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Beth Custer|In The Broken Fields Where I Lie

In The Broken Fields Where I Lie

Beth Custer

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As a member of the Clubfoot Orchestra, San Francisco multi-instrumentalist Beth Custer helped graft musical landscapes onto the blank slates of classic silent films like Nosferatu and The Cabinet of Dr. Caligari. After spending much of the 1990s dividing her time between works with that ensemble and recordings with Eighty Mile Beach and Trance Mission, she released a series of works under her own name. Certainly from a compositional standpoint, In the Broken Fields Where I Lie was the most ambitious of these early solo efforts, collecting a staggering body of Custer originals that are as rich in style and varied in scope as anything by the Clubfoot Orchestra. From the amusement park theme of "Carnyville" to the eerie piano tinkling of "Brenda's Music Box," the opening quartet of cinematic vignettes establishes the approach, each clocking in near the half-minute mark. Custer continually changes the scenery before you've had a chance to take in the sights, stripping the landscape from beneath your feet and plunging you into an entirely different setting. It's to her credit that the method works, at least initially, with nearly every composition a stunning, perfectly executed structure. Yet even though longer pieces are interspersed throughout, including an exquisite, reed-heavy reading of Duke Ellington's "Echoes of Harlem," the sluggish, junkyard beats of "Hannah's Groove," and the ghostly clamor of the stunning title track, the end results don't quite cohere. In the Broken Fields Where I Lie is like a series of striking, wide-screen soundscapes stripped from their images and, thus, their context. However, it remains undeniable proof of Custer's kaleidoscopic vision as a composer and arranger.
© Nathan Bush /TiVo

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In The Broken Fields Where I Lie

Beth Custer

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1
Carnyville
Club Foot Orchestra
00:00:36

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

2
Phagocyte
Club Foot Orchestra
00:00:36

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

3
Purdy Lily, Don't Die!
Club Foot Orchestra
00:00:31

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

4
Brenda's Music Box
Beth Custer
00:00:33

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

5
In The Broken Fields Where I Lie
Beth Custer
00:03:21

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

6
Echoes of Harlem
Clarinet Thing
00:05:08

Duke Ellington, Composer - Clarinet Thing, MainArtist

1999 Beth Custer 1999 Beth Custer

7
Rich Blanket of Love
Beth Custer
00:04:33

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

8
Stay Put, Here With Me
Beth Custer
00:02:50

Beth Custer, MainArtist - Beth Custer. Joe Goode Performance Group, Composer

1999 Beth Custer 1999 Beth Custer

9
Tribal Duets
Beth Custer
00:03:09

Beth Custer, MainArtist - Beth Custer, elaine Buckholtz, Matt Brubeck, Gino Robair, Julian Smedley,, Composer

1999 Beth Custer 1999 Beth Custer

10
Petnapping
Club Foot Orchestra
00:00:41

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

11
Don't Send Me Down That Hole!
Club Foot Orchestra
00:00:40

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

12
Rough Rider
Club Foot Orchestra
00:00:37

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

13
Hide Fox, and All After
Beth Custer
00:01:55

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

14
Rest, Perturbed Spirit
Beth Custer
00:01:53

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

15
To Sleep, Perchance To Dream
Beth Custer
00:02:54

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

16
Hamlet
Beth Custer
00:01:25

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

17
Tango Me Not
Club Foot Orchestra
00:00:22

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

18
Petnapping #2
Club Foot Orchestra
00:00:45

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

19
Clean Your Room
Club Foot Orchestra
00:00:27

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

20
Stellar Glimmer
Beth Custer
00:04:48

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

21
Going Hence, Coming Hither
Beth Custer
00:01:14

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

22
Virtue
Beth Custer
00:03:16

Beth Custer, MainArtist - Beth Custer, Michael Salinas, Composer

1999 Beth Custer 1999 Beth Custer

23
Sotto
Beth Custer
00:00:13

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

24
Hannah's Groove
Beth Custer
00:03:27

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

25
Spray Twinkle
Club Foot Orchestra
00:00:31

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

26
Momus
Club Foot Orchestra
00:00:34

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

27
Aristocratic Ruffian
Club Foot Orchestra
00:01:02

Beth Custer, Composer - Club Foot Orchestra, MainArtist

1999 Beth Custer 1999 Beth Custer

28
The Passing Quartet
Beth Custer
00:05:38

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

29
Throw Stones At A Can
Beth Custer
00:01:55

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

30
I Will Be Sad In This Life
Beth Custer
00:07:25

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

31
Brenda's Music Box, Too
Beth Custer
00:00:45

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

32
In The Broken Fields Where I Like, 2
Beth Custer
00:03:52

Beth Custer, Composer, MainArtist

1999 Beth Custer 1999 Beth Custer

Album review

As a member of the Clubfoot Orchestra, San Francisco multi-instrumentalist Beth Custer helped graft musical landscapes onto the blank slates of classic silent films like Nosferatu and The Cabinet of Dr. Caligari. After spending much of the 1990s dividing her time between works with that ensemble and recordings with Eighty Mile Beach and Trance Mission, she released a series of works under her own name. Certainly from a compositional standpoint, In the Broken Fields Where I Lie was the most ambitious of these early solo efforts, collecting a staggering body of Custer originals that are as rich in style and varied in scope as anything by the Clubfoot Orchestra. From the amusement park theme of "Carnyville" to the eerie piano tinkling of "Brenda's Music Box," the opening quartet of cinematic vignettes establishes the approach, each clocking in near the half-minute mark. Custer continually changes the scenery before you've had a chance to take in the sights, stripping the landscape from beneath your feet and plunging you into an entirely different setting. It's to her credit that the method works, at least initially, with nearly every composition a stunning, perfectly executed structure. Yet even though longer pieces are interspersed throughout, including an exquisite, reed-heavy reading of Duke Ellington's "Echoes of Harlem," the sluggish, junkyard beats of "Hannah's Groove," and the ghostly clamor of the stunning title track, the end results don't quite cohere. In the Broken Fields Where I Lie is like a series of striking, wide-screen soundscapes stripped from their images and, thus, their context. However, it remains undeniable proof of Custer's kaleidoscopic vision as a composer and arranger.
© Nathan Bush /TiVo

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