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Jakob Lindberg|Italian Virtuosi of the Chitarrone

Italian Virtuosi of the Chitarrone

Jakob Lindberg

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The chitarrone was a large relative of the lute, at first nearly interchangeable with the more common theorbo. As the instrument developed in the 17th century, it acquired several sets of low strings and a repertory designed to exploit its varied capabilities: it could render operatic-type declamations with booming basses, polyphonic songs, dense ricercar-like constructions, and most commonly difficult variation sets that displayed its whole range. The instrument is an unwieldy thing (the example played here has 15 courses), and the number of people worldwide who can play it competently is not large. Swedish player Jakob Lindberg is equal to its challenges, and this album presents a good sampling of the instrument's Italian repertory from the early 17th century (Giovanni Kapsberger, though born in Germany, moved to Italy as a young man and adopted an Italian name). There are a few study-like pieces, such as the Arpeggiata from Kapsberger's Book I, but most of the music lives up to the promised virtuoso billing. Sample one of the larger ground bass pieces, such as the Romanesca con partite variate of Alessandro Piccinini (track 10) for the full effect. This was music that developed contemporaneously with the forerunners of opera in the salons of artistically interested members of the powerful Medici and Barberini families, and along with the fireworks there's a certain intellectual streak. It's visible in such pieces as Kapsberger's Colascione and the self-referential Kapsberger from Book 4 of his chitarrone pieces, published in 1640. Some of the more arcane devices involve fingering on the chitarrone; they're explained in the booklet but require focus for the general listener (toward whom this album is not really aimed). The BIS label does not help with its church engineering, which picks up extraneous instrument noises that an audience of Italian princes in a lushly appointed room would never have heard. Still, for those who love the lute and its relatives, this is a skilled examination of a fascinating and all-but-unknown repertory.

© TiVo

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Italian Virtuosi of the Chitarrone

Jakob Lindberg

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Libro I d'intavolatura di chitarone (Giovanni Girolamo Kapsberger)

1
Toccata Arpeggiata
00:02:12

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

Doni Lute Book (Giovanni Girolamo Kapsberger)

2
Canzona I
00:03:41

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

3
Bergamasca
00:02:54

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

4
Canario
00:01:22

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

5
Passacaglia
00:04:12

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

Cappricci a 2 stromenti cioe Tiorba et Tiorbino (Bellerofonte Castaldi)

6
Fantasia detta Pegasea
00:02:55

Jakob Lindberg, MainArtist, AssociatedPerformer - Bellerofonte Castaldi, Composer

2012 BIS 2012 (P) BIS

7
Arpesca gagliarda
00:02:11

Jakob Lindberg, MainArtist, AssociatedPerformer - Bellerofonte Castaldi, Composer

2012 BIS 2012 (P) BIS

8
Cecchina corrente
00:01:10

Jakob Lindberg, MainArtist, AssociatedPerformer - Bellerofonte Castaldi, Composer

2012 BIS 2012 (P) BIS

Intavolatura di Liuto, et di Chitarrone, Book 1 (Alessandro Piccinini)

9
Toccata cromatica
00:03:12

Jakob Lindberg, MainArtist, AssociatedPerformer - Alessandro Piccinini, Composer

2012 BIS 2012 (P) BIS

10
Romanesca con partite variate
00:06:18

Jakob Lindberg, MainArtist, AssociatedPerformer - Alessandro Piccinini, Composer

2012 BIS 2012 (P) BIS

11
Corrente II
00:01:20

Jakob Lindberg, MainArtist, AssociatedPerformer - Alessandro Piccinini, Composer

2012 BIS 2012 (P) BIS

Libro III d'intavolatura di chitarone (Giovanni Girolamo Kapsberger)

12
Toccata VII
00:02:31

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

13
Gagliarda con due partite
00:05:16

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

14
Corrente I con partita
00:03:06

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

Intavolatura di Liuto, et di Chitarrone, Book 1 (Alessandro Piccinini)

