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Francisco Araiza|Live at the Tivoli (Official Bootleg Recordings)

Live at the Tivoli (Official Bootleg Recordings)

Francisco Araiza

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This title is a strange oxymoron! Official Bootleg… when you know that “bootleg” means “clandestine”, and that official means—well, sorry for stating the obvious—official, how can an album officially present clandestine content? It’s simple, really: the website of the Mexican tenor himself boasts about the release, which probably means that the artist has allowed presumably “pirated” recordings being put on the market. By the way, the same website states that the recordings have been made in 1985 and 1987, so three decades ago, right in the middle of the tenor’s brilliant worldwide career. The Copenhagen Philharmonic Orchestra is accompanying him, which is really not surprising when you know that the Tivoli (more specifically the Tivoli Gardens, a gigantic amusement park which contains a beautiful concert hall) displayed on the cover is incidentally located in Copenhagen. The star performs in several languages—German (with a very slight Mexican accent), French (with a slight Mexican accent) and of course Italian (perfectly, with no accent)—some of the greatest lyrical hits that were ever made; the bel canto aficionados will get their share, with the style that we know: a superb vocal emission, without the glissando excess that we can often find in most tenors from the Latin scene. We must however specify that you have to be a connoisseur of fine singing, because the voice seems to be a little distant on the recording. Which is to be expected, really, because these were pirate recordings! Therefore let’s consider this album as a historic document.

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Live at the Tivoli (Official Bootleg Recordings)

Francisco Araiza

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Idomeneo, K. 366 (Wolfgang Amadeus Mozart)

1
Non ho colpa, e mi condanni (Live)
00:06:44

Wolfgang Amadeus Mozart, Composer - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Giovanni Battista Varesco, Lyricist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Fidelio, Op. 72 (Ludwig van Beethoven)

2
Gott! Welch' Dunkel hier! (Live)
00:11:34

Ludwig van Beethoven, Composer - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - John Frandsen, Conductor, MainArtist - Jean Nicolas Bouilly, Lyricist

(C) 2017 Solo Musica (P) 2017 Solo Musica

La Traviata (Giuseppe Verdi)

3
Lunge da lei per me... De' miei bollenti spiriti (Live)
00:03:45

Giuseppe Verdi, Composer - Francesco Maria Piave, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

4
Oh mio rimorso (Live)
00:01:33

Giuseppe Verdi, Composer - Francesco Maria Piave, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

La Bohême (Giacomo Puccini)

5
Che gelida manina (Live)
00:05:04

Giacomo Puccini, Composer - Luigi Illica, Lyricist - Giuseppe Giacosa, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Manon (Jules Massenet)

6
Je suis seul!... Ah! Fuyez, douce image (Live)
00:05:23

Jules Massenet, Composer - Philippe Gille, Lyricist - Henri Meilhac, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Andrea Chenier (Umberto Giordano)

7
Colpito qui m'avete ov'io geloso... Un di all'azzurro spazio (Live)
00:05:56

Umberto Giordano, Composer - Luigi Illica, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Werther (Jules Massenet)

8
Pourquoi me réveiller (Live)
00:02:51

Jules Massenet, Composer - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - PAUL MILLIET, Lyricist - Georges Hartmann, Lyricist - Edouard Blau, Lyricist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

L'Arlesiana (Francesco Cilèa)

9
È la solita storia (Live)
00:05:06

Francesco Cilea, Composer - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Leopoldo Marenco, Lyricist - John Frandsen, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Lohengrin, WWV 75 (Richard Wagner)

10
In fernem Land, unnahbar euren Schritten (Live)
00:05:54

Richard Wagner, Composer, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Les pêcheurs de perles, WD 13 (Georges Bizet)

11
À cette voix... Je crois entendre encore (Live)
00:06:36

Georges Bizet, Composer - Michel Carre, Lyricist - Eugene Cormon, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Lucia di Lammermoor (Gaetano Donizetti)

12
Tombe degli avi miei, l'ultimo avanzo (Live)
00:13:24

Gaetano Donizetti, Composer - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Salvadore Cammarano, Lyricist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Rigoletto (Giuseppe Verdi)

13
Ella mi fu rapita!... Parmi veder (Live)
00:05:54

Giuseppe Verdi, Composer - Francesco Maria Piave, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Faust, CG 4 (Charles Gounod)

14
Quel trouble inconnu me pénètre... Salut, demeure chaste et pure (Live)
00:06:59

Charles Gounod, Composer - Michel Carre, Lyricist - Jules Barbier, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Turandot (Giacomo Puccini)

15
Nessun dorma (Live)
00:03:18

Giacomo Puccini, Composer - Giuseppe Adami, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Renato Simoni, Lyricist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Madama Butterfly (Giacomo Puccini)

16
Addio, fiorito asil (Live)
00:02:10

Giacomo Puccini, Composer - Luigi Illica, Lyricist - Giuseppe Giacosa, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Carmen, WD 31 (Georges Bizet)

17
La fleur que tu m'avais jetée (Live)
00:04:56

Georges Bizet, Composer - Henri Meilhac, Lyricist - Ludovic Halevy, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Manon Lescaut (Giacomo Puccini)

18
Donna non vidi mai (Live)
00:02:57

Giacomo Puccini, Composer - Luigi Illica, Lyricist - Domenico Oliva, Lyricist - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

L'elisir d'amore (Gaetano Donizetti)

19
Una furtiva lagrima (Live)
00:05:36

Felice Romani, Lyricist - Gaetano Donizetti, Composer - Copenhagen Philharmonic Orchestra, Orchestra, MainArtist - Francisco Araiza, Artist, MainArtist - Tamas Veto, Conductor, MainArtist

(C) 2017 Solo Musica (P) 2017 Solo Musica

Album review

This title is a strange oxymoron! Official Bootleg… when you know that “bootleg” means “clandestine”, and that official means—well, sorry for stating the obvious—official, how can an album officially present clandestine content? It’s simple, really: the website of the Mexican tenor himself boasts about the release, which probably means that the artist has allowed presumably “pirated” recordings being put on the market. By the way, the same website states that the recordings have been made in 1985 and 1987, so three decades ago, right in the middle of the tenor’s brilliant worldwide career. The Copenhagen Philharmonic Orchestra is accompanying him, which is really not surprising when you know that the Tivoli (more specifically the Tivoli Gardens, a gigantic amusement park which contains a beautiful concert hall) displayed on the cover is incidentally located in Copenhagen. The star performs in several languages—German (with a very slight Mexican accent), French (with a slight Mexican accent) and of course Italian (perfectly, with no accent)—some of the greatest lyrical hits that were ever made; the bel canto aficionados will get their share, with the style that we know: a superb vocal emission, without the glissando excess that we can often find in most tenors from the Latin scene. We must however specify that you have to be a connoisseur of fine singing, because the voice seems to be a little distant on the recording. Which is to be expected, really, because these were pirate recordings! Therefore let’s consider this album as a historic document.

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