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Tim Berne's Snakeoil|Incidentals

Incidentals

Tim Berne's Snakeoil

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Much like other musicians from the post-free scene, such as Julius Hemphill, Tim Berne is already looking to break the lines and build upon the uncomfortable. For the last thirty years, the saxophonist from New York has been one of these active troublemakers, of these jazzmen who are willing to try everything, and disrupt anything. Leader of the band Snakeoil, Berne released a fascinating fourth album for the ECM label: in Incidentals, which he recorded with Oscar Noriega on the bass clarinet, Ryan Ferreira on the electric guitar, Matt Mitchell on piano and Chas Smith on drums, he continues his beautiful destabilising campaign, while always keeping one hand on the sacred scriptures of tradition (to better shake them up?). Less and less attracted to chamber music, the Snakeoil adventure becomes all the more fascinating. And the way carefully written music blends with highly sophisticated improvisations on Incidentals is truly reaching new heights. Cerebral and demanding, here is a beautiful contemporary jazz album. © MD/Qobuz

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Incidentals

Tim Berne's Snakeoil

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1
Hora Feliz
00:10:26

DAVID TORN, Producer - Tim Berne, Composer, Alto Saxophone, AssociatedPerformer - Oscar Noriega, Clarinet, AssociatedPerformer - Ches Smith, Drums, AssociatedPerformer - Matt Mitchell, Piano, AssociatedPerformer - Tim Berne's Snakeoil, MainArtist - D. James Goodwin, Recording Engineer, StudioPersonnel - Bella Blasko, Asst. Recording Engineer, StudioPersonnel - Ryan Ferreira, Electric Guitar, AssociatedPerformer

℗ 2017 ECM Records GmbH

2
Stingray Shuffle
00:07:36

DAVID TORN, Producer - Tim Berne, Composer, Alto Saxophone, AssociatedPerformer - Oscar Noriega, Clarinet, AssociatedPerformer - Ches Smith, Drums, AssociatedPerformer - Matt Mitchell, Piano, AssociatedPerformer - Tim Berne's Snakeoil, MainArtist - D. James Goodwin, Recording Engineer, StudioPersonnel - Bella Blasko, Asst. Recording Engineer, StudioPersonnel - Ryan Ferreira, Electric Guitar, AssociatedPerformer

℗ 2017 ECM Records GmbH

3
Sideshow
00:26:01

DAVID TORN, Producer - Tim Berne, Composer, Alto Saxophone, AssociatedPerformer - Oscar Noriega, Clarinet, AssociatedPerformer - Ches Smith, Drums, AssociatedPerformer - Matt Mitchell, Piano, AssociatedPerformer - Tim Berne's Snakeoil, MainArtist - D. James Goodwin, Recording Engineer, StudioPersonnel - Bella Blasko, Asst. Recording Engineer, StudioPersonnel - Ryan Ferreira, Electric Guitar, AssociatedPerformer

℗ 2017 ECM Records GmbH

4
Incidentals Contact
00:10:48

DAVID TORN, Producer - Tim Berne, Composer, Alto Saxophone, AssociatedPerformer - Oscar Noriega, Clarinet, AssociatedPerformer - Ches Smith, Drums, AssociatedPerformer - Matt Mitchell, Piano, AssociatedPerformer - Tim Berne's Snakeoil, MainArtist - D. James Goodwin, Recording Engineer, StudioPersonnel - Bella Blasko, Asst. Recording Engineer, StudioPersonnel - Ryan Ferreira, Electric Guitar, AssociatedPerformer

℗ 2017 ECM Records GmbH

5
Prelude One / Sequel Too
00:09:17

DAVID TORN, Producer - Tim Berne, Composer, Alto Saxophone, AssociatedPerformer - Oscar Noriega, Clarinet, AssociatedPerformer - Ches Smith, Drums, AssociatedPerformer - Matt Mitchell, Composer, Piano, AssociatedPerformer - Tim Berne's Snakeoil, MainArtist - D. James Goodwin, Recording Engineer, StudioPersonnel - Bella Blasko, Asst. Recording Engineer, StudioPersonnel - Ryan Ferreira, Electric Guitar, AssociatedPerformer

℗ 2017 ECM Records GmbH

Album review

Much like other musicians from the post-free scene, such as Julius Hemphill, Tim Berne is already looking to break the lines and build upon the uncomfortable. For the last thirty years, the saxophonist from New York has been one of these active troublemakers, of these jazzmen who are willing to try everything, and disrupt anything. Leader of the band Snakeoil, Berne released a fascinating fourth album for the ECM label: in Incidentals, which he recorded with Oscar Noriega on the bass clarinet, Ryan Ferreira on the electric guitar, Matt Mitchell on piano and Chas Smith on drums, he continues his beautiful destabilising campaign, while always keeping one hand on the sacred scriptures of tradition (to better shake them up?). Less and less attracted to chamber music, the Snakeoil adventure becomes all the more fascinating. And the way carefully written music blends with highly sophisticated improvisations on Incidentals is truly reaching new heights. Cerebral and demanding, here is a beautiful contemporary jazz album. © MD/Qobuz

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