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Francesca Lombardi Mazzulli|Monteverdi: Clorinda e Tancredi

Monteverdi: Clorinda e Tancredi

Marco Mencoboni, Cantar Lontano, Francesca Lombardi Mazzulli, Luca Dordolo

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In Clorinda e Tancredi, a programme built around the vocal talents of soprano Francesca Lombardi Mazzulli and tenor Luca Dordolo, Marco Mencoboni and Cantar Lontano provide a powerful display of how, in his later secular works, Claudio Monteverdi made the music serve the word at its most intense. A sequence of madrigals – in the broadest sense of the definition of the form – is spearheaded by a dramatic interpretation of the Combattimento di Tancredi e Clorinda (with Luca Dordolo as Testo).
Francesca Lombardi Mazzulli – who also appeared on Glossa’s recent Alcina of Francesca Caccini and Silla of Handel – takes centre stage for an impassioned rendition of the Lamento della ninfa, an ostinatodriven work nicely counterbalanced on this recording by a bonus track of Giovanni Felice Sances’ mesmerizing Usurpator tiranno. Two of the other pieces chosen to represent the Baroque musical “shock of the new” for this recording prepared by the Monteverdi specialist Marco Mencoboni are Ed è pur dunque vero (from Scherzi musicali) and Lettera amorosa (Settimo libro dei madrigali).
In his booklet essay for this new manifestation of Glossa’s abiding passion for the Seicento, Pierre Élie Mamou offers an absorbing analysis of Monteverdi’s adoption of the stile moderno, especially in terms of how it clashed with the ideals of Giovanni Maria Artusi and how it was expressed so potently in the Combattimento.© Glossa

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Monteverdi: Clorinda e Tancredi

Francesca Lombardi Mazzulli

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Madrigali e canzonette, Book 9 (Claudio Monteverdi)

1
Bel pastor dal cui bel sguardo, SV 168
Francesca Lombardi Mazzulli
00:05:36

Claudio Monteverdi, Composer - Luca Dordolo, Artist - Francesca Lombardi Mazzulli, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Et e pur dunque vero, SV 250 (Claudio Monteverdi)

2
Et e pur dunque vero, SV 250
Francesca Lombardi Mazzulli
00:07:51

Claudio Monteverdi, Composer - Francesca Lombardi Mazzulli, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Eri già tutta mia (Claudio Monteverdi)

3
Eri gia tutta mia
Francesca Lombardi Mazzulli
00:03:15

Claudio Monteverdi, Composer - Francesca Lombardi Mazzulli, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Madrigals, Book 8 "Madrigali guerrieri, et amorosi (Luciano Berio)

4
Madrigals, Book 8 (Madrigali, libro ottavo) "Madrigali guerrieri, et amorosi", SV 146-167: Combattimento di Tancredi e Clorinda, SV 153
Riccardo Pisani
00:20:17

Claudio Monteverdi, Composer - Luciano Berio, Composer - Luca Dordolo, Artist - Francesca Lombardi Mazzulli, Artist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble - Riccardo Pisani, Artist, MainArtist

(C) 2018 Glossa (P) 2018 Glossa

Voglio di vita uscir, voglio che cadano (Claudio Monteverdi)

5
Voglio di vita uscir, voglio che cadano
Francesca Lombardi Mazzulli
00:04:53

Claudio Monteverdi, Composer - Francesca Lombardi Mazzulli, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Lamento della ninfa, SV 163 (Claudio Monteverdi)

6
Non avea Febo ancora
Davide Benetti
00:01:29

Claudio Monteverdi, Composer - Luca Dordolo, Artist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble - Riccardo Pisani, Artist - Davide Benetti, Artist, MainArtist

(C) 2018 Glossa (P) 2018 Glossa

7
Amor, dicea, il ciel mirando
Davide Benetti
00:05:32

Claudio Monteverdi, Composer - Luca Dordolo, Artist - Francesca Lombardi Mazzulli, Artist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble - Riccardo Pisani, Artist - Davide Benetti, Artist, MainArtist

(C) 2018 Glossa (P) 2018 Glossa

8
Sì tra sdegnosi pianti
Davide Benetti
00:00:42

Claudio Monteverdi, Composer - Luca Dordolo, Artist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble - Riccardo Pisani, Artist - Davide Benetti, Artist, MainArtist

(C) 2018 Glossa (P) 2018 Glossa

Scherzi musicali cioè arie et madrigali (Claudio Monteverdi)

9
SV 246-251: No. 1. Maledetto sia l'aspetto, SV 246
Francesca Lombardi Mazzulli
00:01:22

Claudio Monteverdi, Composer - Francesca Lombardi Mazzulli, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Se i languidi miei sguardi, SV 141 "Lettera amorosa" (Claudio Monteverdi)

10
Se i languidi miei sguardi, "Lettera amorosa in genere rapresentativo"
Luca Dordolo
00:07:34

Claudio Monteverdi, Composer - Luca Dordolo, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Si dolce e'l tormento, SV 332 (Claudio Monteverdi)

11
Si dolce e'l tormento, SV 332
Francesca Lombardi Mazzulli
00:03:23

Claudio Monteverdi, Composer - Francesca Lombardi Mazzulli, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Usurpator tiranno (Giovanni Felice Sances)

12
Usurpator tiranno
Francesca Lombardi Mazzulli
00:07:54

Giovanni Felice Sances, Composer - Francesca Lombardi Mazzulli, Artist, MainArtist - Marco Mencoboni, Artist - Cantar Lontano, Ensemble

(C) 2018 Glossa (P) 2018 Glossa

Album review

In Clorinda e Tancredi, a programme built around the vocal talents of soprano Francesca Lombardi Mazzulli and tenor Luca Dordolo, Marco Mencoboni and Cantar Lontano provide a powerful display of how, in his later secular works, Claudio Monteverdi made the music serve the word at its most intense. A sequence of madrigals – in the broadest sense of the definition of the form – is spearheaded by a dramatic interpretation of the Combattimento di Tancredi e Clorinda (with Luca Dordolo as Testo).
Francesca Lombardi Mazzulli – who also appeared on Glossa’s recent Alcina of Francesca Caccini and Silla of Handel – takes centre stage for an impassioned rendition of the Lamento della ninfa, an ostinatodriven work nicely counterbalanced on this recording by a bonus track of Giovanni Felice Sances’ mesmerizing Usurpator tiranno. Two of the other pieces chosen to represent the Baroque musical “shock of the new” for this recording prepared by the Monteverdi specialist Marco Mencoboni are Ed è pur dunque vero (from Scherzi musicali) and Lettera amorosa (Settimo libro dei madrigali).
In his booklet essay for this new manifestation of Glossa’s abiding passion for the Seicento, Pierre Élie Mamou offers an absorbing analysis of Monteverdi’s adoption of the stile moderno, especially in terms of how it clashed with the ideals of Giovanni Maria Artusi and how it was expressed so potently in the Combattimento.© Glossa

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