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Billy Cobham & George Duke Band|Live On Tour In Europe

Live On Tour In Europe

Billy Cobham & George Duke Band

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Following two studio recordings, this impressive band hit the road and cut this session with keyboardist George Duke. Their encounter provided for an uneven, but infectious, recording. "Hip Pockets," composed by Cobham, and "Ivory Tattoo," composed by Scofield, begin the session with some intense playing. Things get a bit goofy with "Space Lady" (a song which probably worked better live), and a bit melodramatic with "Almustafa the Beloved." "Do What Cha Wanna" features Duke on vocals and, ironically, made it onto Cobham's Best of Billy Cobham. The closer, "Frankenstein Goes to the Disco," is primarily a vehicle for Cobham, while "Sweet Wine" and "Juicy" are good jam sessions. Despite some corny moments, this is a fun session that continues to be one of Cobham's most sought after recordings.

© Robert Taylor /TiVo

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Live On Tour In Europe

Billy Cobham & George Duke Band

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1
Hip Pockets (LP Version)
Billy Cobham
00:07:07

George Duke Band, Performance - Billy Cobham, Writer, Performance, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.

2
Ivory Tattoo (LP Version)
Billy Cobham
00:04:36

John Scofield, Writer - Billy Cobham, Performance, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.

3
Space Lady (LP Version)
Billy Cobham
00:04:36

George Duke, Writer - Billy Cobham, Performance, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.

4
Almustafa the Beloved (LP Version)
George Duke
00:06:51

Alphonso Johnson, Writer - George Duke, Producer - Billy Cobham, Producer, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.

5
Do What Cha Wanna (LP Version)
John Scofield
00:04:34

George Duke, Composer, Producer, Keyboards, Lead Vocals - John Scofield, Guitar - Alfonso Johnson, Bass - Chapman Stick, Background Vocals - George Duke Band, Performance - Billy Cobham, Producer, Percussion, Writer, Background Vocals, Performance, Synthesiser, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Frankenstein Goes to the Disco (LP Version)
George Duke
00:07:10

George Duke, Producer - Billy Cobham, Producer, Writer, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.

7
Sweet Wine (LP Version)
George Duke
00:03:59

George Duke, Producer - Billy Cobham, Producer, Writer, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.

8
Juicy (LP Version)
Billy Cobham
00:07:19

George Duke, Producer, Writer - Billy Cobham, Producer, MainArtist

© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.

Album review

Following two studio recordings, this impressive band hit the road and cut this session with keyboardist George Duke. Their encounter provided for an uneven, but infectious, recording. "Hip Pockets," composed by Cobham, and "Ivory Tattoo," composed by Scofield, begin the session with some intense playing. Things get a bit goofy with "Space Lady" (a song which probably worked better live), and a bit melodramatic with "Almustafa the Beloved." "Do What Cha Wanna" features Duke on vocals and, ironically, made it onto Cobham's Best of Billy Cobham. The closer, "Frankenstein Goes to the Disco," is primarily a vehicle for Cobham, while "Sweet Wine" and "Juicy" are good jam sessions. Despite some corny moments, this is a fun session that continues to be one of Cobham's most sought after recordings.

© Robert Taylor /TiVo

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