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Budapest Festival Orchestra|Mahler: Symphony No. 4

Mahler: Symphony No. 4

Budapest Festival Orchestra, Iván Fischer and Miah Persson

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There is a unique purity and transparency in Mahler's 4th Symphony. The enchanting slay bells take us to his inner child, to his dreams of angels, fairy tales, angst and pure, divine love. This child-like symphony needed a different orchestra: no dark tuba, no heavy trombones, no large arsenal of massive brass. A chamber orchestra in fact, where the clarinets act as mock trumpets, the solo violin tunes his strings sharper in order to scare us and the lightness of the whole orchestra lifts us up to his lovely, childish vision of paradise. Ivn Fischer

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Mahler: Symphony No. 4

Budapest Festival Orchestra

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Symphony No. 4 (Gustav Mahler)

1
I. Bedächtig, nicht eilen
00:16:59

Gustav Mahler, Composer - Copyright Control, MusicPublisher - Ivan Fischer, Conductor, MainArtist - Budapest Festival Orchestra, Orchestra, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

2
II. In gemächlicher Bewegung, ohne Hast
00:09:36

Gustav Mahler, Composer - Copyright Control, MusicPublisher - Ivan Fischer, Conductor, MainArtist - Budapest Festival Orchestra, Orchestra, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

3
III. Ruhevoll, poco adagio
00:21:51

Gustav Mahler, Composer - Copyright Control, MusicPublisher - Ivan Fischer, Conductor, MainArtist - Budapest Festival Orchestra, Orchestra, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

4
IV. Sehr behaglich, "Wir geniessen die Himmlischen Freuden" (Soprano)
00:08:30

Gustav Mahler, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Ivan Fischer, Conductor, MainArtist - Budapest Festival Orchestra, Orchestra, MainArtist - Miah Persson, Soloist, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

Album review

There is a unique purity and transparency in Mahler's 4th Symphony. The enchanting slay bells take us to his inner child, to his dreams of angels, fairy tales, angst and pure, divine love. This child-like symphony needed a different orchestra: no dark tuba, no heavy trombones, no large arsenal of massive brass. A chamber orchestra in fact, where the clarinets act as mock trumpets, the solo violin tunes his strings sharper in order to scare us and the lightness of the whole orchestra lifts us up to his lovely, childish vision of paradise. Ivn Fischer

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