Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Despite the Young Lion movement of the '80s, '90s, and 2000s, jazz isn't nearly as youth-obsessed as rock, dance-pop, or rap. Jazz is full of talented people who were late bloomers in some respect -- singers and instrumentalists who spent considerable time in the shed and might have been 35, 40, or even older the first time they composed original material, landed a recording contract, or recorded an album as a leader. Arturo O'Farrill certainly didn't start recording as a leader right away; the acoustic pianist was in his late thirties when, in 1999, he provided his first album as a leader, Blood Lines. Although Arturo O'Farrill is the son of the late bandleader/arranger/composer Chico O'Farrill, he didn't inundate listeners with Afro-Cuban rhythms on Blood Lines; he used them more sparingly than Poncho Sanchez, Tito Puente, or Machito. And the same is true of Live in Brooklyn, a post-bop/hard bop disc that was recorded in a New York City club called the Up Over Jazz Café in 2003. These performances find O'Farrill forming an acoustic piano trio with bassist Andy Gonzalez and drummer Dafnis Prieto; all three of the musicians have Latin credentials, but even so, Afro-Cuban elements are used in moderation when they're used at all. In fact, one needs to pay close attention to hear the Latin influence when the trio turns its attention to Wayne Shorter's "Footprints" and Gonzalez's "Vieques." Other highlights of this 56-minute CD range from Thelonious Monk's "Well, You Needn't" and Horace Silver's "Peace" to two abstract Carla Bley compositions: "Utviklinsang" and "Walking Battery Woman." Live in Brooklyn falls short of exceptional, but it's a decent and noteworthy document of O'Farrill and his colleagues on-stage in 2003.
© Alex Henderson /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Andy Gonzalez, Composer - Arturo O'Farrill, MainArtist
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Arturo O'Farrill, MainArtist - C. Bley, Composer
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Arturo O'Farrill, MainArtist - H. Silver, Composer
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Arturo O'Farrill, MainArtist - Wayne Shorter, Composer
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Arturo O'Farrill, MainArtist - CARLA BLEY, Composer
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Arturo O'Farrill, MainArtist - D. Ellington, Composer
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Arturo O'Farrill, MainArtist - Th. Monk, Composer
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Album review
Despite the Young Lion movement of the '80s, '90s, and 2000s, jazz isn't nearly as youth-obsessed as rock, dance-pop, or rap. Jazz is full of talented people who were late bloomers in some respect -- singers and instrumentalists who spent considerable time in the shed and might have been 35, 40, or even older the first time they composed original material, landed a recording contract, or recorded an album as a leader. Arturo O'Farrill certainly didn't start recording as a leader right away; the acoustic pianist was in his late thirties when, in 1999, he provided his first album as a leader, Blood Lines. Although Arturo O'Farrill is the son of the late bandleader/arranger/composer Chico O'Farrill, he didn't inundate listeners with Afro-Cuban rhythms on Blood Lines; he used them more sparingly than Poncho Sanchez, Tito Puente, or Machito. And the same is true of Live in Brooklyn, a post-bop/hard bop disc that was recorded in a New York City club called the Up Over Jazz Café in 2003. These performances find O'Farrill forming an acoustic piano trio with bassist Andy Gonzalez and drummer Dafnis Prieto; all three of the musicians have Latin credentials, but even so, Afro-Cuban elements are used in moderation when they're used at all. In fact, one needs to pay close attention to hear the Latin influence when the trio turns its attention to Wayne Shorter's "Footprints" and Gonzalez's "Vieques." Other highlights of this 56-minute CD range from Thelonious Monk's "Well, You Needn't" and Horace Silver's "Peace" to two abstract Carla Bley compositions: "Utviklinsang" and "Walking Battery Woman." Live in Brooklyn falls short of exceptional, but it's a decent and noteworthy document of O'Farrill and his colleagues on-stage in 2003.
© Alex Henderson /TiVo
About the album
- 1 disc(s) - 7 track(s)
- Total length: 00:56:49
- Main artists: Arturo O'Farrill
- Composer: Various Composers
- Label: Zoho
- Genre: Latin
2005 ZOHO Music L.L.C. 2005 ZOHO Music L.L.C.
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.