigliano's Gazebo Dances and Latin rhythms in Gershwin's Cuban Overture (arranged for piano four-hands by the composer) to the turn-of-the-20th-century dances in Samuel Barber's Souvenirs, Op. 28, to modern jazz, boogie, and rock in the final two works on the program, Allen Shawn's Three Dance Portraits and Paul Schoenfeld's Five Days from the Life of a Manic-Depressive. The titles might not suggest it, but these are hugely entertaining works. The Jimi Hendrix-like finale of Three Dance Portraits matches the extreme virtuosity of several other works on the program, including Conlon Nancarrow's Sonatina, written in 1941 for one piano, difficult enough on two, and eventually a stimulus for the composer's use of player piano rolls. There's something of the characteristic excitement that occurs when foreign musicians really get American rhythms here, and the performances by Zofo, the duo of Keisuki Nakagoshi and Eva-Maria Zimmermann (based in San Francisco), have a very attractive looseness that persists through all the technical fireworks. A most enjoyable piano four-hands release, all the more impressive for its unearthing of contemporary works that are not new (Three Dance Portraits and Five Days from the Life of a Manic-Depressive were composed in the 1980s and 1990s, respectively), but are totally relevant to the enterprise.

© TiVo

More info

Mosh Pit

ZOFO Duet

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Cuban Overture (version for piano 4 hands) (George Gershwin)

1
Cuban Overture (version for piano duet)
00:10:26

ZOFO Duet, Ensemble - George Gershwin, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

Sonatina (arr. K. Nakagoshi and E. Zimmermann) (Conlon Nancarrow)

2
I. Presto
00:01:23

ZOFO Duet, Ensemble - Conlon Nancarrow, Composer - Keisuke Nakagoshi, Composer - Eva-Maria Zimmermann, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

3
II. Moderato - Più allegro
00:01:51

ZOFO Duet, Ensemble - Conlon Nancarrow, Composer - Keisuke Nakagoshi, Composer - Eva-Maria Zimmermann, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

4
III. Allegro molto
00:01:28

ZOFO Duet, Ensemble - Conlon Nancarrow, Composer - Keisuke Nakagoshi, Composer - Eva-Maria Zimmermann, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

Souvenirs, Op. 28 (Samuel Barber)

5
I. Waltz
00:03:46

ZOFO Duet, Ensemble - Samuel Barber, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

6
II. Schottische
00:02:15

ZOFO Duet, Ensemble - Samuel Barber, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

7
III. Pas de deux
00:03:51

ZOFO Duet, Ensemble - Samuel Barber, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

8
IV. Two-Step
00:01:34

ZOFO Duet, Ensemble - Samuel Barber, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

9
V. Hesitation-Tango
00:03:44

ZOFO Duet, Ensemble - Samuel Barber, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

10
VI. Galop
00:02:18

ZOFO Duet, Ensemble - Samuel Barber, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

Gazebo Dances (version for piano duet) (John Corigliano)

11
I. Overture
00:04:21

ZOFO Duet, Ensemble - John Corigliano, Jr., Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

12
II. Waltz
00:02:46

ZOFO Duet, Ensemble - John Corigliano, Jr., Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

13
III. Adagio
00:05:12

ZOFO Duet, Ensemble - John Corigliano, Jr., Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

14
IV. Tarantella
00:02:34

ZOFO Duet, Ensemble - John Corigliano, Jr., Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

3 Dance Portraits (Allen Shawn)

15
No. 1. Lilting
00:02:16

ZOFO Duet, Ensemble - Allen Shawn, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

16
No. 2. Grazioso
00:02:08

ZOFO Duet, Ensemble - Allen Shawn, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

17
No. 3. Hard edged
00:03:07

ZOFO Duet, Ensemble - Allen Shawn, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

5 Days from the Life of a Manic Depressive (Paul Schoenfield)

18
I. Metamorphoses on I'm Crazy 'Bout My Baby
00:02:32

ZOFO Duet, Ensemble - Paul Schoenfield, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

19
II. Labyrinth
00:04:32

ZOFO Duet, Ensemble - Paul Schoenfield, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

20
III. Elegy
00:05:35

ZOFO Duet, Ensemble - Paul Schoenfield, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

21
IV. From a Bintel Brief
00:04:16

ZOFO Duet, Ensemble - Paul Schoenfield, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

22
V. Boogie
00:04:24

ZOFO Duet, Ensemble - Paul Schoenfield, Composer

(C) 2013 Sono Luminus (P) 2013 Sono Luminus

Album review

Unusual title, ensemble name, performer clothing, and graphics aside, this is a straightforward recital of four-hand piano music. True, it's quite inventive. The Mosh Pit title refers to the fact that the music on the program, all of it American, refers to popular dance rhythms. The exploration of dance is not in fact carried forward to the punk era, so nobody would have been doing any moshing to the rhythms employed here. But the range of references is impressive, running from European forms in John Corigliano's Gazebo Dances and Latin rhythms in Gershwin's Cuban Overture (arranged for piano four-hands by the composer) to the turn-of-the-20th-century dances in Samuel Barber's Souvenirs, Op. 28, to modern jazz, boogie, and rock in the final two works on the program, Allen Shawn's Three Dance Portraits and Paul Schoenfeld's Five Days from the Life of a Manic-Depressive. The titles might not suggest it, but these are hugely entertaining works. The Jimi Hendrix-like finale of Three Dance Portraits matches the extreme virtuosity of several other works on the program, including Conlon Nancarrow's Sonatina, written in 1941 for one piano, difficult enough on two, and eventually a stimulus for the composer's use of player piano rolls. There's something of the characteristic excitement that occurs when foreign musicians really get American rhythms here, and the performances by Zofo, the duo of Keisuki Nakagoshi and Eva-Maria Zimmermann (based in San Francisco), have a very attractive looseness that persists through all the technical fireworks. A most enjoyable piano four-hands release, all the more impressive for its unearthing of contemporary works that are not new (Three Dance Portraits and Five Days from the Life of a Manic-Depressive were composed in the 1980s and 1990s, respectively), but are totally relevant to the enterprise.

© TiVo

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