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Bert Jansch|L.A. Turnaround (Digitally Remastered + Bonus Tracks)

L.A. Turnaround (Digitally Remastered + Bonus Tracks)

Bert Jansch

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After the demise of Pentangle, Jansch signed with Tony Stratton-Smith’s Famous Charisma Label in 1973 and recorded L.A. Turnaround in Sussex and Sepulveda, CA. It was primarily produced by Mike Nesmith (two of the album’s original 12 tracks were recorded in Paris by Thompson a year earlier) and released in 1974, the first of three albums Jansch cut for Charisma. The album was hailed at the time as an exemplary work, and its reputation certainly holds in the 21st century. Nesmith quite naturally captured Jansch’s expert, idiosyncratic guitar style, and added himself on rhythm guitars and pedal steel guitarist O.J. “Red” Rhodes, who provided a wonderful sense of ballast and earthiness. Other than the two Thompson-produced cuts -- an instrumental called “Chambertin” and a reading of former bandmate John Renbourn’s “Lady Nothing” -- the set walks through a lush garden that stands between the traditional English folk that Jansch had mastered and a sort of easy-breathing country-rock. Check the breezy flow of “Open Up the Watergate,” with Jesse Ed Davis on acoustic slide guitar, drummer Danny Lane, and bassist Klaus Voormann. Even the moodier “Needle of Death,” a duet between Rhodes and Jansch, carries a certain lightness of feeling despite its lyric's darkness. “The Blacksmith” acknowledges quite openly Jansch’s debt of influence to Doc Watson, while the lithe rocker “Stone Monkey” features Nesmith in place of Davis; the backroom jamming style accentuates the influence of American players on Jansch as well as his own English traditions. All the while Nesmith, whether with the mobile unit at Stratton-Smith’s home or in his own studio in L.A., keeps the proceedings laid-back, flowing, and liquid. This is not to say there aren’t more traditional numbers here; the set opener, “Fresh as a Sweet Sunday Morning,” with Voormann and Rhodes, and “Of Love and Lullabye” could have been recorded by Pentangle. Simply put, this is one of Jansch’s masterpieces, and a singular type of album in his long and storied career.

© Thom Jurek /TiVo

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L.A. Turnaround (Digitally Remastered + Bonus Tracks)

Bert Jansch

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1
Fresh As A Sweet Sunday Morning (Remastered 2009)
00:03:57

Mike Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Rod Clements, AssociatedPerformer, Bass (Vocal) - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Brian Hume, Background Vocalist, AssociatedPerformer - Ian Vardy, Background Vocalist, AssociatedPerformer - Loren Jansch, Mastering Engineer, StudioPersonnel - Irene Hume, Background Vocalist, AssociatedPerformer

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

2
Chambertin (2009 Digital Remaster)
00:04:04

Peter Mew, Mastering Engineer, StudioPersonnel - Rod Clements, AssociatedPerformer, Bass (Vocal) - Danny Thomas, Producer - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Brian Hume, Background Vocalist, AssociatedPerformer - Ian Vardy, Background Vocalist, AssociatedPerformer - Loren Jansch, Mastering Engineer, StudioPersonnel - Irene Hume, Background Vocalist, AssociatedPerformer

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

3
One For Jo (2009 Digital Remaster)
00:02:38

Mike Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Rod Clements, AssociatedPerformer, Bass (Vocal) - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Brian Hume, Background Vocalist, AssociatedPerformer - Ian Vardy, Background Vocalist, AssociatedPerformer - Loren Jansch, Mastering Engineer, StudioPersonnel - Irene Hume, Background Vocalist, AssociatedPerformer

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

4
Travelling Man (2009 Digital Remaster)
00:02:47

Michael Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

5
Open Up The Watergate (Let The Sunshine In) (2009 Digital Remaster)
00:02:40

Michael Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

6
Stone Monkey (2009 Digital Remaster)
00:03:10

Michael Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

7
Of Love And Lullaby (2009 Digital Remaster)
00:02:28

Michael Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

8
Needle Of Death (2009 Digital Remaster)
00:03:24

Michael Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Rod Clements, AssociatedPerformer, Bass (Vocal) - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Brian Hume, Background Vocalist, AssociatedPerformer - Ian Vardy, Background Vocalist, AssociatedPerformer - Loren Jansch, Mastering Engineer, StudioPersonnel - Irene Hume, Background Vocalist, AssociatedPerformer

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

9
Lady Nothing (2009 Digital Remaster)
00:02:32

Peter Mew, Mastering Engineer, StudioPersonnel - Danny Thomas, Producer - Bert Jansch, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - John Renbourn, Composer - Loren Jansch, Mastering Engineer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

