Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
This release captures part of a concert given at New York's Carnegie Hall in January 2009; the concert was sponsored by the Hungarian Cultural Center in New York. Other pieces from the concert, featuring the same composers, are available elsewhere. But the program included here is nicely balanced between the two composers, György Ligeti and György Kurtág. Born within a few years of each other in the 1920s, they grew up in Bartók's long shadow but went in different directions, and their relationship is one of those that shows how closely opposites can be related. Ligeti's structures, whether in the instrumental Melodien (1971) with their tone clusters or the Cello Concerto (1966) with its drones, feature fragments that emerge from basically static backgrounds, generating an interplay of levels and planes that develop as a work or movement proceeds. Kurtág's music, by contrast, is spiky and abrupt. His Messages of the Late R.V. Troussova, Op. 17, is a collection of brief, often sardonic songs (in Russian) that push the voice into unfamiliar territory. The second set of Kurtág songs, Four Poems by Anna Akhmatova, Op. 41, was composed for the concert involved. Different as the styles of the two composers may be, and for all the influence they show from the western European avant-garde, they both retain a connection with the national and regional essence exemplified by Bartók. Hungary's UMZE Ensemble under Peter Eötvös captures this connection with a rhythmic drive and a grasp of overarching structure that is rewarded by sustained applause at the end. Recommended as something of a landmark for anyone interested in contemporary music of Eastern Europe.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Gyorgy Ligeti, Composer - Peter Eötvös, Conductor, MainArtist - UMZE Ensemble, Orchestra, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Gyorgy Ligeti, Composer - Miklós Perényi, Soloist, MainArtist - Peter Eötvös, Conductor, MainArtist - UMZE Ensemble, Orchestra, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Gyorgy Ligeti, Composer - Miklós Perényi, Soloist, MainArtist - Peter Eötvös, Conductor, MainArtist - UMZE Ensemble, Orchestra, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Peter Eötvös, Conductor, MainArtist - Gyorgy Kurtag, Composer - UMZE Ensemble, Orchestra, MainArtist - Natalia Zagorinskaya, Soloist, MainArtist
2015 2010 BMC Records 2015 2010 BMC Records
Album review
This release captures part of a concert given at New York's Carnegie Hall in January 2009; the concert was sponsored by the Hungarian Cultural Center in New York. Other pieces from the concert, featuring the same composers, are available elsewhere. But the program included here is nicely balanced between the two composers, György Ligeti and György Kurtág. Born within a few years of each other in the 1920s, they grew up in Bartók's long shadow but went in different directions, and their relationship is one of those that shows how closely opposites can be related. Ligeti's structures, whether in the instrumental Melodien (1971) with their tone clusters or the Cello Concerto (1966) with its drones, feature fragments that emerge from basically static backgrounds, generating an interplay of levels and planes that develop as a work or movement proceeds. Kurtág's music, by contrast, is spiky and abrupt. His Messages of the Late R.V. Troussova, Op. 17, is a collection of brief, often sardonic songs (in Russian) that push the voice into unfamiliar territory. The second set of Kurtág songs, Four Poems by Anna Akhmatova, Op. 41, was composed for the concert involved. Different as the styles of the two composers may be, and for all the influence they show from the western European avant-garde, they both retain a connection with the national and regional essence exemplified by Bartók. Hungary's UMZE Ensemble under Peter Eötvös captures this connection with a rhythmic drive and a grasp of overarching structure that is rewarded by sustained applause at the end. Recommended as something of a landmark for anyone interested in contemporary music of Eastern Europe.
© TiVo
About the album
- 1 disc(s) - 28 track(s)
- Total length: 01:06:30
- Main artists: Peter Eötvös UMZE Ensemble
- Composer: Various Composers
- Label: BMC Records
- Genre: Classical
2015 2010 BMC Records 2015 2010 BMC Records
Improve album information
Why buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.