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Art Pepper|Living Legend

Living Legend

Art Pepper

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Art Pepper, one of the major bop altoists to emerge during the '50s, started his comeback with this excellent set, Living Legend. After 15 years filled with prison time and fighting drug addiction, Pepper was finally ready to return to jazz. Accompanied by three of his old friends (pianist Hampton Hawes, bassist Charlie Haden and drummer Shelly Manne), Pepper displays a more explorative and darker style than he had previously. He also shows a greater emotional depth in his improvisations and was open to some of the innovations of the avant-garde in his search for greater self-expression. Although this recording would be topped by the ones to come, the music (five Pepper originals and an intense version of "Here's That Rainy Day") is quite rewarding.

© Scott Yanow /TiVo

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Living Legend

Art Pepper

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1
Ophelia
00:07:51

Shelly Manne, Drums, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Haden, Bass Guitar, AssociatedPerformer - Hampton Hawes, Piano, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Roy DuNann, Recording Engineer, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1976 Contemporary Records

2
Here's That Rainy Day
00:05:38

Shelly Manne, Drums, AssociatedPerformer - James Van Heusen, ComposerLyricist - Johnny Burke, ComposerLyricist - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer - Charlie Haden, Bass Guitar, AssociatedPerformer - Hampton Hawes, Piano, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Roy DuNann, Recording Engineer, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1976 Contemporary Records

3
What Laurie Likes
00:06:43

Shelly Manne, Drums, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Haden, Bass Guitar, AssociatedPerformer - Hampton Hawes, Piano, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Roy DuNann, Recording Engineer, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1976 Contemporary Records

4
Mr. Yohe
00:07:10

Shelly Manne, Drums, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Haden, Bass Guitar, AssociatedPerformer - Hampton Hawes, Piano, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Roy DuNann, Recording Engineer, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1976 Contemporary Records

5
Lost Life
00:05:52

Shelly Manne, Drums, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Haden, Bass Guitar, AssociatedPerformer - Hampton Hawes, Piano, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Roy DuNann, Recording Engineer, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1976 Contemporary Records

6
Samba Mom-Mom (Original Take)
00:08:19

Shelly Manne, Drums, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Haden, Bass Guitar, AssociatedPerformer - Hampton Hawes, Piano, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Roy DuNann, Recording Engineer, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1976 Contemporary Records

7
Samba Mom-Mom (Alternate Take)
00:07:03

Shelly Manne, Drums, AssociatedPerformer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Charlie Haden, Bass Guitar, AssociatedPerformer - Hampton Hawes, Piano, AssociatedPerformer - Lester Koenig, Producer, Recording Producer - Roy DuNann, Recording Engineer, StudioPersonnel - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1990 Contemporary Records

Album review

Art Pepper, one of the major bop altoists to emerge during the '50s, started his comeback with this excellent set, Living Legend. After 15 years filled with prison time and fighting drug addiction, Pepper was finally ready to return to jazz. Accompanied by three of his old friends (pianist Hampton Hawes, bassist Charlie Haden and drummer Shelly Manne), Pepper displays a more explorative and darker style than he had previously. He also shows a greater emotional depth in his improvisations and was open to some of the innovations of the avant-garde in his search for greater self-expression. Although this recording would be topped by the ones to come, the music (five Pepper originals and an intense version of "Here's That Rainy Day") is quite rewarding.

© Scott Yanow /TiVo

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