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Cécile Ousset|Liszt: Piano Sonata in B Minor & Grandes études de Paganini

Liszt: Piano Sonata in B Minor & Grandes études de Paganini

Cecile Ousset

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Even though EMI has reissued some interesting old recordings in its "encore" series, there are some that seem to have been brought out of storage a bit past their prime and that may be disappointing because of their weak audio reproduction. Cécile Ousset's flashy readings of Franz Liszt's Sonata in B minor, S. 178, and the Paganini Studies, S. 141, date from 1984, and as one might expect, they sound like early digital recordings in their lack of presence, chilly ambience, and shallow dimensions. Something of a rarity, Ousset's animated and energetic interpretations may rescue this CD for fans who have never heard her play Liszt before; or the budget price may at least make it acceptable for others. But listeners accustomed to terrific-sounding, state-of-the-art recordings will still find it hard to sit through, chiefly because of the piano's hollow sound and the overly echoic acoustics. These recordings have not been remastered for this 2003 reissue.

© TiVo

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Liszt: Piano Sonata in B Minor & Grandes études de Paganini

Cécile Ousset

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1
6 Études d'exécution transcendante d'après Paganini, S. 140: No. 1, Tremolo
00:05:08

John Fraser, Producer - Mark Vigars, Engineer - Franz Liszt, Composer - Cecile Ousset, Piano, MainArtist

A Warner Classics release, © 2022 Parlophone Records Limited A Warner Classics release, ℗ 1985 Parlophone Records Limited

2
6 Études d'exécution transcendante d'après Paganini, S. 140: No. 2, Octave
00:05:44

John Fraser, Producer - Mark Vigars, Engineer - Franz Liszt, Composer - Cecile Ousset, Piano, MainArtist

A Warner Classics release, © 2022 Parlophone Records Limited A Warner Classics release, ℗ 1985 Parlophone Records Limited

3
6 Études d'exécution transcendante d'après Paganini, S. 140: No. 3, La campanella
00:04:45

John Fraser, Producer - Mark Vigars, Engineer - Franz Liszt, Composer - Cecile Ousset, Piano, MainArtist

A Warner Classics release, © 2022 Parlophone Records Limited A Warner Classics release, ℗ 1985 Parlophone Records Limited

4
6 Études d'exécution transcendante d'après Paganini, S. 140: No. 4, Arpeggio
00:02:08

John Fraser, Producer - Mark Vigars, Engineer - Franz Liszt, Composer - Cecile Ousset, Piano, MainArtist

A Warner Classics release, © 2022 Parlophone Records Limited A Warner Classics release, ℗ 1985 Parlophone Records Limited

5
6 Études d'exécution transcendante d'après Paganini, S. 140: No. 5, La chasse
00:02:44

John Fraser, Producer - Mark Vigars, Engineer - Franz Liszt, Composer - Cecile Ousset, Piano, MainArtist

A Warner Classics release, © 2022 Parlophone Records Limited A Warner Classics release, ℗ 1985 Parlophone Records Limited

6
6 Études d'exécution transcendante d'après Paganini, S. 140: No. 6, Thème et variations
00:05:08

John Fraser, Producer - Mark Vigars, Engineer - Franz Liszt, Composer - Cecile Ousset, Piano, MainArtist

A Warner Classics release, © 2022 Parlophone Records Limited A Warner Classics release, ℗ 1985 Parlophone Records Limited

7
Piano Sonata in B Minor, S. 178
00:29:25

John Fraser, Producer - Mark Vigars, Engineer - Franz Liszt, Composer - Cecile Ousset, Piano, MainArtist

A Warner Classics release, © 2022 Parlophone Records Limited A Warner Classics release, ℗ 1985 Parlophone Records Limited

Album review

Even though EMI has reissued some interesting old recordings in its "encore" series, there are some that seem to have been brought out of storage a bit past their prime and that may be disappointing because of their weak audio reproduction. Cécile Ousset's flashy readings of Franz Liszt's Sonata in B minor, S. 178, and the Paganini Studies, S. 141, date from 1984, and as one might expect, they sound like early digital recordings in their lack of presence, chilly ambience, and shallow dimensions. Something of a rarity, Ousset's animated and energetic interpretations may rescue this CD for fans who have never heard her play Liszt before; or the budget price may at least make it acceptable for others. But listeners accustomed to terrific-sounding, state-of-the-art recordings will still find it hard to sit through, chiefly because of the piano's hollow sound and the overly echoic acoustics. These recordings have not been remastered for this 2003 reissue.

© TiVo

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