10
There Comes A Time (2009 Digital Remaster)
00:02:38

Michael Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

11
Cluck Old Hen (2009 Digital Remaster)
00:03:10

Michael Nesmith, Producer - Traditional, Composer - Peter Mew, Mastering Engineer, StudioPersonnel - Rod Clements, AssociatedPerformer, Bass (Vocal) - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Brian Hume, Background Vocalist, AssociatedPerformer - Ian Vardy, Background Vocalist, AssociatedPerformer - Loren Jansch, Mastering Engineer, StudioPersonnel - Irene Hume, Background Vocalist, AssociatedPerformer

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

12
The Blacksmith (2009 Digital Remaster)
00:03:30

Michael Nesmith, Producer - Peter Mew, Mastering Engineer, StudioPersonnel - Watson, Composer - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

13
Open Up The Watergate (Let The Sunshine In) (Alternate Version)
00:03:38

Michael Nesmith, Producer - Peter Mew, Mixer, Mastering Engineer, StudioPersonnel - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, Assistant Mixer, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, Assistant Mixer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

14
One For Jo (Alternate Version)
00:02:41

Michael Nesmith, Producer - Peter Mew, Mixer, Mastering Engineer, StudioPersonnel - Rod Clements, AssociatedPerformer, Bass (Vocal) - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, Assistant Mixer, MainArtist, AssociatedPerformer, StudioPersonnel - Brian Hume, Background Vocalist, AssociatedPerformer - Ian Vardy, Background Vocalist, AssociatedPerformer - Loren Jansch, Mastering Engineer, Assistant Mixer, StudioPersonnel - Irene Hume, Background Vocalist, AssociatedPerformer

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

15
The Blacksmith (Alternate Version)
00:03:39

Michael Nesmith, Producer - Peter Mew, Mixer, Mastering Engineer, StudioPersonnel - Watson, Composer - Bert Jansch, Composer, Mastering Engineer, Guitar, Vocals, Assistant Mixer, MainArtist, AssociatedPerformer, StudioPersonnel - Loren Jansch, Mastering Engineer, Assistant Mixer, StudioPersonnel

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

16
In The Bleak Mid Winter (2009 Remaster)
00:02:23

Ralph McTell, Producer - Gustav Holst, Composer - Peter Mew, Mastering Engineer, StudioPersonnel - Christina Rossetti, Composer - Rod Clements, AssociatedPerformer, Bass (Vocal) - Bert Jansch, Arranger, Mastering Engineer, Guitar, Vocals, Work Arranger, MainArtist, AssociatedPerformer, StudioPersonnel - Brian Hume, Background Vocalist, AssociatedPerformer - Ian Vardy, Background Vocalist, AssociatedPerformer - Loren Jansch, Mastering Engineer, StudioPersonnel - Irene Hume, Background Vocalist, AssociatedPerformer

(C) 2009 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2009 EMI Records Ltd ℗ 2009 Virgin Records Limited

Album review

After the demise of Pentangle, Jansch signed with Tony Stratton-Smith’s Famous Charisma Label in 1973 and recorded L.A. Turnaround in Sussex and Sepulveda, CA. It was primarily produced by Mike Nesmith (two of the album’s original 12 tracks were recorded in Paris by Thompson a year earlier) and released in 1974, the first of three albums Jansch cut for Charisma. The album was hailed at the time as an exemplary work, and its reputation certainly holds in the 21st century. Nesmith quite naturally captured Jansch’s expert, idiosyncratic guitar style, and added himself on rhythm guitars and pedal steel guitarist O.J. “Red” Rhodes, who provided a wonderful sense of ballast and earthiness. Other than the two Thompson-produced cuts -- an instrumental called “Chambertin” and a reading of former bandmate John Renbourn’s “Lady Nothing” -- the set walks through a lush garden that stands between the traditional English folk that Jansch had mastered and a sort of easy-breathing country-rock. Check the breezy flow of “Open Up the Watergate,” with Jesse Ed Davis on acoustic slide guitar, drummer Danny Lane, and bassist Klaus Voormann. Even the moodier “Needle of Death,” a duet between Rhodes and Jansch, carries a certain lightness of feeling despite its lyric's darkness. “The Blacksmith” acknowledges quite openly Jansch’s debt of influence to Doc Watson, while the lithe rocker “Stone Monkey” features Nesmith in place of Davis; the backroom jamming style accentuates the influence of American players on Jansch as well as his own English traditions. All the while Nesmith, whether with the mobile unit at Stratton-Smith’s home or in his own studio in L.A., keeps the proceedings laid-back, flowing, and liquid. This is not to say there aren’t more traditional numbers here; the set opener, “Fresh as a Sweet Sunday Morning,” with Voormann and Rhodes, and “Of Love and Lullabye” could have been recorded by Pentangle. Simply put, this is one of Jansch’s masterpieces, and a singular type of album in his long and storied career.

© Thom Jurek /TiVo

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