15
Toccata XIII
00:02:16

Jakob Lindberg, MainArtist, AssociatedPerformer - Alessandro Piccinini, Composer

2012 BIS 2012 (P) BIS

16
Partite variate sopra la folia aria Romanesca
00:02:24

Jakob Lindberg, MainArtist, AssociatedPerformer - Alessandro Piccinini, Composer

2012 BIS 2012 (P) BIS

Intavolatura di Liuto, et di Chitarrone, Book 2 (Alessandro Piccinini)

17
Aria di Fiorenza
00:02:20

Jakob Lindberg, MainArtist, AssociatedPerformer - Alessandro Piccinini, Composer

2012 BIS 2012 (P) BIS

Intavolatura di Liuto, et di Chitarrone, Book 1 (Alessandro Piccinini)

18
Corrente I
00:01:20

Jakob Lindberg, MainArtist, AssociatedPerformer - Alessandro Piccinini, Composer

2012 BIS 2012 (P) BIS

Cappricci a 2 stromenti cioe Tiorba et Tiorbino (Bellerofonte Castaldi)

19
Arpeggiata a mio modo
00:02:55

Jakob Lindberg, MainArtist, AssociatedPerformer - Bellerofonte Castaldi, Composer

2012 BIS 2012 (P) BIS

20
Cromatica corrente
00:02:03

Jakob Lindberg, MainArtist, AssociatedPerformer - Bellerofonte Castaldi, Composer

2012 BIS 2012 (P) BIS

21
La Follia
00:05:10

Jakob Lindberg, MainArtist, AssociatedPerformer - Bellerofonte Castaldi, Composer

2012 BIS 2012 (P) BIS

22
Furiosa corrente
00:01:47

Jakob Lindberg, MainArtist, AssociatedPerformer - Bellerofonte Castaldi, Composer

2012 BIS 2012 (P) BIS

Doni Lute Book (Giovanni Girolamo Kapsberger)

23
Preludio V
00:01:04

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

24
Toccata VII
00:03:51

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

25
Capona
00:01:31

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

26
Colascione
00:01:38

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

27
Kapsberger
00:03:21

Jakob Lindberg, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer

2012 BIS 2012 (P) BIS

Album review

The chitarrone was a large relative of the lute, at first nearly interchangeable with the more common theorbo. As the instrument developed in the 17th century, it acquired several sets of low strings and a repertory designed to exploit its varied capabilities: it could render operatic-type declamations with booming basses, polyphonic songs, dense ricercar-like constructions, and most commonly difficult variation sets that displayed its whole range. The instrument is an unwieldy thing (the example played here has 15 courses), and the number of people worldwide who can play it competently is not large. Swedish player Jakob Lindberg is equal to its challenges, and this album presents a good sampling of the instrument's Italian repertory from the early 17th century (Giovanni Kapsberger, though born in Germany, moved to Italy as a young man and adopted an Italian name). There are a few study-like pieces, such as the Arpeggiata from Kapsberger's Book I, but most of the music lives up to the promised virtuoso billing. Sample one of the larger ground bass pieces, such as the Romanesca con partite variate of Alessandro Piccinini (track 10) for the full effect. This was music that developed contemporaneously with the forerunners of opera in the salons of artistically interested members of the powerful Medici and Barberini families, and along with the fireworks there's a certain intellectual streak. It's visible in such pieces as Kapsberger's Colascione and the self-referential Kapsberger from Book 4 of his chitarrone pieces, published in 1640. Some of the more arcane devices involve fingering on the chitarrone; they're explained in the booklet but require focus for the general listener (toward whom this album is not really aimed). The BIS label does not help with its church engineering, which picks up extraneous instrument noises that an audience of Italian princes in a lushly appointed room would never have heard. Still, for those who love the lute and its relatives, this is a skilled examination of a fascinating and all-but-unknown repertory.

© TiVo

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