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Diddy - Dirty Money|Last Train To Paris

Last Train To Paris

Diddy - Dirty Money

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You can come at Diddy’s 2010 effort from so many angles -- it’s a concept album about heartbreak, it introduces the two-woman group Dirty Money, it’s a house music album, his rapping is always up for debate, etc. -- that it’s hard to pick just one, but to call Last Train to Paris a departure is not just a pun; it ignores the future-pop side of his 2006 effort Press Play and that “Jack U” single he did with dance producer Felix da Housecat. Take those releases into consideration -- and that Diddy is more a slick ringleader than competition-challenging rapper -- and this heavily European-influenced effort is the natural payoff with only the concept and the group left as surprises. Both are just window dressing, as the concept is more of a theme while Dirty Money -- Kalenna Harper and Dawn Richard -- come off as fine background singers or members of Diddy’s Fashion Week posse. Still, this is one delicious dish as it mashes together Italo-disco, pop-rap, tech-house, and the sound of Bad Boy in its prime, with an all-star guest list that goes from T.I. to Grace Jones. King Combs adds his billionaire vision of the 808s & Heartbreak album to the mix, offering unforgivable lines like “Yeah when the lights fade/The lights they turn to grey/Bitch you don’t love me no more,” during the great “Strobe Lights,” which sounds like Diddy and Lil Wayne hanging at the interstellar disco. Big names like Usher (“Looking for Love”) and Swizz Beatz (“Ass on the Floor”) earn their big paychecks and then some, while elsewhere, Diddy goes skeletal creeping through a brokenhearted landscape on “Someone to Love Me” with nothing but a stark Stax sample and lyrics like “I can’t even hold down food I’m so rude.” No doubt, Diddy injects so much of his unfiltered self into the album that no hater can be swayed, but it’s his unique attitude that makes Last Train such a delight. This hook-filled, vibrant effort is that rare heartbreak album that can speak on a lovelorn level and then put a little strut back in your step. In other words, Last Train to Paris doesn’t just get the dirt off your shoulder; it fully presses your suit, sending you swaggering back into the wicked world of relationships in true style.

© David Jeffries /TiVo

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Last Train To Paris

Diddy - Dirty Money

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1
Intro (Album Version (Edited))
00:01:33

Guy Gerber, Producer, ComposerLyricist - Diddy - Dirty Money, MainArtist

℗ 2010 Bad Boy/Interscope Records

2
Ass On The Floor (Album Version (Edited))
00:04:04

Kasseem Dean, ComposerLyricist - Sean Combs, ComposerLyricist - Leroy Watson, ComposerLyricist - Swizz Beatz, Producer, FeaturedArtist - Dawn Richard, ComposerLyricist - Diddy - Dirty Money, MainArtist - Kalenna Vick, ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

3
Yeah Yeah You Would (Album Version (Edited))
00:03:41

Nathaniel Hills, ComposerLyricist - Danja, Producer - Sean Combs, ComposerLyricist - Leroy Watson, ComposerLyricist - Dawn Richard, ComposerLyricist - Grace Jones, FeaturedArtist - Diddy - Dirty Money, MainArtist - Kalenna Vick, ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

4
I Hate That You Love Me (Album Version)
00:03:35

LaShawn Daniels, ComposerLyricist - Rodney Jerkins, Producer, ComposerLyricist - Sean Combs, ComposerLyricist - Leroy Watson, ComposerLyricist - Victoria McCants, ComposerLyricist - Diddy - Dirty Money, MainArtist - Latoya Duggan, ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

5
Someone To Love Me (Album Version (Edited))
00:03:07

Jerry Duplessis, Producer - Leroy Watson, ComposerLyricist - Arden Altino, Producer, Co-Producer - Diddy - Dirty Money, MainArtist - Jerry "Te Bass" Duplessis, ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

6
Hate You Now (Album Version (Edited))
00:04:09

Nathaniel Hills, ComposerLyricist - Danja, Producer - Sean Combs, ComposerLyricist - Dawn Richard, ComposerLyricist - Diddy - Dirty Money, MainArtist - Kalenna Vick, ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

7
Your Love (Album Version (Edited))
00:03:53

Jamal Jones, ComposerLyricist - Polow Da Don, Producer - Trey Songz, FeaturedArtist - Rick Ross, ComposerLyricist - Diddy - Dirty Money, MainArtist

℗ 2010 Bad Boy/Interscope Records

8
Shades (Album Version (Edited))
00:05:57

James Fauntleroy, FeaturedArtist, ComposerLyricist - Lil Wayne, FeaturedArtist - Bilal, FeaturedArtist - Sean Combs, ComposerLyricist - Justin Timberlake, FeaturedArtist, ComposerLyricist - Dernst Emile II, Producer, ComposerLyricist - Wayne Carter, ComposerLyricist - Diddy - Dirty Money, MainArtist

