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Jasper de Waal|Joseph & Michael Haydn

Joseph & Michael Haydn

Jasper de Waal and Concertgebouw Chamber Orchestra

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Any self-respecting 18th-century prince relied on enormous, extravagantly expensive hunting parties with dozens of horsemen and hundreds of dogs, whinnying horses, wild bursts of barking, and above all deafening blasts on the horns, as a reliable status symbol. But the horn was not only an outdoor instrument; it was also a well-loved denizen of many a palace music room. The instrument, in the course of the century, had evolved from being primarily an attribute of the hunt into a full-fledged member of the classical orchestra. Stopping technique became widespread around 1750: by moving the right hand inside the bell, the player was able to fill in the breaks in the horn’s natural scale, making it possible to play melodies. This changed the roaring brassiness of the hunting horn into a somewhat veiled, warmer sound associated with the French horn. (Valves were not added until the 19th century.)

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Joseph & Michael Haydn

Jasper de Waal

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Horn Concerto No. 1 in D Major, Hob. VIId:3 (Joseph Haydn)

1
I. Allegro (Cadenza by Herman Jeurissen)
00:05:51

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Concertgebouw Chamber Orchestra, Orchestra, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

2
II. Adagio
00:05:44

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Concertgebouw Chamber Orchestra, Orchestra, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

3
III. Allegro (Cadenza by Herman Jeurissen)
00:03:53

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Concertgebouw Chamber Orchestra, Orchestra, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

4
Romance in A-Flat Major, MH 806. Larghetto
00:04:35

Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Michael Haydn, Composer - Henk Rubingh, MainArtist - Marijn Mijnders, MainArtist - Benedikt Enzler, MainArtist - Roland Krämer, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

Horn Concerto No. 2 in D Major, Hob. VIId:4 (Joseph Haydn)

5
I. Allegro moderato (Cadenza by Jasper de Waal)
00:05:35

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Concertgebouw Chamber Orchestra, Orchestra, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

6
II. Adagio
00:04:23

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Concertgebouw Chamber Orchestra, Orchestra, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

7
III. Allegro (Cadenza by Jasper de Waal)
00:04:12

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Concertgebouw Chamber Orchestra, Orchestra, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

Divertimento in E-Flat Major, Hob. IV:5 (Joseph Haydn)

8
I. Moderato assai - II. Allegro di molto
00:07:27

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Henk Rubingh, MainArtist - Benedikt Enzler, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

Serenade in D Major, P. 87, MH 86 (Michael Haydn)

9
IV. Concertino per il corno e trombone. Adagio
00:06:47

Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Michael Haydn, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Jörgen van Rijen, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

10
V. Allegro molto
00:06:30

Copyright Control, MusicPublisher - Jasper de Waal, MainArtist - Michael Haydn, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Jörgen van Rijen, MainArtist

2010 Channel Classics Records 2010 Channel Classics Records

Album review

Any self-respecting 18th-century prince relied on enormous, extravagantly expensive hunting parties with dozens of horsemen and hundreds of dogs, whinnying horses, wild bursts of barking, and above all deafening blasts on the horns, as a reliable status symbol. But the horn was not only an outdoor instrument; it was also a well-loved denizen of many a palace music room. The instrument, in the course of the century, had evolved from being primarily an attribute of the hunt into a full-fledged member of the classical orchestra. Stopping technique became widespread around 1750: by moving the right hand inside the bell, the player was able to fill in the breaks in the horn’s natural scale, making it possible to play melodies. This changed the roaring brassiness of the hunting horn into a somewhat veiled, warmer sound associated with the French horn. (Valves were not added until the 19th century.)

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