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Magdalena Kožená|Lettere amorose

Lettere amorose

Magdalena Kozená, Private Musicke, Pierre Pitzl

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Mezzo-soprano Magdalena Kozená's collection of vocal solos (plus a few instrumental tracks) from the early Baroque, Lettere Amorose, "Love Letters," is a delight. The recital includes some familiar pieces like d'India's Cruda Amarilli, Monteverdi's Sì dolce è il tormento, and Sanz's giddy dance, Canarios, but consists largely of repertoire that's more obscure but no less engaging. Merula's lullaby chaconne Hor ch'è tempo di dormire is a jewel, gorgeously idiosyncratic and deeply emotional. Caccini's erotic Odi, Euterpe, 'I dolce canto could be mistaken for mature Monteverdi at his most mischievous, but it dates from 1601 or 1602, when Monteverdi was at an early stage in his career. A real standout of the album is Strozzi's L'Eraclito amoroso: Udite amanti, which alternates sections of extravagantly expressive recitative with a ravishingly lyrical chaconne. Kozená easily has the technique to make the music glow and the dramatic gifts to bring it movingly to life. Her sharply characterized interpretations of the songs make each of them seem as fully realized and potent as a short operatic scene. Her voice has the burnished warmth of a mezzo, but can gleam when she soars into her upper register, and throughout she maintains an exquisite purity. Private Musicke, an ensemble of plucked and bowed strings led by Pierre Pitzl, beautifully matches Kozená's performances with inventive, understated, and expressive accompaniments. Deutsche Grammophon's sound is clean and wonderfully realistic. This is an album that should have strong appeal for lovers of Baroque music, or anyone who loves exceptional singing.

© TiVo

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Lettere amorose

Magdalena Kožená

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1
O bei lumi
Pierre Pitzl
00:02:55

Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Filippo Vitali, ComposerLyricist - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

2
Cruda Amarilli
Pierre Pitzl
00:02:56

Sigismondo D'India, Composer - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Giovanni Battista Guarini, Author - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

3
Sì dolce è'l tormento, SV 332
Pierre Pitzl
00:03:29

Claudio Monteverdi, Composer - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

4
Odi Euterpe
Pierre Pitzl
00:03:27

Giulio Caccini, ComposerLyricist - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

5
Caravanda Ciacona (Improvisation)
Pierre Pitzl
00:01:41

Arend Prohmann, Producer, Recording Producer - Luis de Briceño, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

6
Canzonetta Spirituale
Pierre Pitzl
00:08:42

Tarquinio Merula, ComposerLyricist - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

7
Canarios (Improvisation)
Pierre Pitzl
00:03:15

Gaspar Sanz, Composer - Arend Prohmann, Producer, Recording Producer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

8
Ma che? Squallido e oscura
Pierre Pitzl
00:02:44

Sigismondo D'India, Composer - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Torquato Tasso, Author - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

9
Con le Stelle in Ciel
Pierre Pitzl
00:04:22

Biagio Marini, ComposerLyricist - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer - Marita Prohmann, Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

10
Felici gl'animi
Pierre Pitzl
00:02:57

Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, ComposerLyricist - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

11
Capriccio stravagante
Pierre Pitzl
00:01:43

Arend Prohmann, Producer, Recording Producer - Giovanni de Macque, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

12
Aurilla mia
Pierre Pitzl
00:03:17

Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, ComposerLyricist - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

13
Torna il sereno zeffiro
Pierre Pitzl
00:03:28

Sigismondo D'India, Composer - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

14
Ciacona (Improvisation)
Pierre Pitzl
00:01:48

Arend Prohmann, Producer, Recording Producer - Giovanni Paolo Foscarini, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

Cantate, Ariette e Duetti, Op. 2 (Barbara Strozzi)

15
L'Eraclito amoroso (Udite amanti)
Pierre Pitzl
00:07:55

Anonymous, Author - Barbara Strozzi, Composer - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

16
Espanoletas
Pierre Pitzl
00:02:54

Arend Prohmann, Producer, Recording Producer - Lucas Ruiz de Ribayaz, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

17
Folle é ben
Pierre Pitzl
00:03:54

Tarquinio Merula, ComposerLyricist - Arend Prohmann, Producer, Recording Producer - Magdalena Kozená, Mezzo-Soprano, MainArtist, AssociatedPerformer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Leader, MainArtist - Ulrich Vette, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Marita Prohmann, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

Album review

Mezzo-soprano Magdalena Kozená's collection of vocal solos (plus a few instrumental tracks) from the early Baroque, Lettere Amorose, "Love Letters," is a delight. The recital includes some familiar pieces like d'India's Cruda Amarilli, Monteverdi's Sì dolce è il tormento, and Sanz's giddy dance, Canarios, but consists largely of repertoire that's more obscure but no less engaging. Merula's lullaby chaconne Hor ch'è tempo di dormire is a jewel, gorgeously idiosyncratic and deeply emotional. Caccini's erotic Odi, Euterpe, 'I dolce canto could be mistaken for mature Monteverdi at his most mischievous, but it dates from 1601 or 1602, when Monteverdi was at an early stage in his career. A real standout of the album is Strozzi's L'Eraclito amoroso: Udite amanti, which alternates sections of extravagantly expressive recitative with a ravishingly lyrical chaconne. Kozená easily has the technique to make the music glow and the dramatic gifts to bring it movingly to life. Her sharply characterized interpretations of the songs make each of them seem as fully realized and potent as a short operatic scene. Her voice has the burnished warmth of a mezzo, but can gleam when she soars into her upper register, and throughout she maintains an exquisite purity. Private Musicke, an ensemble of plucked and bowed strings led by Pierre Pitzl, beautifully matches Kozená's performances with inventive, understated, and expressive accompaniments. Deutsche Grammophon's sound is clean and wonderfully realistic. This is an album that should have strong appeal for lovers of Baroque music, or anyone who loves exceptional singing.

© TiVo

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