℗ 2010 Bad Boy/Interscope Records

9
Angels (Album Version (Edited))
00:05:11

Shawn Carter, ComposerLyricist - Deric Angelettie, ComposerLyricist - Carlos Broady, ComposerLyricist - Nashiem Myrick, ComposerLyricist - Darryl McDaniels, ComposerLyricist - The Notorious B.I.G., FeaturedArtist - James Fauntleroy, ComposerLyricist - Ron Lawrence, ComposerLyricist - Sean Combs, ComposerLyricist - Christopher Wallace, ComposerLyricist - MARIO WINANS, ComposerLyricist - Norman Whitfield, ComposerLyricist - Rick Ross, FeaturedArtist - Diddy - Dirty Money, MainArtist

℗ 2010 Bad Boy/Interscope Records

10
Strobe Lights (Album Version (Edited))
00:03:33

Lil Wayne, FeaturedArtist - Tim McEwan, ComposerLyricist - DEEKAY, Producer, Co-Producer - 7 Aurelius, Producer, ComposerLyricist - Wayne Carter, ComposerLyricist - Diddy - Dirty Money, MainArtist - Kalenna Vick, ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

11
Looking For Love (Album Version (Edited))
00:04:17

Michael Jones, ComposerLyricist - James Lackey, Producer, ComposerLyricist - Polow Da Don, Producer, Co-Producer - Usher, FeaturedArtist - Rick Ross, ComposerLyricist - Diddy - Dirty Money, MainArtist

℗ 2010 Bad Boy/Interscope Records

12
I Know (Album Version (Edited))
00:04:31

Chris Brown, FeaturedArtist - Rodney Jerkins, Producer - Sean Combs, ComposerLyricist - Wiz Khalifa, FeaturedArtist - Diddy - Dirty Money, MainArtist - Seven Of Richgirl, FeaturedArtist

℗ 2010 Bad Boy/Interscope Records

13
Hello Good Morning (Album Version (Edited))
00:04:28

M. Araica, ComposerLyricist - R. Love, ComposerLyricist - Danja, Producer - T.I., FeaturedArtist - N. Hills, ComposerLyricist - C Harris, ComposerLyricist - Diddy - Dirty Money, MainArtist

℗ 2010 Bad Boy/Interscope Records

14
Yesterday (Album Version (Edited))
00:04:30

Chris Brown, FeaturedArtist, ComposerLyricist - Crystal Johnson, ComposerLyricist - MARIO WINANS, Producer, ComposerLyricist - Aubrey Graham, ComposerLyricist - Diddy - Dirty Money, MainArtist - Kevin McCall Jr., ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

15
Coming Home
00:03:58

Shawn Carter, ComposerLyricist - Alexander Grant, ComposerLyricist - Skylar Grey, FeaturedArtist, ComposerLyricist - Jermaine Cole, ComposerLyricist - Diddy - Dirty Money, MainArtist

℗ 2010 Bad Boy/Interscope Records

16
Loving You No More (Album Version)
00:04:04

Drake, FeaturedArtist - MARIO WINANS, Keyboards, AssociatedPerformer, ComposerLyricist - Aubrey Graham, ComposerLyricist - Sean Garrett, Synthesizer, AssociatedPerformer, ComposerLyricist - Miykal Snoddy, Drums, AssociatedPerformer, ComposerLyricist - Diddy - Dirty Money, MainArtist - Dawn Richards, ComposerLyricist

℗ 2010 Bad Boy/Interscope Records

Album review

You can come at Diddy’s 2010 effort from so many angles -- it’s a concept album about heartbreak, it introduces the two-woman group Dirty Money, it’s a house music album, his rapping is always up for debate, etc. -- that it’s hard to pick just one, but to call Last Train to Paris a departure is not just a pun; it ignores the future-pop side of his 2006 effort Press Play and that “Jack U” single he did with dance producer Felix da Housecat. Take those releases into consideration -- and that Diddy is more a slick ringleader than competition-challenging rapper -- and this heavily European-influenced effort is the natural payoff with only the concept and the group left as surprises. Both are just window dressing, as the concept is more of a theme while Dirty Money -- Kalenna Harper and Dawn Richard -- come off as fine background singers or members of Diddy’s Fashion Week posse. Still, this is one delicious dish as it mashes together Italo-disco, pop-rap, tech-house, and the sound of Bad Boy in its prime, with an all-star guest list that goes from T.I. to Grace Jones. King Combs adds his billionaire vision of the 808s & Heartbreak album to the mix, offering unforgivable lines like “Yeah when the lights fade/The lights they turn to grey/Bitch you don’t love me no more,” during the great “Strobe Lights,” which sounds like Diddy and Lil Wayne hanging at the interstellar disco. Big names like Usher (“Looking for Love”) and Swizz Beatz (“Ass on the Floor”) earn their big paychecks and then some, while elsewhere, Diddy goes skeletal creeping through a brokenhearted landscape on “Someone to Love Me” with nothing but a stark Stax sample and lyrics like “I can’t even hold down food I’m so rude.” No doubt, Diddy injects so much of his unfiltered self into the album that no hater can be swayed, but it’s his unique attitude that makes Last Train such a delight. This hook-filled, vibrant effort is that rare heartbreak album that can speak on a lovelorn level and then put a little strut back in your step. In other words, Last Train to Paris doesn’t just get the dirt off your shoulder; it fully presses your suit, sending you swaggering back into the wicked world of relationships in true style.

© David Jeffries /TiVo

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