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Cincinnati Pops Orchestra|John Philip Sousa Marches, Polkas & Americana

John Philip Sousa Marches, Polkas & Americana

Cincinnati Pops Orchestra and Erich Kunzel

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This collection of works by John Philip Sousa and others, originally recorded for the old Vox Music Group in 1988, has had a long life in reissues, and it's easy to see the appeal. Despite a few quirks, it remains a strong choice for basic libraries of musical Americana and even for a starter Sousa album. This is true despite the omission of several major Sousa march hits, or perhaps even because of this omission, for the album offers variety that makes it more listenable than competitors that offer 75 minutes of marches. There is a selection of non-march works by Sousa (who would have been glad to see it), including pieces that show how he tried, with some success, to keep up with trends. The Gliding Girl Tango, written in 1912, is more an impression of the tango than an actual dance, but Sousa's popular instincts extended even into the era of jazz dance; hear the rather unfamiliar Peaches & Cream foxtrot (track 7) from 1923. Works by other composers similiarly mix evergreen hits (Julius Fucik's Entry of the Gladiators, aka, the Circus March) with more novel works like Victor Herbert's early and rather obvious but thoroughly effective American Fantasia. The Cincinnati Pops under Erich Kunzel was at times recorded by more sophisticated engineers than those heard here, but they have rarely played with a more perfect combination of enthusiasm and discipline. The only blemishes involve some curious phrasing decisions on Kunzel's part (listen to the odd, mannered accents in The Stars and Stripes Forever), but these are few. Booklet notes are in English only; the remastered reissue on the Alto/Musical Concepts label in 2010 provided new and entertaining ones.
© TiVo

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John Philip Sousa Marches, Polkas & Americana

Cincinnati Pops Orchestra

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1
Stars and Stripes Forever - march
00:03:31

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

2
La Reine de la mer - waltz
00:05:49

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

3
Gliding Girl Tango
00:03:45

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

4
The Thunderer - march
00:02:40

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

5
Myrrha Gavotte
00:04:38

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

6
Washington Post - march
00:02:27

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

7
Peaches & Cream - foxtrot
00:03:30

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

8
High School Cadets - march
00:02:39

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

9
Waltz from comic opera “Desirée"
00:05:02

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

10
Prelude to comic opera “El Capitan"
00:03:09

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

11
Presidential Polonaise
00:03:57

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

12
Semper Fidelis - march
00:02:40

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - John Philip Sousa, Composer

2011 Musical Concepts 2011 Musical Concepts

13
Entry of the Gladiators
00:02:43

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - Julius Fu?ík, Composer

2011 Musical Concepts 2011 Musical Concepts

14
American Salute
00:04:22

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - Morton GOULD, Composer

2011 Musical Concepts 2011 Musical Concepts

15
Girl Crazy
00:05:44

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - George Gershwin, Composer

2011 Musical Concepts 2011 Musical Concepts

16
Festival March
00:06:56

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - VICTOR HERBERT, Composer

2011 Musical Concepts 2011 Musical Concepts

17
American Fantasia
00:09:54

Erich Kunzel, MainArtist - Cincinnati Pops Orchestra, MainArtist - VICTOR HERBERT, Composer

2011 Musical Concepts 2011 Musical Concepts

Album review

This collection of works by John Philip Sousa and others, originally recorded for the old Vox Music Group in 1988, has had a long life in reissues, and it's easy to see the appeal. Despite a few quirks, it remains a strong choice for basic libraries of musical Americana and even for a starter Sousa album. This is true despite the omission of several major Sousa march hits, or perhaps even because of this omission, for the album offers variety that makes it more listenable than competitors that offer 75 minutes of marches. There is a selection of non-march works by Sousa (who would have been glad to see it), including pieces that show how he tried, with some success, to keep up with trends. The Gliding Girl Tango, written in 1912, is more an impression of the tango than an actual dance, but Sousa's popular instincts extended even into the era of jazz dance; hear the rather unfamiliar Peaches & Cream foxtrot (track 7) from 1923. Works by other composers similiarly mix evergreen hits (Julius Fucik's Entry of the Gladiators, aka, the Circus March) with more novel works like Victor Herbert's early and rather obvious but thoroughly effective American Fantasia. The Cincinnati Pops under Erich Kunzel was at times recorded by more sophisticated engineers than those heard here, but they have rarely played with a more perfect combination of enthusiasm and discipline. The only blemishes involve some curious phrasing decisions on Kunzel's part (listen to the odd, mannered accents in The Stars and Stripes Forever), but these are few. Booklet notes are in English only; the remastered reissue on the Alto/Musical Concepts label in 2010 provided new and entertaining ones.
© TiVo

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