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Following two studio recordings, this impressive band hit the road and cut this session with keyboardist George Duke. Their encounter provided for an uneven, but infectious, recording. "Hip Pockets," composed by Cobham, and "Ivory Tattoo," composed by Scofield, begin the session with some intense playing. Things get a bit goofy with "Space Lady" (a song which probably worked better live), and a bit melodramatic with "Almustafa the Beloved." "Do What Cha Wanna" features Duke on vocals and, ironically, made it onto Cobham's Best of Billy Cobham. The closer, "Frankenstein Goes to the Disco," is primarily a vehicle for Cobham, while "Sweet Wine" and "Juicy" are good jam sessions. Despite some corny moments, this is a fun session that continues to be one of Cobham's most sought after recordings.
© Robert Taylor /TiVo
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George Duke Band, Performance - Billy Cobham, Writer, Performance, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.
John Scofield, Writer - Billy Cobham, Performance, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.
George Duke, Writer - Billy Cobham, Performance, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.
Alphonso Johnson, Writer - George Duke, Producer - Billy Cobham, Producer, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.
George Duke, Composer, Producer, Keyboards, Lead Vocals - John Scofield, Guitar - Alfonso Johnson, Bass - Chapman Stick, Background Vocals - George Duke Band, Performance - Billy Cobham, Producer, Percussion, Writer, Background Vocals, Performance, Synthesiser, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
George Duke, Producer - Billy Cobham, Producer, Writer, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.
George Duke, Producer - Billy Cobham, Producer, Writer, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.
George Duke, Producer, Writer - Billy Cobham, Producer, MainArtist
© 1976 Atlantic Records ℗ 1976 Atlantic Recording Corp.
Album review
Following two studio recordings, this impressive band hit the road and cut this session with keyboardist George Duke. Their encounter provided for an uneven, but infectious, recording. "Hip Pockets," composed by Cobham, and "Ivory Tattoo," composed by Scofield, begin the session with some intense playing. Things get a bit goofy with "Space Lady" (a song which probably worked better live), and a bit melodramatic with "Almustafa the Beloved." "Do What Cha Wanna" features Duke on vocals and, ironically, made it onto Cobham's Best of Billy Cobham. The closer, "Frankenstein Goes to the Disco," is primarily a vehicle for Cobham, while "Sweet Wine" and "Juicy" are good jam sessions. Despite some corny moments, this is a fun session that continues to be one of Cobham's most sought after recordings.
© Robert Taylor /TiVo
About the album
- 1 disc(s) - 8 track(s)
- Total length: 00:46:12
- Main artists: Billy Cobham & George Duke Band
- Composer: George Duke
- Label: Rhino Atlantic
- Genre: Jazz
© 1976 Atlantic Records ℗ 1976 Atlantic Records
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