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Jean-Baptiste Fonlupt|Live recital "Correspondances"

Live recital "Correspondances"

Jean-Baptiste Fonlupt

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The presentation of the Fantasie Op. 17 (1835-36) by Robert Schumann (1810-1856) alongside the B Minor Sonata (1852-53) by Franz Liszt (1811-1886) is not based on the simple convergence of a romantic approach – which would in any case need to be stated explicitly – or indeed on a performer’s whim. The two works both have in common formal research, technical biases and aesthetical positions, which unite them considerably. A revealing factor ; the Fantasie is dedicated to Liszt and the Sonata in return is dedicated to Schumann. © Klarthe Records

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Live recital "Correspondances"

Jean-Baptiste Fonlupt

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1
Fantaisie, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen (À Franz Liszt)
00:13:33

Robert Schumann, Composer - Jean-Baptiste Fonlupt, Soloist, MainArtist

2020 KLARTHE 2020 KLARTHE

2
Fantaisie, Op. 17: II. Mässig. Durchaus energisch (À Franz Liszt)
00:07:15

Robert Schumann, Composer - Jean-Baptiste Fonlupt, Soloist, MainArtist

2020 KLARTHE 2020 KLARTHE

3
Fantaisie, Op. 17: III. Langsam getragen. Durchweg leise zu halten (À Franz Liszt)
00:12:45

Robert Schumann, Composer - Jean-Baptiste Fonlupt, Soloist, MainArtist

2020 KLARTHE 2020 KLARTHE

4
Piano Sonata in B Minor, S. 178 (À Robert Schumann)
00:31:01

Franz Liszt, Composer - Jean-Baptiste Fonlupt, Soloist, MainArtist

2020 KLARTHE 2020 KLARTHE

Album review

The presentation of the Fantasie Op. 17 (1835-36) by Robert Schumann (1810-1856) alongside the B Minor Sonata (1852-53) by Franz Liszt (1811-1886) is not based on the simple convergence of a romantic approach – which would in any case need to be stated explicitly – or indeed on a performer’s whim. The two works both have in common formal research, technical biases and aesthetical positions, which unite them considerably. A revealing factor ; the Fantasie is dedicated to Liszt and the Sonata in return is dedicated to Schumann. © Klarthe Records

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