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Hille Perl|Marais: Pour la Violle et le Théorbe

Marais: Pour la Violle et le Théorbe

Hille Perl

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Hille Perl and Lee Santana, a German viola da gamba player and an American theorbo player from Florida, met in Bremen's train station in 1984 and formed what they call a professional and personal "work in progress." Here they offer a disc of music by Marin Marais, a renowned French viol virtuoso and court musician of the late seventeenth century. What fame he has among general listeners comes from his appearance as a character in the 1991 film Tous les matins du monde, which in music-mad Germany caused passers-by, Perl says, to stop asking her "hey, is that a guitar?" and start asking "is that a six- or a seven-string?" In the U.S., music for viol and theorbo qualifies as an out-of-the-way corner of the musical universe, and Perl and Santana make things still more obscure with a lengthy liner-note justification for performing the music on this particular pair of instruments. (It involves the discovery of a Scottish manuscript that did not specify the bass instrumentation that appeared in later Marais publications.) Nevertheless, it's all somehow quite compelling. Perl is an exceptionally smooth player, and she executes the dances of these French suites with the lightness they deserve. In performing the variation sets that Marais would have used to display his own virtuosity, she's got power in reserve. And the music throughout has that elusive meshing of mutually familiar personalities that is the mark of effective chamber music. Marin Marais: Pour la Violle et le Théorbe, in short, comes off as something personal -- an impression intensified by the elegant dedication, written in the old-fashioned style of the French court, of the music to the public by the performers. One solo theorbo piece, by Robert de Visée, is also included.

© TiVo

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Marais: Pour la Violle et le Théorbe

Hille Perl

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Suite en re (Marin Marais)

1
Prélude pour la Violle et le Théorbe
00:02:20

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

2
Folies
00:14:15

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

3
La Bagatelle
00:02:05

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

Suite en sol (Marin Marais)

4
Prélude
00:03:43

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

5
Caprice
00:00:44

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

6
Allemande (& Double)
00:02:16

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

7
Courante
00:01:28

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

8
Sarabande
00:03:02

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

9
Gigue la Chicane
00:01:50

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

10
Rondeau Louré
00:03:36

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

11
Plainte
00:02:30

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

12
Menuet fantasque & Double
00:01:08

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

13
Le Moulinet
00:02:45

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

Suite en re de Robert de Visée (Marin Marais)

14
Prélude
00:01:19

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

15
Allemande
00:02:54

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

16
Aire
00:02:38

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

17
Passacalle
00:02:14

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

Suite en Re (Marin Marais)

18
Fantaisie
00:01:14

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

19
Allemande (& Double)
00:02:24

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

20
Courante (& Double)
00:01:45

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

21
Sarabande (& Double)
00:02:11

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

22
Gigue
00:01:42

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

23
La paysane
00:01:11

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

24
Chaconne
00:05:57

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

25
Sujet Diversitez - 20 Couplets
00:11:20

Lee Santana, Guitar, MainArtist - John Hadden, Producer - Marin Marais, Composer - Hille Perl, Viola da Gamba, MainArtist

(P) 2004 BMG Ariola Classics GmbH

Album review

Hille Perl and Lee Santana, a German viola da gamba player and an American theorbo player from Florida, met in Bremen's train station in 1984 and formed what they call a professional and personal "work in progress." Here they offer a disc of music by Marin Marais, a renowned French viol virtuoso and court musician of the late seventeenth century. What fame he has among general listeners comes from his appearance as a character in the 1991 film Tous les matins du monde, which in music-mad Germany caused passers-by, Perl says, to stop asking her "hey, is that a guitar?" and start asking "is that a six- or a seven-string?" In the U.S., music for viol and theorbo qualifies as an out-of-the-way corner of the musical universe, and Perl and Santana make things still more obscure with a lengthy liner-note justification for performing the music on this particular pair of instruments. (It involves the discovery of a Scottish manuscript that did not specify the bass instrumentation that appeared in later Marais publications.) Nevertheless, it's all somehow quite compelling. Perl is an exceptionally smooth player, and she executes the dances of these French suites with the lightness they deserve. In performing the variation sets that Marais would have used to display his own virtuosity, she's got power in reserve. And the music throughout has that elusive meshing of mutually familiar personalities that is the mark of effective chamber music. Marin Marais: Pour la Violle et le Théorbe, in short, comes off as something personal -- an impression intensified by the elegant dedication, written in the old-fashioned style of the French court, of the music to the public by the performers. One solo theorbo piece, by Robert de Visée, is also included.

© TiVo

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